Cura or Aera Cura is the name of a Roman goddess who created the first human (homo) and whose name means "care" or "concern" in Latin. Hyginus seems to have created both the personification and story for his Fabulae, poem 220.
While crossing a river, Cura gathered clay and, engrossed in thought, began to mold it into a man. When she was thinking about what she had already made, Jove (Jupiter) arrived on the scene. Cura asked him to grant it spiritus, "breath" or "spirit." He grants her request readily, but when she also asked to give her creation her own name, he forbade it, insisting that it had to carry his name. While the two were arguing, Tellus (Earth) arose and wanted it to have her name because she had made her body available for it.
The judgment is finally rendered by Saturn. He determines that since the spiritus was granted by Jove, he should have it in death; Tellus, or Earth, would receive the body she had given; because Cura, or Care, had been the creator, she would keep her creation as long as it lived. To resolve the debate, homo, "human being," would be the name, because it was made from humus , earth.
The story attracted the attention of Heidegger, a modern philosopher, who observed, "The double sense of cura refers to care for something as concern, absorption in the world, but also care in the sense of devotion." Heidegger regards the fable as a "naive interpretation" of the philosophical concept that he terms Dasein, "being-in-the-world" in Section 42 of Being and Time. [1] [2] Heidegger's use of this fable in casting the female Cura as creator has been seen as an inversion of the equivalent Christian myth, in which woman is created last, with the centrality of Cura as a challenge to the Western concept of self-sufficiency and "atomization" of the individual. [3]
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
In ancient Roman religion, Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales. She was also honoured in the May lustration (lustratio) of the fields at the Ambarvalia festival: at harvest-time: and during Roman marriages and funeral rites. She is usually depicted as a mature woman.
Veritas is the name given to the Roman virtue of truthfulness, which was considered one of the main virtues any good Roman should possess. The Greek goddess of truth is Aletheia. The German philosopher Martin Heidegger argues that the truth represented by aletheia is different from that represented by veritas, which is linked to a Roman understanding of rightness and finally to a Nietzschean sense of justice and a will to power.
The Übermensch is a concept in the philosophy of Friedrich Nietzsche. In his 1883 book, Thus Spoke Zarathustra, Nietzsche has his character Zarathustra posit the Übermensch as a goal for humanity to set for itself. The Übermensch represents a shift from otherworldly Christian values and manifests the grounded human ideal.
Essence is a polysemic term, having various meanings and uses. It is used in philosophy and theology as a designation for the property or set of properties or attributes that make an entity or substance what it fundamentally is, and which it has by necessity, and without which it loses its identity. Essence is contrasted with accident: a property or attribute the entity or substance has contingently, without which the substance can still retain its identity.
Being-in-itself is the self-contained and fully realized being of objects. It is a term used in early 20th century continental philosophy, especially in the works of Martin Heidegger, Jean-Paul Sartre, Simone de Beauvoir, and the existentialists.
Space: Above and Beyond is an American science fiction television series that originally aired on Fox, created and written by Glen Morgan and James Wong. Originally planned for five seasons, it only ran for one season from 1995–1996 before being canceled, mainly due to low ratings. It was nominated for two Emmy Awards and one Saturn Award. Ranked last in IGN's top 50 Sci-Fi TV Shows, it was described as "yet another sci-fi show that went before its time".
In ancient Roman religion and mythology, Tellus Mater or Terra Mater is the personification of the Earth. Although Tellus and Terra are hardly distinguishable during the Imperial era, Tellus was the name of the original earth goddess in the religious practices of the Republic or earlier. The scholar Varro (1st century BC) lists Tellus as one of the di selecti, the twenty principal gods of Rome, and one of the twelve agricultural deities. She is regularly associated with Ceres in rituals pertaining to the earth and agricultural fertility.
