DJ Stingray or Sherard Ingram, is the founder of Urban Tribe and associate of legendary Detroit electro duo Drexciya. As both a DJ and producer, Ingram specializes in futuristic electro, preferring fast tempos and inventive beat patterns to more accessible, club-friendly rhythms. When asked to describe his style of electronic music he prefers to classify it as Techno. [1]
Taught how to DJ by Kenny Dixon, Jr. (Moodymann) in the mid-80s, he gradually developed and perfected his dense, high-speed mixing style, DJing at biker bars (such as The Outcast) in Detroit. Slipping bits of techno tracks in with Miami booty bass and West Coast electro and hip-hop. [2]
In the late 80's while working in the record shop Buy Rite music he met the late James Stinson of Drexciya and eventually became friends. Shortly thereafter Stinson asked Ingram to be the opening DJ for Drexciya's tour. This when the name DJ Stingray was given to Ingram. "Did I feel like a stingray? Never. But I wasn't going to argue with James Stinson. I felt it and I understood what he wanted, because I understood the Drexciya legacy. I was Stingray from that day on." This is also when he started to use his signature balaclava, which at first was supposed to be the same Underground Resistance mask used by the rest of the crew. Ingram quickly switched it out for a SWAT mask since it was more comfortable. [3]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco songs to give them a more mechanical beat and deeper basslines.
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood.
Ghettotech is a genre of electronic music originating from Detroit. It combines elements of Chicago's ghetto house with electro, Detroit techno, Miami bass.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and funk. Records in the genre typically feature drum machines and heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. This is the main distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. It also palpably deviates from its predecessor boogie for being less vocal-oriented and more focused on electronic beats produced by drum machines.
Mark Bell was a British DJ, record producer, and member of the pioneering techno group LFO. He recorded on Warp Records, and also collaborated with artists such as Björk and Depeche Mode.
Final Cut was a techno-industrial band formed in Detroit, Michigan and led by Anthony Srock with a revolving cast of guest musicians.
David Maurice Clarke is an English electronic music DJ, producer and radio presenter. BBC radio presenter John Peel named Clarke "The Baron of Techno".
Drexciya was an American electronic music duo from Detroit, Michigan, consisting of James Stinson (1969–2002) and Gerald Donald.
Electronic dance music (EDM), also known as dance music, club music, or simply dance, is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA.
Gerald Donald is a Detroit techno producer and artist. With James Stinson he formed the afrofuturist techno duo Drexciya, and he is the main member of Dopplereffekt.
Steve Goodman, known as Kode9 is a Scottish electronic music artist, DJ, and founder of the Hyperdub record label. He was one of the founding members of the early dubstep scene with the late MC and former collaborator The Spaceape. He has released three full-length albums: Memories of the Future (2006) and Black Sun (2011), both with The Spaceape, and Nothing (2015).
Skull Disco was an independent dubstep record label, based in Bristol, England. It was established in 2005 by Sam Shackleton and Laurie "Appleblim" Osborne, and ended in 2008. Releases on the label prominently featured African and post-African percussion, as well as "ethnic" samples. Zeke Clough contributed distinctive artwork for the label, drawing on both Egyptology and heavy metal imagery.
DJ Rolando a.k.a. The Aztec Mystic is an American techno DJ and producer from Detroit, Michigan, United States. A former member of Detroit’s famed Underground Resistance from 1994 to 2004, he is best known for his song "Knights of the Jaguar." Rolando parted ways with UR and relocated to Edinburgh in 2004, where he remains an active DJ, frequently appearing at prominent European venues including Tresor and Berghain.
"Clear" is a 1983 electro song performed by the American group Cybotron, and composed by Cybotron members Juan Atkins and Richard Davis.
Techno is a genre of electronic dance music (EDM) characterized by a repetitive four on the floor beat which is generally produced for use in a continuous DJ set. The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm). Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
"Enfants" is a 2008 single by electronic music producer Ricardo Villalobos. Though 17 minutes in length, the A-side, "Enfants (Chants)", has been described as a "remarkably catchy, hype-inducing DJ tool" by Pitchfork Media, and as a "great tool for DJs" by electronic music magazine Resident Advisor, due to its minimal changes over the course of the entire song.
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Daft Punk, Skrillex, and Steve Aoki.
Lifestyles of the Laptop Café is the only studio album by The Other People Place, a recording project by American electronic music producer James Stinson. It was released on September 3, 2001 through Warp. Stinson's identity as the album's producer was not confirmed until after his death in 2002. Largely overlooked at the time of its release, Lifestyles of the Laptop Café has since received retrospective critical acclaim. After being out of print for several years, the album was reissued by Warp in 2017.