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Drum and bass is a genre of electronic music characterized by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the early 1990s.
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Acid jazz, also known as club jazz, is a music genre that combines elements of funk, soul, hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Japan, Eastern Europe, and Brazil. Acts included the Brand New Heavies, D'Influence, Incognito, Us3, and Jamiroquai from the UK and Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, the movement became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, neo soul, or jazz rap.
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Gilles Jérôme Moehrle, better known as Gilles Peterson, is a French born, British based broadcaster, DJ and record label owner. He has founded influential labels such as Acid Jazz and Talkin' Loud, and started his current label, Brownswood Recordings, in 2006. He was awarded an honorary MBE in 2004, the AIM Award for Indie Champion 2013, the Mixmag Award for Outstanding Contribution To Dance Music in 2013, the PRS for Music Award for Outstanding Contribution to Music Radio in 2014, and The A&R Award from The Music Producers Guild in 2019.
Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s.
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Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds and an early prevalence of analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.
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The Greyboy Allstars are an American soul-jazz band from San Diego, California, United States, whose current members include Karl Denson on Saxophone, Robert Walter on Keys, Mike Andrews on guitar, Chris Stillwell on bass and Aaron Redfield on drums. They have released six albums to date.
Nathaniel Pierre Jones, better known by his stage name DJ Pierre, is an American DJ and performer of house music based in Chicago. He helped to develop the house music subgenre of acid house, as member of Phuture, whose 1987 EP Acid Tracks, is considered the first acid-house recording. Allmusic.com calls Jones a crucial DJ and the production wizard partly responsible for the development of Chicago acid-house. Jones' first single, "Generate Power," became standard fare for scores of producers during the next few years. Philippe Renaud, a journalist for La Presse in Montreal, states that the term acid house was coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax in that year.
William Holland is an English musician, DJ and record producer. He is based in New York City, after spending seven years in Colombia. Holland records under various pseudonyms, including Quantic, the Quantic Soul Orchestra, The Limp Twins, Flowering Inferno, and Ondatrópica. His music features elements of cumbia, salsa, bossa nova, soul, funk and jazz. Holland plays guitars, bass, double bass, piano, organ, saxophone, accordion and percussion. Much of his sound is original composition, rather than sampling of other artists' material. In addition to his original compositions, he has also produced remixes of over 30 songs.
Gavin Koppel, better known by his stage name DJ Lyfe, is an American musician, record producer, and artist, best known as the former turntablist and co-songwriter of the band Incubus between the years of 1995 and 1998. He is also a graffiti artist.
Egbert Nathaniel Dawkins III, known professionally by his stage name Aloe Blacc, is an American musician, singer, songwriter, rapper, record producer, and philanthropist. He is best known for his singles "I Need a Dollar", "The Man", which topped the charts in the United Kingdom, and for writing and performing vocals on Avicii's "Wake Me Up", which topped the charts in 22 countries, including Australia and the United Kingdom. Aside from his solo career, Blacc is also a member of hip hop duo Emanon, alongside American record producer Exile.
Karl Denson is an American funk and jazz saxophonist, flutist and vocalist from Santa Ana, California. He was a member of Lenny Kravitz's band and has co-founded and led The Greyboy Allstars. Denson has recorded with artists including Jack DeJohnette, Dave Holland, Slightly Stoopid, Blind Boys of Alabama, Blackalicious, Stanton Moore, and Jon Foreman of the rock band Switchfoot. He continues to lead his own Karl Denson's Tiny Universe (KDTU) and Karl Denson Trio (KD3), while touring with the Rolling Stones since 2014 to date. Denson appears in the 1988 movie Coming To America as the saxophonist in the fictional band Sexual Chocolate.
edIT is an American electronic music producer and DJ based in Los Angeles, California. He is a member of The Glitch Mob.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the "squelching" sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D.
The Origin was an American alternative/indie rock/power pop band formed in San Diego, California in 1985. The classic line-up of the band consisted of Michael Andrews, Topper Rimel, Rony Abada, and Daniel Silverman. During the band's active years in the early nineties, they released two full-length albums and five singles, with two singles charting in the top 20 of the Billboard Modern Rock Tracks chart. They broke up in 1993.
West Coast Boogaloo is the debut album by the San Diego acid-soul-jazz band The Greyboy Allstars, featuring Fred Wesley on trombone on three tracks. The album was recorded in one day, live with the band, with Karl Denson and DJ Greyboy taking the reins as producers. It was originally released in December 1994 on vinyl by the now defunct Greyboy Records and later on CD. In June 2020, the band announced that Light In The Attic Records would be issuing a brand new pressing of the out of print classic on vinyl. It was reissued by Light In The Attic Records on October 7, 2020 "This album should interest all collectors from the Sonny Stitt/Groove Holmes/Rusty Bryant Prestige Records era of the '60's and '70's"
References
- ↑ Greyboy's house of sound, Khalil Hegarty, theage.com.au December 17, 2004, Retrieved September 11, 2007
- ↑ Opdahl Remastered Archived 2007-09-11 at the Wayback Machine , Sam Grawe, Dwell Magazine, Retrieved September 11, 2007
