The Norwich school of painters was the first provincial art movement established in Britain, active in the early 19th century. Artists of the school were inspired by the natural environment of the Norfolk landscape and owed some influence to the work of landscape painters of the Dutch Golden Age such as Hobbema and Ruisdael.
John Egerton Christmas Piper CH was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
"Journey of the Magi" is a 43-line poem written in 1927 by T. S. Eliot (1888–1965). It is one of five poems that Eliot contributed for a series of 38 pamphlets by several authors collectively titled the Ariel Poems and released by the British publishing house Faber and Gwyer. Published in August 1927, "Journey of the Magi" was the eighth in the series and was accompanied by illustrations drawn by American-born avant garde artist Edward McKnight Kauffer (1890–1954). The poems, including "Journey of the Magi", were later published in both editions of Eliot's collected poems in 1936 and 1963.
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.
Eric William Ravilious was a British painter, designer, book illustrator and wood-engraver. He grew up in Sussex, and is particularly known for his watercolours of the South Downs, Castle Hedingham and other English landscapes, which examine English landscape and vernacular art with an off-kilter, modernist sensibility and clarity. He served as a war artist, and was the first British war artist to die on active service in World War II when the aircraft he was in was lost off Iceland.
George Holbrook Jackson was a British journalist, writer and publisher. He was recognised as one of the leading bibliophiles of his time.
Edward Bawden, was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist and served as a war artist in World War II. He was a fine watercolour painter but worked in many different media. He illustrated several books and painted murals in both the 1930s and 1960s. He was admired by Edward Gorey, David Gentleman and other graphic artists, and his work and career is often associated with that of his contemporary Eric Ravilious.
Beatrice Lamberton Warde was a twentieth-century writer and scholar of typography. As a marketing manager for the British Monotype Corporation, she was influential in the development of printing tastes in Britain and elsewhere in the mid-twentieth century and was recognized at the time as "[o]ne of the few women typographers in the world". Her writing advocated higher standards in printing, and championed intelligent use of historic typefaces from the past, which Monotype specialised in reviving, and the work of contemporary typeface designers.
Collotype is a gelatin-based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens. The majority of collotypes were produced between the 1870s and 1920s. It was the first form of photolithography.
Barnett Freedman was a British painter, commercial designer, book illustrator, typographer, and lithographer.
Alan Powers is a British teacher, researcher and writer on twentieth-century architecture and design.
Samuel Alper OBE was an English caravan designer and manufacturer responsible for the famous Sprite caravan, founder of the Little Chef chain of roadside restaurants, a viticulturist who revived the ancient Roman winery at Chilford Hall, a sculptor, the founder of the Curwen Print Study Centre for teaching printmaking and a philanthropist who sent caravans abroad to aid in disaster relief programmes.
Enid Crystal Dorothy Marx, RDI, was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry.
John Lewis (1912–1996) was a Welsh typographer, printer, illustrator and collector of printed ephemera.
"A Song for Simeon" is a 37-line poem written in 1928 by American-English poet T. S. Eliot (1888–1965). It is one of five poems that Eliot contributed to the Ariel Poems series of 38 pamphlets by several authors published by Faber and Gwyer. "A Song for Simeon" was the sixteenth in the series and included an illustration by avant garde artist Edward McKnight Kauffer. The poems, including "A Song for Simeon", were later published in both the 1936 and 1963 editions of Eliot's collected poems.
Frances Richards was a British painter, embroiderer, and illustrator.
Walter Hoyle (1922–2000) was an English artist, known for his prints, watercolours and illustration. He was a central figure in the Great Bardfield group of artists and a close associate of Edward Bawden. He taught at the Central School, London, and, for twenty years, at the Cambridge School of Art.
The Kynoch Press was an English-based fine press in Witton, Birmingham, founded in 1876 as a company press for Kynoch, a British manufacturer of ammunition. Initially, the press was used to print packaging. The press closed in 1981.
Signature: A Quadrimestrial of Typography and the Graphic Arts was a British magazine of typography and the graphic arts. Published and edited by Oliver Simon, it was subsidised and printed by the Curwen Press, of which Simon was a director. It appeared in fifteen volumes from 1935 to 1940, and eighteen volumes from 1946 to 1954 as a new series.
