Dani Cavallaro (born 1962 [1] ) is a British freelance writer, who specializes in literary, cultural theory, and visual arts topics. [2]
In his review of Magic as Metaphor in Anime, Christopher Feldman of the University of Texas at Austin criticised Cavallaro's use of "cliché, repetitive phrasing", which he felt may be useful for general audiences, but not for readers seeking a "rigorous work". [3] Buckinghamshire New University's Mark Bould further criticised Cavallaro's writing in a review of Cyberpunk and Cyberculture, calling it "disturbingly dishonest". Bould felt that the work often simply summarises the analysis done by other critics, and draws analogies without presenting an analytical argument, demonstrating Cavallaro's ignorance of the cyberpunk genre. [4] While a review of the same work by David Finkelstein of Queen Margaret University praises the breadth of Cavallaro's discussion of William Gibson's work, it also noted the "amorphous" and "dilute" critique, which Finkelstein felt did not provide enough context to each work. [5]
Yoshiko Okuyama of the University of Hawaii at Hilo reviewed Fairy Tale and Anime as an "excellent read" for scholars interested in the subjects, but noted that the book often used Japanese terminology without adequate explanation. [6] Lancaster University's Alison Fell felt that French Feminist Theory was "a book to be recommended", but also that the density of technical prose was a barrier to introductory readers. [7]
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of technology, drug culture, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1908 in film involved some significant events.
In demonology, Valefar is a Duke of Hell. He tempts people to steal and is in charge of a good relationship among thieves. Valefar is considered a good familiar by his associates "till they are caught in the trap". He commands ten legions of demons.
Kiki's Delivery Service is a 1989 Japanese animated fantasy film written, produced, and directed by Hayao Miyazaki, based on the 1985 novel of the same name by Eiko Kadono. It was animated by Studio Ghibli for Tokuma Shoten, Yamato Transport and the Nippon Television Network, and stars the voices of Minami Takayama, Rei Sakuma and Kappei Yamaguchi. The story follows Kiki, a young witch who moves to the port city of Koriko with her cat Jiji and starts a flying courier service.
Norito (祝詞) are liturgical texts or ritual incantations in Shinto, usually addressed to a given kami.
Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.
Cyberpunk is the fifth studio album by English rock musician Billy Idol, released on 29 June 1993 by Chrysalis Records. A concept album, it was inspired by his personal interest in technology and his first attempts to use computers in the creation of his music. Idol based the album on the cyberdelic subculture of the late 1980s and early 1990s. Heavily experimental in its style, the album was an attempt to take control of the creative process in the production of his albums, while simultaneously introducing Idol's fans and other musicians to the opportunities presented by digital media.
Technoculture is a neologism that is not in standard dictionaries but that has some popularity in academia, popularized by editors Constance Penley and Andrew Ross in a book of essays bearing that title. It refers to the interactions between, and politics of, technology and culture.
This is a list of the 109 cartoons of the Popeye the Sailor film series produced by Fleischer Studios for Paramount Pictures from 1933 to 1942.
Amy-Jill Levine is Rabbi Stanley M. Kessler Distinguished Professor of New Testament and Jewish Studies at Hartford International University for Religion and Peace. She works in biblical studies and is a self described "critic of antisemitic, sexist, and homophobic theologies".
Tadeusz Piotrowski or Thaddeus Piotrowski is a Polish-American sociologist and author. He is a professor of sociology in the Social Science Division of the University of New Hampshire at Manchester in Manchester, New Hampshire.
Douglas Mark Rushkoff is an American media theorist, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early cyberpunk culture and his advocacy of open-source solutions to social problems.
Lost World is a manga series, written and illustrated by Osamu Tezuka in 1948.
Itsuro Kawasaki is a Japanese animator, storyboard artist, screenwriter, and director from Tokyo.
An evil corporation is a trope in popular culture that portrays a corporation as ignoring social responsibility, morality, ethics, and sometimes laws in order to make profit for its shareholders. In rare cases, the corporation may be well intentioned but extremist, engaging in noble cause corruption.
A list of reference works on the film noir genre of film. See Bibliography of film by genre for other genres.
Ned Wever was an actor on stage and on old-time radio. Garyn G. Roberts wrote in his book, Dick Tracy and American Culture: Morality and Mythology, Text and Context, "Wever's most famous role was probably that of H.C. McNeile's British detective and adventurer Bulldog Drummond for the program of the same name."
Several books have been written about Hayao Miyazaki, a Japanese animator, filmmaker, manga artist, and co-founder of Studio Ghibli. The books explore Miyazaki's biography and career, particularly his feature films. According to Jeff Lenburg, more papers have been written about Miyazaki than any other Japanese artist. The first English-language book devoted to Miyazaki was Helen McCarthy's Hayao Miyazaki: Master of Japanese Animation in 1999, focusing on the films' narrative and artistic qualities. Many authors focus on Miyazaki's career and films, like Dani Cavallaro and Raz Greenberg, while others examine the themes and religious elements of his works, such as Eriko Ogihara-Schuck and Eric Reinders. Colin Odell and Michelle Le Blanc's 2009 book explores the careers of both Miyazaki and Isao Takahata, and Susan J. Napier's 2018 book Miyazakiworld highlights the ideological connections between Miyazaki's films and personal life. Two books compiling essays, articles, lectures, and outlines written by Miyazaki were published in 1996 and 2008.