Dance slot

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In slotted dances , the dance slot is an imaginary narrow rectangle within which the follower moves back and forth in relation to the leader, who is comparatively stationary.

Slotted dances include: West Coast Swing, [1] Dallas Push, Houston Whip, Supreme Swing in Tulsa, Imperial Swing in St. Louis, Alcatraz in New Orleans, Carolina Shag, DC Swing, [2] as well as variants of other dances, such as Salsa or Hustle, that may be performed in a slotted style as well.

As a rule, the leader mostly stays in the slot, leaving it only to make room for the follower to pass by. The leader almost never makes the follower circle around when passing by; they may go into a common rotational figure when the follower happens to come close, but such figures are usually in a tight position and do not change the overall "slotted" appearance.

Factors that have often been looked upon as contributing to the development of slotted dance style include:

  1. Maximizing visibility for the audience, when a dance will be performed on the stage.
  2. Coping with limited space for dancing.

Although most of the above-mentioned dances belong to the "West Coast Swing family" of dances, they may have developed independently. The differences have been both acknowledged and listed; Swing Dance Encyclopedia by CoupleDanceWorld lists the differences among the dances. [3]

The most typical slotted dance is West Coast Swing. The origin of this style is uncertain. There are two main theories[ citation needed ]. By one of them, the slotted style was born in Hollywood: film directors supposedly wanted to keep the performers in a straight line to keep the profiles of both dancers in sight, which also helps the camera to catch the most action, as opposed to rotational styles, in which much of the time one sees only the back of one dancer with the other dancer hidden completely. Another story is that during jazz concerts the fans were dancing in the aisles (which are essentially slots) and the style stuck. Still another is that this style emerged in densely packed nightclubs. None of the stories has a solid confirmation.

Related Research Articles

Ballroom dance Set of partner dances

Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.

In partner dancing, connection is a term that refers to physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer directs the movements of the other dancer by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers without a distinct leader or follower. Connection refers to a host of different techniques in many types of partner dancing, especially those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances.

In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.

Charleston (dance) Dance

The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.

West Coast Swing is a partner dance with roots in the Lindy Hop. It is characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.

Swing (dance) Group of dances tied to jazz

Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa, Collegiate Shag, and Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African American communities as vernacular African American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.

Salsa (dance) Dance form

Salsa is a Latin dance associated with the music genre of the same name which was first popularized in the United States in the 1960s in New York City. Salsa is an amalgamation of Cuban dances, such as mambo, pachanga, and rumba as well as American dances, such as swing and tap.

Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and others, the main difference being the simplification of footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive.

Partner dance

Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner.

This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.

Direction of movement

In ballroom dancing, directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways.

Chicken walks is a dance move that is most frequently used in swing dances, such as East Coast Swing, West Coast Swing and jive. Sometimes they can be seen incorporated in samba.

Jack and Jill is a format of competition in partner dancing, where the competing couples are the result of random matching of leaders and followers. Rules of matching vary.

The country/western two-step, often called the "Texas two-step" or simply the "two-step," is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle." The two-step is related to the polka, the Texas waltz, and the jitterbug.

The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.

The term anchor step is used to denote a dance step at the end of a pattern that is used while maintaining a connection.

Rock step may refer to one of several similar dance moves. The name refers to the rocking action during the move: the weight is transferred from one foot to another and then back. It is used in a number of dances, such as East Coast Swing, Zydeco, Lindy Hop, Tango.

Chicago-Style Stepping is an urban dance that originated in Chicago and continues to evolve nationwide and overseas, while defining its unique style and culture within the context of mainstream Swing dance. "Chicago-Style Stepping" makes reference to other urban styles of dance found throughout the United States in urban enclaves such as Detroit, Cleveland, Baltimore and Washington, D.C. Examples of Steppin' include "Step On IT" urban ballroom TV, signed to Skee Lo Musik/Sony. It airs on Roku/Apple TV via IFAME TV network.

Acro dance A style of dance with acrobatics

Acro dance is a style of dance that combines classical dance technique with precision acrobatic elements. It is defined by its athletic character, its unique choreography, which seamlessly blends dance and acrobatics, and its use of acrobatics in a dance context. It is a popular dance style in amateur competitive dance as well as in professional dance theater and in contemporary circus productions such as those by Cirque du Soleil. This is in contrast to acrobatic, artistic and rhythmic gymnastics, which are sports that employ dance elements in a gymnastics context under the auspices of a governing gymnastics organization and subject to a Code of Points. Acro dance is known by various other names including acrobatic dance and gymnastic dance, though it is most commonly referred to simply as acro by dancers and dance professionals.

Lindy Hop American dance

The Lindy Hop is an American dance which was born in the African-American communities in Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

References

  1. West Coast Swing Dance Moves http://www.westcoastswings.com/index.php/32-what-is-dance-slot
  2. Craig R. Hutchinson, Swing Dancer - A Swing Dancer's Manual, 1998. Version 1.17. Potomac Swing Dance Club. p. 5.1-6. ISBN   0-9620617-0-0
  3. Thomas L. Nelson, Swing Dance Encyclopedia, 2008, second edition. Authorhouse. p. 6.218.??? ISBN   978-1-4343-5960-5