Lou Silver Harrison was an American composer, music critic, music theorist, painter, and creator of unique musical instruments. Harrison initially wrote in a dissonant, ultramodernist style similar to his former teacher and contemporary, Henry Cowell, but later moved toward incorporating elements of non-Western cultures into his work. Notable examples include a number of pieces written for Javanese style gamelan instruments, inspired after studying with noted gamelan musician Kanjeng Notoprojo in Indonesia. Harrison would create his own musical ensembles and instruments with his partner, William Colvig, who are now both considered founders of the American gamelan movement and world music; along with composers Harry Partch and Claude Vivier, and ethnomusicologist Colin McPhee.
Colin Carhart McPhee was a Canadian-American composer and ethnomusicologist. He is best known for being the first Western composer to make a musicological study of Bali, and developing American gamelan along with fellow composer Lou Harrison. He wrote original music influenced by that of Bali and Java, decades before such compositions that were based on world music became widespread.
American gamelan could refer to both instruments and music; the term has been used to refer to gamelan-style instruments built by Americans, as well as to music written by American composers to be played on gamelan instruments. American gamelan music usually has some relationship to the gamelan traditions of Indonesia, as found primarily on the islands of Java and Bali in a variety of styles. Many American compositions can be played on Indonesian or American-made instruments. Indonesian gamelan can be made of a variety of materials, including bronze, iron, or bamboo. American gamelan builders used all sorts of materials including aluminum, tin cans, car hubcaps, steel, antique milk-strainers, etc. American gamelan may also describe the original music of American ensembles working with traditional instruments.
Dennis Murphy was a composer, musician, instrument maker, artist, and playwright.
Robert Erickson was an American composer.
A percussion ensemble is a musical ensemble consisting of only percussion instruments. Although the term can be used to describe any such group, it commonly refers to groups of classically trained percussionists performing primarily classical music. In America, percussion ensembles are most commonly found at conservatories, though some professional groups, such as Nexus and So Percussion exist. Drumlines and groups who regularly meet for drum circles are two other forms of the percussion ensemble.
Paul Joseph Dresher is an American composer. Dresher received his B.A. in music from the University of California, Berkeley and his M.A. in composition from the University of California, San Diego, where he studied with Robert Erickson, Roger Reynolds, Pauline Oliveros, and Bernard Rands.
Mantle Hood was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying.
Jody Diamond is an American composer, performer, writer, publisher, editor, and educator. She specializes in traditional and new music for Indonesian gamelan and is active internationally as a scholar, performer, and publisher.
Ramón Sender Barayón is a composer, visual artist and writer. He was the co-founder with Morton Subotnick of the San Francisco Tape Music Center in 1962. He is the son of Spanish writer Ramón J. Sender.
Douglas Leedy was an American composer, performer and music scholar.
(Joseph) Vincent McDermott was a classically trained American composer and ethnomusicologist. His works show particular influence from the musics of South and Southeast Asia, particularly the gamelan music of Java. He was among the second generation of American composers to create and promote new compositions for gamelan.
Betty Freeman was an American philanthropist and photographer.
Gregory Marcellus Schiemer is an Australian electronic music composer, instrument builder and teacher. His artistic preoccupations include creative engagement with new technology, music created for non-expert performance and intercultural-interfaith dialogue.
Nick Brooke is an American composer, musician, arranger, thereminist, instrument builder, and researcher of early musical automata. He was born in Manchester, New Hampshire.
The West Coast School are composers and compositional style(s) associated with the West Coast of the United States, specifically California. Henry Cowell is considered, "the father of West Coast experimentalism," and the influence of traditional Asian and other world musics may be traced back to Cowell. Rather than Orient/Occident, composer Lou Harrison argues for a Pacific/Atlantic conception, where the West Coast is necessarily part of the Pacific, and thus associated with Asia more than Europe. Other influences and interests include the use of tonality, just intonation, and dance.
Guillermo Galindo is a Mexican composer, performer, and artist.
Gamelan Pacifica is an American musical ensemble, as well as a non-profit music and dance foundation that focuses on cross-cultural and interdisciplinary collaboration. Formed as a community group in 1980, the group plays the gamelan, and is as of 2022 ensemble in residence at the Cornish College of the Arts in Seattle. The ensemble is directed by Jarrad Powell.
Jonathon Grasse is an American composer, ethnomusicologist, and improvising electric guitarist. He is a professor of music at California State University, Dominguez Hills.
