Daniel Karlin

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Daniel Karlin (born 4 December 1953) is a British literary scholar. He was educated at St Paul's School, London (1967-1970) and Queens' College, Cambridge, where he studied for his BA (1971-1974) and PhD (1975-1978). He was a Junior Research Fellow at Merton College, Oxford (1978-1980), and held appointments at University College London (1980-2004), Boston University (2005-2006), University of Sheffield (2006-2010), and University of Bristol (2010-2020), where he was Winterstoke Professor of English Literature. He retired in 2020 and was appointed Emeritus Professor of English at the University of Bristol. [1] In the same year he was elected to a Fellowship of the British Academy. His research interests include Romantic and Victorian poetry; Robert Browning; Elizabeth Barrett Browning; Henry James; Rudyard Kipling; Marcel Proust; and Bob Dylan.

Contents

Books

The Courtship of Robert Browning and Elizabeth Barrett (Oxford University Press, 1985)

(ed.) Rudyard Kipling, The Jungle Books (Penguin, 1986)

(ed.) Robert Browning and Elizabeth Barrett: The Courtship Correspondence 1845-1846 (Oxford University Press, 1989)

(ed.) Robert Browning: Selected Poems (Penguin, 1989)

(ed., with John Woolford), The Poems of Browning, vol. 1: 1826-1840 (Longman, 1991) [Longman Annotated English Poets]

(ed., with John Woolford), The Poems of Browning, vol. 2: 1841-1846 (Longman, 1991) [Longman Annotated English Poets]

(ed.) Rider Haggard, She (Oxford University Press, 1991) [Oxford World's Classics]

Browning’s Hatreds (Oxford University Press, 1993)

(ed.) Penguin Book of Victorian Verse (Penguin, 1997)

(ed.) Rudyard Kipling: Selected Poetry and Prose (Oxford University Press, 1999) [Oxford Authors; re-issued in Oxford World's Classics as Rudyard Kipling: Stories and Poems, 2015]

Proust’s English (Oxford University Press, 2005)

(ed., with John Woolford and Joseph Phelan), The Poems of Browning, vol. 3: 1847-1861 (Pearson, 2007) [Longman Annotated English Poets]

(ed.) Edward FitzGerald, Rubáiyát of Omar Khayyám (Oxford University Press, 2009)

(ed., with John Woolford and Joseph Phelan), The Poems of Browning, vol. 4: 1862-1871, (Pearson, 2012) [Longman Annotated English Poets]

The Figure of the Singer (Oxford University Press, 2013)

Street Songs: Writers and Urban Songs and Cries, 1800-1925 (Oxford University Press, 2018) [Based on the Clarendon Lectures at the University of Oxford, 2016]

(ed.) Henry James, The Bostonians (Cambridge University Press, 2019) [The Cambridge Edition of the Complete Fiction of Henry James, vol. 8]

(ed., with John Woolford and Joseph Phelan), The Poems of Browning, vols. 5 and 6: The Ring and the Book, (Routledge, 2022) [Longman Annotated English Poets]

Selected journal articles, essays and chapters in books

'Whitman: The Civil War Poems'. Proceedings of the British Academy 73 (1987), pp. 259–284 [The Chatterton Lecture on Poetry, 1987]

'Plain Tales?' Kipling Considered, ed. P. Mallett (Macmillan, 1989), pp. 1–18.

'"Beatrice Signorini": Browning's Last Portrait'. Browning e Venezia, ed. S. Perosa (Firenze, 1991), pp. 325–337.

'Did He Eat Ortolans? Browning, Food, and Italy'. Robert Browning in Contexts, ed. J. Woolford (Wedgestone Press, 1998), pp. 148 – 160.

'Having the Whip-Hand in Middlemarch'. Rereading Victorian Fiction, ed. A. Jenkins and J. John (Macmillan, 2000).

