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Documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany.
Jodi, is a collective of two internet artists, Joan Heemskerk and Dirk Paesmans, created in 1994. They were some of the first artists to create Web art and later started to create software art and artistic computer game modification. Their most well-known art piece is their website wwwwwwwww.jodi.org, which is a landscape of intricate designs made in basic HTML. JODI is represented by Upstream Gallery, Amsterdam.
Harald Szeemann was a Swiss curator, artist, and art historian. Having curated more than 200 exhibitions, many of which have been characterized as groundbreaking, Szeemann is said to have helped redefine the role of an art curator. It is believed that Szeemann elevated curating to a legitimate art form itself.
The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent.
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region.
ART PAPERS is an Atlanta-based bimonthly art magazine and non-profit organization dedicated to the examination of art and culture in the world today. Its mission is to provide an independent and accessible forum for the exchange of perspectives on the role of contemporary art as a socially relevant and engaged discourse. This mission is implemented through the publication of ART PAPERS magazine and the presentation of public programs.
The conservation and restoration of new media art is the study and practice of techniques for sustaining new media art created using from materials such as digital, biological, performative, and other variable media.
Artspace, officially Artspace Visual Arts Centre, is an independent, not-for-profit and non-collecting residency-based contemporary art centre. Artspace is housed in the historic Gunnery Building in Woolloomooloo, fronting Sydney Harbour in Sydney, Australia. Devoted to the development of certain new ideas and practices in contemporary art and culture, since the early 1980s Artspace has been building a critical context for Australian and international artists, curators and writers.
Canadian artist-run centres are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions are non-commercial and de-emphasize the selling of artwork.
Rhizome is an American not-for-profit arts organization that supports and provides a platform for new media art.
The Miller ICA at Carnegie Mellon University is the contemporary art gallery of Carnegie Mellon University in Pittsburgh, Pennsylvania.
Kate Armstrong is a Canadian artist, writer and curator with a history of projects focusing on experimental literary practices, networks and public space.
Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong which focuses on documenting the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming. AAA is one of the most comprehensive publicly accessible collections of research materials in the field. In activating its collections, AAA initiates public, educational, and residency programmes. AAA also offers research grants and publishes articles on IDEAS Journal.
SCCA, Center for Contemporary Arts - Ljubljana was established in 1993 as a Soros Center for Contemporary Arts and is now an independent non-governmental and non-profit organization based in Ljubljana, Slovenia.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
Ashkal Alwan, the Lebanese Association for Plastic Arts, is a non-profit organization that promotes contemporary art practices in Lebanon and the broader region.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
Working Artists and the Greater Economy (W.A.G.E.) is a New York-based activist group and non-profit organization whose stated advocacy mission is "to establish sustainable economic relationships between artists and the institutions that contract our labor, and to introduce mechanisms for self-regulation into the art field that collectively bring about a more equitable distribution of its economy".
Âhasiw Maskêgon-Iskwêw (1958–2006) was a Cree and French Métis theorist, curator and artist. Maskêgon-Iskwêw was a significant figure in the field of contemporary Indigenous arts, and a formative proponent of digital media within Indigenous communities. In their 2015 book dedication to him, Steven Loft and Kerry Swanson describe Maskêgon-Iskwêw as "one of the foremost thinkers and practitioners of Aboriginal new media art."
Live In Your Head: When Attitudes Become Form was an exhibition at the Kunsthalle Bern curated by the Swiss curator, Harald Szeemann, in 1969. The show is considered a groundbreaking landmark for Postminimalist and Arte Povera work which, according to the New York Times, was "arguably the most famous exhibition of new art of the postwar era."
References
- ↑ "Bad Attitudes: Harald Szeemann's Landmark Exhibition Was a Scandal in Its Day". Observer. 2013-06-01. Retrieved 2019-01-25.
- ↑ "Pioneering curator Harald Szeemann celebrated in two Los Angeles shows". theartnewspaper.com. Retrieved 2019-01-25.