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The D.O.P. Foundation is a non-profit institution headquartered in Paris (France), Madrid (Spain), Miami (U.S.A.) and Caracas (Venezuela). It focuses on educational and lending activities related to modern and contemporary art. The Foundation's primary goal is stated to be building a collection that reflects the scope and diversity of contemporary art.
The foundation supports museums and educational institutions by making works from its collection, known as the D.O.P. Collection or Colección D.O.P., available for loan.
The Foundation allows art professionals and scholars to view and study the collection’s artworks for exhibitions worldwide. Since 1999, various artworks from the collection have appeared in exhibitions in nearly 50 museums, universities, websites and other public venues, which are viewed by approximately one million people per year.
The educational initiatives of the D.O.P. Foundation are: The D.O.P. Collection, the Lending Library Program and its ArteDOP/ArtDOP Educational Initiative. These initiatives aim to achieve excellence in education through exhibitions, grant & scholarship programs, and activities that allow direct access for individuals and communities.[ citation needed ]
Vik Muniz is a Brazilian artist and photographer. His work has been met with both commercial success and critical acclaim, and has been exhibited worldwide. In 1998, he participated in the 24th International Biennale in São Paulo, and in 2001, he represented Brazil at the 49th Biennale in Venice, Italy.
Sérgio de Camargo was a sculptor and relief maker, born in Rio de Janeiro, Brazil. Sergio De Camargo studied at the Academia Altamira in Buenos Aires under Emilio Pettoruti and Lucio Fontana. Camargo also studied philosophy at the Sorbonne in Paris. On a protracted trip through Europe in 1948, Camargo met Brâncuși, Arp, Henri Laurens and Georges Vantongerloo.Sérgio de Camargo showed work at numerous international exhibitions, including the 1965 São Paulo Biennale, the 1966 Venice Biennale, and the 1968 documenta in Kassel. Sérgio de Camargo died in Rio de Janeiro in 1990. The Tate Gallery in London has one of de Camargo's work in their permanent collection.
Gertrud Louise Goldschmidt, known as Gego, was a modern German-Venezuelan visual artist. Gego is perhaps best known for her geometric and kinetic sculptures made in the 1960s and 1970s, which she described as "drawings without paper".
Jose Maria Rodriguez Madoz better known as Chema Madoz, is a Spanish photographer, best known for his black and white surrealist and poetic photographs.
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist, best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art", which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Mario Carreño y Morales was a Cuban painter.
Josep Guinovart i Bertran was a Spanish painter best known for his informalist or abstract expressionist work.
Gretta Sarfaty, born Alegre Sarfaty, is also known as Gretta Grzywacz and Greta Sarfaty Marchant, also simply as Gretta. is a painter, photographer and multimedia artist who earned international acclaim in the 1970s, from her artistic works related to Body art and Feminism. Born in Greece, in 1947, she moved with her family to São Paulo in 1954, being naturalized as Brazilian.
Zero was an artist group founded in the late 1950s in Düsseldorf by Heinz Mack and Otto Piene. Piene described it as "a zone of silence and of pure possibilities for a new beginning". In 1961 Günther Uecker joined the initial founders. ZERO became an international movement, with artists from Germany, the Netherlands, Belgium, France, Switzerland, and Italy.
Patricia Martín Méndez is a curator and art writer. She has conceptualized and directed three of the most relevant contemporary art foundations in Latin America: Colección Jumex, Fundación Alumnos 47 y Fundación Casa Wabi. In addition to creating the infrastructure to operate these institutions, she also served as chief curator, director of acquisitions; and she developed and promoted their educational, sponsorship and scholarship programs.
Patricia "Patty" Phelps de Cisneros is a Venezuelan-born Dominican art collector and philanthropist who focuses on Latin American modernist and contemporary art from Brazil, Venezuela, and the Río de la Plata region of Argentina and Uruguay. Since the 1970s Cisneros has supported education and the arts, with a particular focus on Latin America. Along with her husband, Gustavo A. Cisneros, she founded the New York City and Caracas-based Fundación Cisneros. In the 1990s the Fundación's primary art-related program became the Colección Patricia Phelps de Cisneros. In 2016, Cisneros donated 102 modern and contemporary artworks from the 1940s to 1990s to the Museum of Modern Art, establishing the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America at MoMA.
Colección Patricia Phelps de Cisneros (CPPC) is a privately held Latin American art organization based in Venezuela and New York City founded by Patricia Phelps de Cisneros and Gustavo Cisneros.
Willys de Castro was a Brazilian visual artist, poet, graphic designer, industrial designer, stage designer and magazine editor. De Castro is best known for his "Active object" series and is considered to be a pioneer and founding contributor of the Neo-Concrete Movement.
Waldemar Cordeiro was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America.
Hércules Rubens Barsotti was a Brazilian painter, graphic designer, scenographer and costume designer. He was a member of the Neo-Concrete Movement.
Judith Lauand was a Brazilian painter and printmaker. She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo, the Grupo Ruptura.
Yolanda Léderer Mohalyi was a painter and designer who worked with woodcuts, mosaics, stained glass and murals as well as more usual materials. Her early work was figurative, but she increasingly moved towards abstract expressionism. With artists such as Waldemar da Costa and Cicero Dias, she opened the way for abstraction in Latin American art.
Jorge Pizzani is a Venezuelan visual artist, born in Acarigua, Venezuela on October 14, 1949.He currently works in Caracas and Turgua, Venezuela . He studied at Instituto de Diseño Fundación Neumann, Caracas. He spent working seasons in Paris and Barcelona. He is considered as one of the most important artists of contemporary Venezuelan art.
The Pampulha Art Museum, formerly known as Cassino da Pampulha, is a building that is part of the Pampulha Modern Ensemble located in Belo Horizonte, Minas Gerais, Brazil. The building was designed by the architect Oscar Niemeyer at the request of the then-mayor of the city, Juscelino Kubitschek, and is recognized by UNESCO as a World Heritage Site along with the rest of the ensemble since 2016.
Rolando G. Marrero (Aug. 22, 2012) "Fundacion D.O.P. expone obras de Paul Signac" - Arte en la Red
TAL CUAL (Aug.08, 2011) Yohana Silveira "Erotismo y Muerte en Fundacion D.O.P." Caracas, Back cover,