Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical.
The Mooney Suzuki is an American garage rock band that formed in New York City in 1996. Originally comprising vocalist and guitarist Sammy James, Jr., guitarist Graham Tyler, bassist John Paul Ribas and drummer Will Rockwell-Scott, the band has released four studio albums – People Get Ready (2000), Electric Sweat (2003), Alive & Amplified (2004) and Have Mercy (2007). The current lineup includes founding members James and Rockwell-Scott, guitarist Chris Isom, and bassist Reno Bo.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Kenji Suzuki, better known as Damo Suzuki (ダモ鈴木), is a Japanese musician who has been living in Germany since the early 1970s and is best known as the former lead singer of the krautrock group Can.
This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet. In contrast to the band’s earlier albums, This Nation's... is noted for its pop sensibilities and guitar hooks, and John Leckie's accessible production. This Nation's... was recorded in London between June and July 1985, and is the second of the three consecutive Fall albums produced by John Leckie. The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek", and tours of Europe and America.
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
Jesse Harris is an American singer-songwriter, producer, and guitarist. He has worked with Norah Jones, Melody Gardot, Madeleine Peyroux, Nikki Yanofsky, and Lizz Wright.
Jack Rose was an American guitarist originally from Virginia and later based in Philadelphia. Rose is best known for his solo acoustic guitar work. He was also a member of the noise/drone band Pelt.
John Aloysius Fahey was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.
Zu is an Italian instrumental band from Rome. While their line-up of baritone sax, bass guitar and drums is typical of a jazz band, their hard-driving sound is indebted to punk rock and according to AllMusic "defies easy categorization". Zu have collaborated with a wide variety of musicians and been described as "masters at adapting to their guests' musical backgrounds".
Days Have Gone By is an album by American fingerstyle guitarist and composer John Fahey, released in 1967. The cover labels the album Volume 6 while it was preceded in 1966 by The Great San Bernardino Birthday Party which is labeled Guitar Vol. 4.
City of Refuge is an album by American fingerstyle guitarist and composer John Fahey, released in 1997. It was his first original release in over five years and helped start his career resurgence.
The Epiphany of Glenn Jones is an album by American fingerstyle guitarist and composer John Fahey and the alternative rock/post-rock band Cul de Sac, released in 1997.
Red Cross is the 33rd and final studio album by American fingerstyle guitarist and composer John Fahey, released posthumously in 2003. The Revenant Records catalog refers to the album's title as Red Cross Disciple of Christ Today.
The Great Koonaklaster Speaks: A John Fahey Celebration is a tribute CD to guitarist John Fahey released in 2007.
Glenn Jones is an American guitarist, He is most recognized for his work in the experimental rock group Cul de Sac.
I Don't Want to Go to Bed is the second album by American instrumental rock band Cul de Sac, released in 1995 through Thirsty Ear Recordings.
China Gate is an album by Cul de Sac, released in 1996. The album incorporated elements of surf rock.
Abhayamudra is a double live collaboration album by the American musical group Cul de Sac and Japanese vocalist Damo Suzuki, released on November 2, 2004 through Strange Attractors Audio House.
"I Am Damo Suzuki" is a song by the English Post-punk band The Fall released on their 1985 album This Nation's Saving Grace. It was written in tribute to the Japanese expat vocalist Damo Suzuki of the Krautrock group Can, whom Fall vocalist Mark E. Smith consistently described as a major influence. Smith's lyrics describe and evoke Suzuki's stage presence and singing style. The music was composed by guitarist Brix Smith and drummer Karl Burns. Described as spectral, the music is heavily influenced by the 1971 Can song "Oh Yeah", but also contains elements of other Can tracks such as "Bel Air" (1973), "Gomorrah" (1974) and "Midnight Men" (1977).