'Bob Dylan's Names'. Do You Mr Jones? Bob Dylan among the Poets and Professors, ed. N. Corcoran (Chatto & Windus, 2002), pp. 27–49.

'"The Names": Robert Browning's "Shaksperean Show"'. Victorian Shakespeare [vol. 2: Literature and Culture], ed. A. Poole and G. Marshall (Palgrave Macmillan, 2003), pp. 150–169.

'The Case of the Capable Fingers: a Della Street Mystery'. Literary Secretaries and Secretarial Culture, ed. P. Thurschwell and L. Price (Ashgate, 2005), pp. 111–128.

'From Dark Defile to Gethsemane: Rudyard Kipling's War Poetry'. Oxford Handbook of Twentieth-Century British and Irish War Poetry, ed. T. Kendall (Oxford University Press, 2007), pp. 51–72.

'"I have strange power of speech": Narrative Compulsion after Coleridge'. Coleridge’s Afterlives, ed. J. Vigus and J. Wright (Palgrave Macmillan, 2008), pp. 128–148.

'Tennyson, Browning, Virgil'. Tennyson Among the Poets, ed. R. Douglas-Fairhurst, and S. Perry (Oxford University Press, 2009), pp. 95–114.

'"The song-bird whose name is Legion": Bad Verse and its Critics'. Oxford Handbook of Victorian Poetry, ed. M. Bevis (Oxford University Press, 2013), pp. 834–852.

'"Our precious quand même": le français dans les lettres de Henry James. Cahiers victoriens et édouardiens 78 (automne 2013) [Article in English; online publ.]

'Actions and Reactions: Kipling's Edwardian Summer'. In Time's Eye: Essays on Rudyard Kipling, ed. J. Montefiore (Manchester University Press, 2013), pp. 111–128.

'Bob Dylan and Allen Ginsberg: at Kerouac's grave, and beyond'. Popular Music History 8.2 (2014), pp. 155–68.

'Editing Poems in Letters'. Letter Writing Among Poets: From William Wordsworth to Elizabeth Bishop, ed. J. Ellis (Edinburgh University Press, 2015), pp. 31–46.

'"The Owl and the Pussy-cat" and other poems of love and marriage'. Edward Lear and the Play of Poetry, ed. M. Bevis and J. Williams (Oxford University Press, 2016), pp. 202–222.

'"In Vishnu-land what avatar?" Robert Browning and the Empire of Song'. Literary Location and Dislocation of Myth in the Post/Colonial Anglophone World, ed. A. Dodeman and É. Raimbault (Rodopi, 2017), pp. 179–194.

'Traduire les cris de Paris dans La Prisonnière'. Son et traduction dans l'oeuvre de Proust, ed. E. Eells and N. Toth (Honoré Champion, 2018) pp. 105–121. [Recherches proustiennes no. 41].

'Language and understanding in Rudyard Kipling's Thy Servant a Dog'. Kipling Journal 92.374 (2018), pp. 8–19.

Related Research Articles

<span class="mw-page-title-main">Rudyard Kipling</span> English writer and poet (1865–1936)

Joseph Rudyard Kipling was an English journalist, novelist, poet, and short-story writer. He was born in British India, which inspired much of his work.

<span class="mw-page-title-main">Robert Browning</span> English poet and playwright (1812–1889)

Robert Browning was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.

<span class="mw-page-title-main">If—</span> Poem by Rudyard Kipling

"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son, John.

<span class="mw-page-title-main">The White Man's Burden</span> Poem by the English poet Rudyard Kipling

"The White Man's Burden" (1899), by Rudyard Kipling, is a poem about the Philippine–American War (1899–1902) that exhorts the United States to assume colonial control of the Filipino people and their country. Originally written to celebrate the Diamond Jubilee of Queen Victoria, the jingoistic poem was replaced with the sombre "Recessional" (1897), also a Kipling poem about empire.

