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Cut Hands | |
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Origin | United Kingdom |
Genres | Electronic music, experimental music, new-age music |
Years active | 2008-present |
Labels | Susan Lawly, Very Friendly, Blackest Ever Black, Dirtier Promotions |
Associated acts | Whitehouse |
Members | William Bennett |
Cut Hands is a British electronic music project of William Bennett, previously of power electronics band Whitehouse. Cut Hands began in 2008, and its music is heavily inspired by African and Haitian Vodou music, being very rhythmic and percussion-based. [1]
The project began when William Bennett was invited to DJ at Optimo, a large club in Glasgow. When he asked what they wanted him to play, they told him he could play whatever he wanted. At the time, he was very interested in the music of African culture, and thus he played ritual drumming music, mixed in with Haitian Vodou music. [2] The name "Cut Hands" is a reference to the Whitehouse song "Cut Hands Has the Solution", which was from their 2003 album Bird Seed . [3]
Bennett's work as Cut Hands has brought him considerable attention in mainstream media, being placed in documentaries such as VICE's Kings of Cannabis [4] and having songs like "Black Mamba" sampled in hip-hop such as Danny Brown's "Pneumonia".
Vodun is practiced by the Aja, Ewe, and Fon peoples of Benin, Togo, Ghana, and Nigeria.
François Duvalier, also known as Papa Doc, was a Haitian politician who served as the President of Haiti from 1957 to 1971. He was elected president in 1957 on a populist and black nationalist platform. After thwarting a military coup d'état in 1958, his regime rapidly became totalitarian and despotic. An undercover government death squad, the Tonton Macoute, indiscriminately killed Duvalier's opponents; the Tonton Macoute was thought to be so pervasive that Haitians became highly fearful of expressing any form of dissent, even in private. Duvalier further sought to solidify his rule by incorporating elements of Haitian mythology into a personality cult.
Whitehouse were an English band formed in 1980, largely credited for the founding of the power electronics subgenre of industrial music.
Ogun or Ogoun is a spirit that appears in several African religions. He was the first Ooni of Ife after the demise of Oduduwa. A warrior and a powerful spirit of metal work, as well as of rum and rum-making. He is also known as the 'god of Iron', and is present in Yoruba religion, Haitian Vodou, and West African Vodun.
Simbi is a large and diverse family of serpents also known as loa in Haitian Vodou. Some names for the Simbi loa include Simbi Dlo, Simbi Makaya, Simbi Andezo, and Gran Simba. Traditionally in their Kongo context, they are all associated with water, but in the Haitian Vodoun context they have wide-ranging associations. For example, Simbi Makaya is a great sorcerer and served in particular in the Sanpwel secret societies. Simbi Anpaka is a loa of plants, leaves, and poisons.
Marc and the Mambas was a new wave group, formed by Marc Almond in 1982 as an offshoot project from Soft Cell. The band's line-up changed frequently, and included Matt Johnson from The The and Annie Hogan, with whom Almond worked later in his solo career.
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Dutty Boukman was an early leader of the Haitian Revolution. Born in Senegambia, he was captured, enslaved and transported to Jamaica. He eventually ended up in Haiti, where he became a leader of the Maroons and a vodou houngan (priest).
Houngan or oungan is the term for a male priest in Haitian Vodou. The term is derived from the Fon word hounnongan. Houngans are also known as makandals.
Bois Caïman was the site of the first major meeting of enslaved Blacks during which the first major slave insurrection of the Haitian Revolution was planned.
Homosexuality in Haitian Vodou is religiously acceptable and homosexuals are allowed to participate in all religious activities. However, in countries with large Vodou populations, some Christian influence may have given homosexuality a social stigma, at least on some levels of society.
A bokor (male) or caplata (female) is a Vodou witch for hire who is said to serve the loa "with both hands", practicing for both good and evil. Their black magic includes the creation of zombies and of 'ouangas', talismans that house spirits.
Haitian Vodou is an African diasporic religion that gradually developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between the traditional religions of West Africa and the Roman Catholic form of Christianity. Adherents are known as Vodouists or "servants of the spirits". There is no central authority in control of Vodou, which is organised through autonomous groups.
Christianity is the most widely professed religion in the Dominican Republic. Historically, Catholicism dominated the religious practices of the country, and as the official religion of the state it receives financial support from the government. In modern times Protestant and non-Christian groups, such as Muslims and Jews, have experienced a population boom.
Vodou drumming and associated ceremonies are folk ritual faith system of henotheistic religion of Haitian Vodou originated and inextricable part of Haitian culture.
Max Gesner Beauvoir was a Haitian biochemist and houngan. Beauvoir held one of the highest titles of Voudou priesthood, "Supreme Servitur", a title given to Houngans and Mambos who have a great and very deep knowledge of the religion, and status within the religion. As Supreme Servitur, Max was seen as a high authority within Vodou.
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Frisner Augustin was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years.
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Pierrot Barra (1942–1999) was a Haitian Vodou artist and priest, who was president of a Bizango society. He was well-known for his use of diverse materials to create “Vodou Things,” which functioned as charms or altars for the Vodou religion.