The pre-Adamite hypothesis or pre-Adamism is the theological belief that humans existed before the biblical character Adam. Pre-Adamism is therefore distinct from the conventional Abrahamic belief that Adam was the first human. Advocates of this hypothesis are known as "pre-Adamites", along with the humans who they believe existed before Adam.
The phenomenology of religion concerns the experiential aspect of religion, describing religious phenomena in terms consistent with the orientation of worshippers. It views religion as made up of different components, and studies these components across religious traditions in order to gain some understanding of them.
Aletheia or Alethia is truth or disclosure in philosophy. Originating in Ancient Greek philosophy, the term was explicitly used for the first time in the history of philosophy by Parmenides in his poem On Nature, in which he contrasts it with doxa.
"The Origin of the Work of Art" is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing", marking the philosopher's first lectures on the notion of art.
Martin Heidegger, the 20th-century German philosopher, produced a large body of work that intended a profound change of direction for philosophy. Such was the depth of change that he found it necessary to introduce many neologisms, often connected to idiomatic words and phrases in the German language.
Hölderlin's Hymn "The Ister" is the title given to a lecture course delivered by German philosopher Martin Heidegger at the University of Freiburg in 1942. It was first published in 1984 as volume 53 of Heidegger's Gesamtausgabe. The translation by William McNeill and Julia Davis was published in 1996 by Indiana University Press. Der Ister is a poem by Friedrich Hölderlin, the title of which refers to an ancient name for a part of the Danube River.
Endymion, the Man in the Moon is an Elizabethan era comedy by John Lyly, written circa 1588. The action of the play centers around a young courtier, Endymion, who is sent into an endless slumber by Tellus, his former lover, because he has spurned her to worship the ageless Queen Cynthia. The prose is characterised by Euphuism, Lyly's highly ornate, formalised style, meant to convey the intelligence and wit of the speaker. Endymion has been called "without doubt, the boldest in conception and the most beautiful in execution of all Lyly's plays." Lyly makes allusions to ancient Greek and Roman texts and traditional English folklore throughout the play. While the title and characters are references to the myth of Endymion, the plot sharply deviates from the classical story and highlights contemporary issues in Elizabeth I's court through its allegorical framework.
Contributions to Philosophy (Of the Event) (German: Beiträge zur Philosophie (Vom Ereignis)) is a work by German philosopher Martin Heidegger. It was first translated into English by Parvis Emad and Kenneth Maly and published by Indiana University Press in 1999 as Contributions to Philosophy (From Enowning). In 2012, a new translation was produced by Richard Rojcewicz and Daniela Vallega-Neu and published by Indiana University Press as Contributions to Philosophy (Of the Event). Composed privately between 1936 and 1938, but not available to the public until it was published in Germany in 1989, the work is thought to reflect "the turn" (die Kehre) in Heidegger's thought after Being and Time (1927).
Sallie McFague was an American feminist Christian theologian, best known for her analysis of how metaphor lies at the heart of how Christians may speak about God. She applied this approach, in particular, to ecological issues, writing extensively on care for the Earth as if it were God's "body". She was Distinguished Theologian in Residence at the Vancouver School of Theology, British Columbia, Canada.
Pandora's box is an artifact in Greek mythology connected with the myth of Pandora in Hesiod's c. 700 B.C. poem Works and Days. Hesiod related that curiosity led her to open a container left in the care of her husband, thus releasing curses upon mankind. Later depictions of the story have been varied, with some literary and artistic treatments focusing more on the contents than on Pandora herself.
Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.
De falsis diis, or, in Classical Latin spelling, De falsis deis, is an Old English homily composed by Ælfric of Eynsham in the late tenth or early eleventh century. The sermon is noted for its attempt to explain beliefs in traditional Anglo-Saxon and Norse gods within a Christian framework through Euhemerisation. The homily was subsequently adapted and circulated by Wulfstan II, Archbishop of York, and also translated into Old Norse under the title ''Um þat hvaðan ótrú hófsk''.