<span class="mw-page-title-main">Victorian literature</span> English literature during the era of Queen Victoria

Victorian literature is English literature during the reign of Queen Victoria (1837–1901). The 19th century is considered by some the Golden Age of English Literature, especially for British novels. In the Victorian era, the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters, Elizabeth Gaskell, George Eliot, Thomas Hardy, and Rudyard Kipling.

"The Last of the Light Brigade" is a poem written in 1890 by Rudyard Kipling echoing – thirty-six years after the event – Alfred Tennyson's famous poem The Charge of the Light Brigade. Employing synecdoche, Kipling uses his poem to expose the terrible hardship faced in old age by veterans of the Crimean War, as exemplified by the cavalry men of the light brigade who charged at the Battle of Balaclava. It describes a visit by the last twenty survivors of the charge to Tennyson to reproach him gently for not writing a sequel about the way in which England was treating its old soldiers. Some sources treat the poem as an account of a real event, but other commentators class the destitute old soldiers as allegorical, with the visit invented by Kipling to draw attention to the poverty in which the real survivors were living, in the same way that he evoked Tommy Atkins in "The Absent Minded Beggar".

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

— closing lines of Rudyard Kipling's If—, first published this year

<span class="mw-page-title-main">1899 in poetry</span> Overview of the events of 1899 in poetry

— Opening lines of Rudyard Kipling's White Man's Burden, first published this year

Nationality words link to articles with information on the nation's poetry or literature.

<span class="mw-page-title-main">English literature</span>

English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon invaders in the fifth century, are called Old English. Beowulf is the most famous work in Old English. Despite being set in Scandinavia, it has achieved national epic status in England. However, following the Norman conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard, a London-based form of English, became widespread. Geoffrey Chaucer (1343–1400), author of The Canterbury Tales, was a significant figure developing the legitimacy of vernacular Middle English at a time when the dominant literary languages in England were still French and Latin. The invention of the printing press by Johannes Gutenberg in 1439 also helped to standardise the language, as did the King James Bible (1611), and the Great Vowel Shift.

Christmas-Eve and Easter-Day, a Poem (1850) is, despite the title, often treated as two poems by Robert Browning, rather than as one poem in two parts. It was the first new work published by Robert Browning after his marriage to Elizabeth Barrett Browning and their departure for Italy, and is widely considered to show the influence of his wife's religious beliefs. "Christmas-Eve" is an account of a vision in which the narrator is taken to a Nonconformist church, to St. Peter's in Rome, to a Göttingen lecture theatre where a practitioner of the Higher criticism is discoursing on the Christian myth, and back to the Nonconformist church. In "Easter-Day" a Christian and a sceptic debate the nature of faith. Christmas-Eve and Easter-Day gives valuable clues to the religious opinions of Browning himself, as opposed to those of his characters, but, as his wife warned a correspondent, "Certainly the poem does not represent his own permanent state of mind, which was what I meant when I told you it was dramatic."

James Albert Lindon was an English puzzle enthusiast and poet specialising in light verse, constrained writing, and children's poetry.

"Tommy" is an 1890 poem by Rudyard Kipling, reprinted in his 1892 Barrack-Room Ballads. The poem addresses the ordinary British soldier of Kipling's time in a sympathetic manner. It is written from the point of view of such a soldier, and contrasts the treatment they receive from the general public during peace and during war.

"In the Neolithic Age" is a poem by the English writer Rudyard Kipling. It was published in the December 1892 issue of The Idler and in 1896 in his poetry collection The Seven Seas. The poem is the source of the quotation: "There are nine and sixty ways of constructing tribal lays, / And every single one of them is right."

"McAndrew's Hymn" is a poem by English writer Rudyard Kipling (1865–1936). It was begun in 1893, and first published in December 1894 in Scribner's Magazine. It was collected in Kipling's The Seven Seas of 1896. Some editions title the poem "M'Andrew's Hymn".

References

  1. "Professor Daniel Karlin". University of Bristol.