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Daunian pottery was produced in Daunia, located in the modern Italian provinces of Barletta-Andria-Trani and Foggia. It was created by the Daunians, a tribe of the Iapygian civilization who had probably migrated from Illyria.
Daunian pottery production began around 700 BC in regional centers such as Ordona and Canosa di Puglia [1] . The early designs featured geometric patterns painted on the pottery. These ceramics were hand-formed rather than made on a potter's wheel [2] .
Daunian pottery was typically decorated with red, brown, or black earth colors. The common motifs included diamonds, triangles, circles, crosses, squares, arcs, and swastikas. The development of Daunian pottery styles occurred independently from early Greek ceramics [3] .
Typical Daunian pottery forms include the askos, hopper vessels, and bowls with loop handles. Notably, some pieces feature manual or anthropomorphic protomes attached to or depicted graphically on the sides and handles [4] .
From the 5th century BC, Daunian pottery began to exhibit influences from Greek styles, including the depiction of crude human, bird, and plant figures. Between 350 BC and 250 BC, the decorative styles evolved even further [5] .
Some of the notable Daunian pottery artifacts include various geometric designs and forms such as the askos and bowls with loop handles [6] .
Modern archaeological studies have continued to explore and document Daunian pottery. Various museums and collections around the world, such as the Metropolitan Museum of Art and the British Museum, house significant collections of Daunian pottery [7] .
Canosa di Puglia, generally known simply as Canosa, is a town and comune in the province of Barletta-Andria-Trani, Apulia, southern Italy. It is located between Bari and Foggia, on the northwestern edge of the plateau of the Murgia which dominates the Ofanto valley and the extensive plains of Tavoliere delle Puglie, ranging from Mount Vulture at the Gargano, to the Adriatic coast. Canosa, the Roman Canusium, is considered the principal archaeological center of Apulia, and is one of the oldest continually inhabited cities in Italy. A number of vases and other archaeological finds are located in local museums and private collections. It is not far from the position on the Ofanto River where the Romans found refuge after the defeat of the Battle of Cannae and is the burial place of Bohemund I of Antioch.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony.
A vase is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower is being held or kept in place.
Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Mogollon culture is an archaeological culture of Native American peoples from Southern New Mexico and Arizona, Northern Sonora and Chihuahua, and Western Texas. The northern part of this region is Oasisamerica, while the southern span of the Mogollon culture is known as Aridoamerica.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long periods of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it is decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Islamic pottery occupied a geographical position between Chinese ceramics, and the pottery of the Byzantine Empire and Europe. For most of the period, it made great aesthetic achievements and influence as well, influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall painting, encouraging the architectural use of schemes of decorative and often geometrically patterned titles, which are the most distinctive and original speciality of Islamic ceramics.
A pyxis is a shape of vessel from the classical world, usually a cylindrical box with a separate lid and no handles. They were used to hold cosmetics, trinkets or jewellery, but were also used for dispensing incense and by physicians to contain medicine. Surviving pyxides are mostly Greek pottery, but could also be made from a range of other materials: wood, bronze, ivory, marble, terracotta, silver, or stone. The name derived from Corinthian boxes made of wood from the tree puksos ("boxwood"). During the Classical period, the Attic word "kylichnis" was also used to refer to the same shape. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian pyxis has various shapes itself.
Banpo is a Neolithic archaeological site located in the Yellow River valley, east of present-day Xi'an, China. Discovered in 1953 by Shi Xingbang, the site represents the first phase of the Yangshao culture and features the remains of several well organized settlements—including Jiangzhai, which has been radiocarbon dated to c. 4700 – c. 3600 BCE). An area of 5 to 6 hectares was surrounded by a ditch, probably a defensive moat 5 to 6 meters wide. The houses at Banpo were circular, built of mud and wood on low foundations, with overhanging thatched roofs. There also appear to have been communal burials.
Oribe ware is a style of Japanese pottery that first appeared in the sixteenth century. It is a type of Japanese stoneware recognized by its freely-applied glaze as well as its dramatic visual departure from the more somber, monochrome shapes and vessels common in Raku ware of the time. The ceramics were often asymmetric, with eccentric shapes; deformed shapes were not uncommon. These shapes were achieved through moulding rather than turning on a potter's wheel. Some bowls were so deformed that they were difficult to use – even whisking tea could become difficult.
Pottery in the Indian subcontinent has an ancient history and is one of the most tangible and iconic elements of Indian art. Evidence of pottery has been found in the early settlements of Lahuradewa and later the Indus Valley Civilisation. Today, it is a cultural art that is still practiced extensively in the subcontinent. Until recent times all Indian pottery has been earthenware, including terracotta.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. Though the concept is not currently accepted by all scholars, the Greek Dark Ages were considered to last from c. 1100 to 800 BC and include the phases from the Protogeometric period to the Middle Geometric I period, which Knodell (2021) calls Prehistoric Iron Age. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
Apulian vase painting was a regional style of South Italian vase painting from ancient Apulia in southeast Italy. It comprises geometric pottery and red-figure pottery.
The Daunians were an Iapygian tribe that inhabited northern Apulia in classical antiquity. Two other Iapygian tribes, the Peucetians and the Messapians, inhabited central and southern Apulia respectively. All three tribes spoke the Messapic language, but had developed separate archaeological cultures by the seventh century BC.
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. The influence of Chinese ceramics on Islamic pottery has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general.
Seto ware is a type of Japanese pottery, stoneware, and ceramics produced in and around the city of Seto in Aichi Prefecture, Japan. The Japanese term for it, setomono, is also used as a generic term for all pottery. Seto was the location of one of the Six Ancient Kilns of Japan.
The pottery of ancient Cyprus starts during the Neolithic period. Throughout the ages, Cypriot ceramics demonstrate many connections with cultures from around the Mediterranean. During the Early and Middle Bronze Ages, it is especially imaginative in shape and decoration. There are also many early terracotta figurines that were produced depicting female figures.
Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age. Agriculture gave rise to the baking of clay, and the making of utensils by the people of Iran. Through the centuries, Persian potters have responded to the demands and changes brought by political turmoil by adopting and refining newly introduced forms and blending them into their own culture. This innovative attitude has survived through time and influenced many other cultures around the world.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
The Culture of ancient Illyria or Illyrian culture begins to be distinguished by increasingly clear features during the Middle Bronze Age and especially at the end of the Late Bronze Age. Ceramics as a typical element is characterized by the extensive use of shapes with two handles protruding from the edge as well as decoration with geometric motifs. At this time the first fortified settlements were established. The local metallurgy produced various types of weapons on the basis of Aegean prototypes with an elaboration of artistic forms. The main tools were the axes of the local types "Dalmato-Albanian" and "Shkodran", as well as the southern type of double ax. Spiritual culture is also expressed by a burial rite with mounds (tumuli) in which a rich material of archaeological artifacts has been found.