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References
- ↑ Green, Aaron (17 March 2017). "La Cenerentola Synopsis". www.thoughtco.com. Retrieved 10 December 2018.
- ↑ "La Cenerentola Rossini's Cinderella: Synopsis". wno.org.uk. Welsh National Opera. 2018. Retrieved 10 December 2018.
- ↑ Cox, John (18 June 2012). "Glyndebourne 2012 – La Cenerentola synopsis, cast and creatives". The Guardian. Retrieved 10 December 2018.
- ↑ Clinton-Baddeley, V. C. (1963). Some Pantomime Pedigrees. The Society for Theatrical Research. pp. 13–14.
- ↑ Forbes, Elizabeth (12 May 2003). "Sesto Bruscantini". The Independent. London. Retrieved 10 December 2018.
- ↑ "Memoirs of performers at the Italian opera house". The World of Fashion and Continental Feuilletons, Issue CLVII, p 78. London. 1 April 1837.
- ↑ "Paris and the Parisiens". The Lady's Newspaper p 16. London. 12 January 1850.
- ↑ "The Drama". La Belle Assemblée; or, Bell's Court and Fashionable Magazine issue 90 p 287. London. 1 June 1832.
- ↑ Billington, Michael (15 December 2016). "Cinderella review – Julian Clary unleashes a tsunami of smut". The Guardian. Retrieved 10 December 2018.
- 1 2 3 Sweeney, Maxwell (1984). "Pantomime: Preservation of a Tradition". Theatre Ireland (8): 62–64. JSTOR 25488964.
- ↑ Hamilton, Laura (25 February 2011). "Bullies said my boobs were too big". Daily Mirror. London.
- ↑ Heald, Tim (28 December 1967). "In Panto at Least: A boy is best when he's a girl!". Daily Express. London.
- ↑ "Here We Are Again!". Punch p 24. London. 11 January 1896.
- ↑ Trinculo (4 January 1897). "Amongst the Mummers and at the Music Hall". The Sporting Mirror and Dramatic and Music Hall Record p 1. London.
- ↑ "It's Mary Malcolm in Pantomime!". Daily Mirror. London. 21 December 1955.
- ↑ Court, Louise (27 December 1986). "We're Top of the Bill!". Daily Express. London.
- ↑ Everett, Lucinda. "Cinderella, New Wimbledon Theatre, review: 'thoroughly festive'". The Telegraph. Retrieved 10 December 2018.
- ↑ Winter, Stuart (23 December 2012). "Hammed up no longer, shows are now a good career move". Sunday Express. London.