Dan Arbeid (2 April 1928 - 19 September 2010) was an English studio potter, considered innovative with a radical use of handbuilding techniques. [1]
Dan Arbeid (2 April 1928 - 19 September 2010) was an English studio potter, considered innovative with a radical use of handbuilding techniques. [1]
Arbeid was born into a secular Jewish family in Stepney, East London. Having left school in 1942 he worked as a tailor for thirteen years. [2] Looking for a change in direction, Arbeid travelled to Israel where he stayed on a kibbutz before moving to Beersheba to join the Harsa Pottery ceramic art department working with Nehemia Azaz. [3] In 1957 he became a pottery technician at Central School of Art and Design, [4] and later lectured there and at Camberwell College of Arts. [2]
Arbeid was the subject of a film directed by Mike Dibb "Dan Arbeid, Potter" in 1971. [5] His work was exhibited at the Primavera Gallery and is also featured in the William Alfred Ismay collection [6] and the Victoria and Albert Museum. [7]
Shōji Hamada was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a world-renowned pottery centre. In 1955 he was designated a "Living National Treasure".
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Dame Lucie Rie, was an Austrian-born, independent, British studio potter working in a time when most ceramicists were male. She is known for her extensive technical knowledge, her meticulously detailed experimentation with glazes and with firing and her unusual decorative techniques.
Bennett Bean is an American ceramic artist. Although commonly described as a studio potter, some would characterize him as a sculptor and painter who works primarily in studio pottery. Bean resides in Frelinghuysen Township, New Jersey. Bean is best known for his pit fired white earthenware vessels, especially his collectible, non-functional bowls and teapots. His ceramics works are often asymmetrical, non-functional, and fluid looking.
Michael Ambrose Cardew (1901–1983), was an English studio potter who worked in West Africa for twenty years.
Regis Brodie is a tenured Professor of Art at the Department of Art and Art History at Skidmore College in Saratoga Springs, NY and a potter. Since 1972, he has been serving as the Director of the Summer Six Art Program at Skidmore College. He also wrote a book called The Energy Efficient Potter which was published by Watson-Guptill Publications in 1982. He started the Brodie Company in 1999 in the interest of developing tools which would aid the potter at the potter's wheel.
Dora May Billington (1890–1968) was an English teacher of pottery, a writer and a studio potter. Her own work explored the possibilities of painting on pottery.
Seth Cardew was an English studio potter. He was the eldest son of fellow potter Michael Cardew and the brother of the composer Cornelius Cardew.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
John Maltby was a distinguished English sculptor and studio potter.
Charles Fergus Binns was an English-born studio potter. Binns was the first director of the New York State School of Clayworking and Ceramics, currently called the New York State College of Ceramics at Alfred University. He began his position in 1900 and retired in 1931. His work included authorship of several books on the history and practice of pottery. Some of his more notable students included Arthur Eugene Baggs, William Victor Bragdon, R. Guy Cowan, Maija Grotell, Elizabeth Overbeck, and Adelaide Alsop Robineau. This has led Binns to be called "the father of American studio ceramics".
Ray Finch MBE, formally Alfred Raymond Finch, was an English studio potter who worked at Winchcombe Pottery for a period spanning seventy-five years.
William Alfred Ismay was a librarian, writer and collector in Wakefield, West Yorkshire known for his significant collection of post-war studio pottery. The collection called the W.A. Ismay Collection was bequeathed to the Yorkshire Museum and is one of the world's largest collections of 20th-century studio pottery. It includes work by Bernard Leach, Hans Coper, Shoji Hamada, Takeshi Yasuda, David Leach Dan Arbeid and Lucie Rie.
Nehemia Azaz, also Nehemiah, Henri or N H Azaz, was an Israeli sculptor, ceramicist and architectural artist, who spent half of his working life in the UK. Best known in Israel as founder of the Department of Artistic Ceramics at the Harsa factory in Beersheba, Azaz made his studio base in Oxfordshire, England from the late 1960s onwards, working in stained glass, wood, concrete, bronze, brass, copper and aluminium.
Jane Hamlyn is an English studio potter known for her functional salt glaze pottery.
Karl Martz was an American studio potter, ceramic artist, and teacher whose work achieved national and international recognition.
The Coxwold Pottery was a pottery studio based in the village of Coxwold, North Yorkshire, England, launched by artist potters Peter and Jill Dick in 1965, and in operation until 2012.
Wheatley Pottery Company produced ornamental vases, lamps, and ceramic tile in Cincinnati, Ohio. Their autumn leaf tiles were used on the Franklin Building, along Printer's Row in Chicago. The MET has an earthenware umbrella stand from the company in its collection.
Jennifer Elizabeth Lee is a Scottish ceramic artist with an international reputation. Lee's distinctive pots are hand built using traditional pinch and coil methods. She has developed a method of colouring the pots by mixing metallic oxides into the clay before making. Her work is held in over forty museums and public collections worldwide, including the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, the Los Angeles County Museum and the Victoria and Albert Museum. In 2018 Lee won the Loewe Craft Prize, an award initiated by Jonathan Anderson in 2017. The prize was presented to her at an awards ceremony at The Design Museum in London.
left school in 1942
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