Dale Hickey (born 1937) is an Australian artist.
Born in Melbourne, Hickey studied art at Swinburne College of Technology and then held various teaching positions including Senior Lecturer in painting at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973 to 1989, before devoting himself full-time to painting. His first solo exhibition was at Toorak Galleries, Melbourne, in 1964. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, The Field , [1] together with Robert Hunter, Robert Jacks, Peter Booth, and Robert Rooney. Hickey has described this early work as being inspired by American critic Clement Greenberg and by pop art. [2] His later work has explored a wide range of styles, constituting, according to critic Christopher Heathcote, "a sustained investigation into the nature of art." [3] [4] [ permanent dead link ] He is represented in all major public collections in Australia.[ citation needed ]
Frank Jeffrey Edson Smart was an expatriate Australian painter known for his precisionist depictions of urban landscapes that are "full of private jokes and playful allusions".
Joy St Clair Hester was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism. Hester is best known for her bold and expressive ink drawings. Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood, the threat of war, and her personal experience with Hodgkin's disease. Hester is most well known for the series Face, Sleep, and Love (1948–49) as well as the later works, The Lovers (1956–58).
Asher Bilu is an Australian artist who creates paintings, sculptures and installations. He has also contributed to several films by Director Paul Cox as production designer. He was born in Israel, and began his career as an artist soon after arriving in Australia in 1956. From the start, his art has been abstract, with particular emphasis on technological experimentation. His technique changes as he investigates the use of new media, but his work always reflects his fascination with light, and his love of music and science, especially cosmology.
Irene Barberis, is an Australian/British artist, based in Melbourne and London. She is a painter primarily, working also with installation, drawing, and new media art. She is also the founding director of an international arts research centre, and is an international curator and writer.
John Zerunge Young is a Hong Kong-born Australian artist.
Kevin Lincoln is an Australian artist.
Angela Brennan is an Australian painter.
Aida Tomescu is an Australian contemporary artist who is known for her abstract paintings, collages, drawings and prints. Tomescu is a winner of the Dobell Prize for Drawing, the Wynne Prize for Landscape and the Sir John Sulman Prize, by the Art Gallery of New South Wales.
Robert Owen is an Australian artist and curator. He lives and works in Melbourne, Australia.
Kate Beynon is an Australian contemporary artist based in Melbourne.
Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.
TarraWarra Museum of Art is a public art museum in Healesville, Victoria, 45 kilometres northeast of Melbourne, on Wurundjeri Country. Welcoming audiences since 2003, TarraWarra is a leading not-for-profit art gallery that features inventive and stimulating exhibitions and programs about twentieth and twenty-first century art. The Museum has built a reputation for presenting a unique program of exhibitions curated to inspire curiosity and support emerging and established artists to make new work.
Pinacotheca was a gallery in Melbourne, Australia. Established in 1967 by Bruce Pollard, it was ideologically committed to the avant-garde and represented a new generation of artists interested in post-object, conceptual and other non-traditional art forms.
Vincent Namatjira is an Aboriginal Australian artist living in Indulkana, in the Anangu Pitjantjatjara Yankunytjatjara in South Australia. He has won many art awards, and after being nominated for the Archibald Prize several times, he became the first Aboriginal person to win it in 2020. He is the great-grandson of the Arrente watercolour artist Albert Namatjira.
Jacqueline Mitelman is an Australian portrait photographer.
Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.
The Field was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, Melbourne. Launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1,000 invitees, it was held between held 21 August and 28 September 1968. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
Helen Johnson is an Australian artist producing large-scale paintings who also works as a lecturer, researcher and curator. Her artworks and practice reflect her views on colonialism, consumerism, the environment and personal accountability.
Heather B. Swann is an Australian contemporary artist known for her expressive surrealist sculptural objects, often combined with installation, performance and drawings. Her work draws on artisanal traditions, carving, modelling and tailoring materials to stretch, twist and manipulate her creaturely forms that are at once whimsical and darkly ambiguous. She has received numerous recognition for her work, and her pieces are held in prominent collections, including the National Gallery of Australia, Dubbo Regional Gallery and the Ian Potter Museum of Art.
" My work is a way of holding on to the world. My sculptures and drawings are figurative and modernist in expression, with curved forms, an insistent use of black and a marked surrealist accent."
Sandra Leveson, also known as Sandra Leveson-Meares, is an Australian painter, printmaker, and teacher.