Bharatanatyam is an Indian classical dance form that originated in Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Kuchipudi is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India.
Kathak is one of the nine major forms of Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as Kathakar ("storyteller"), who communicated stories from the Hindu epics through dance, songs and music. Its name derives from the Sanskrit word katha which means "story", and kathakar which means "the one who tells a story", or "to do with stories".
Mohiniyattam is an Indian classical dance form originating from the state of Kerala. The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm.
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learn and practice classical Indian dances such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their status as dancers, musicians, and consorts was an essential part of temple worship.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Arjun Appadurai is an Indian-American anthropologist who has been recognized as a major theorist in globalization studies. In his anthropological work, he discusses the importance of the modernity of nation-states and globalization. He is the former professor of anthropology and South Asian Languages and Civilizations at the University of Chicago, Humanities Dean at the University of Chicago, director of the Center on Cities and Globalization at Yale University, Provost and Senior Vice President for Academic Affairs at The New School, and professor of Education and Human Development Studies at New York University's Steinhardt School. He is currently professor emeritus of the Media, Culture, and Communication department in the Steinhardt School.
Swarnamalya Ganesh is an Indian dancer, Professor, Actress, and TV anchor. She received the award "Yuvakala Bharat" at the age of 17. Her first major role in television was on the Sun TV show Ilamai Pudhumai and then went on to do a number of films in the Tamil language.
Various dance forms are practiced in Tamil Nadu, the southernmost state of India. Tamil Nadu is the home of the Tamil people, who speak Tamil language, one of the oldest surviving languages in India. With archaeological evidence pointing to the Tamilakam region being inhabited for more than 3,800 years, Tamil culture has seen multiple influences over the years and has developed diversely. With its diverse culture, many forms of individual and group dances have their origins in the region.
K. P. Kittappa Pillai was the son of Sangita Kalanidhi K. Ponniah Pillai (1888-1945), a scion of the famous Tanjore Quartet, codifiers of the Bharatanatyam format.
Noboru Karashima was a Japanese historian, writer and Professor Emeritus in University of Tokyo, Japan. He also served as Professor Emeritus at the Taisho University, Japan. He was a prominent scholar of Asia in the studies of south Indian and South Asian histories. He has rewritten historical accounts on medieval south India and published a number of writings.
The Madras Devadasis Act is a law that was enacted on 9 October 1947 just after India became independent from British rule. The law was passed in the Madras Presidency and gave devadasis the legal right to marry and made it illegal to dedicate girls to Hindu temples. The bill that became this act was the Devadasi Abolition Bill.
Kristen Rudisill is a tenured Associate Professor of Popular Culture at Bowling Green State University, Research Associate in the South Asia Institute at the School of Oriental and African Studies. and a Fulbright Fellow. Her main research areas are dance, competitions, popular culture, India and Disney. She is working on books about Chennai's contemporary theatre and Indian dance competitions.
Deepak Shimkhada is a Nepalese-American with a diverse professional background, including work as an Asian art historian, educator, writer, editor, and painter. He currently serves as an adjunct professor at Chaffey College in Rancho Cucamonga, California, and has previously held visiting and adjunct positions at several U.S. universities, including Scripps College, Claremont Graduate University, California State University, Northridge, University of the West, and Claremont School of Theology. His teaching career began in 1980, and while he has retired from full-time teaching, he continues to teach Asian art part-time at Chaffey College.
The Rādhikā-sāntvanam is a poem composed by the Telugu-language poet and devadasi Muddupalani (1739–90) concerning the marital relationship of the deity Krishna, his aunt Radha and new wife Ila, and the appeasement of the jealousy of Radha.
P. R. Thilagam, popularly known as Thiruvarur Thilagam, is an Indian composer, vocalist and exponent of Kuravanji, a traditional form of dance drama popular in the Indian state of Tamil Nadu. She hails from Kondi parampara of the Isai Vellalar community, a sect of women dedicated to the worship at Thyagaraja Temple, Tiruvarur.
Isai Velalar is a community found in India in Tamil Nadu. They are traditionally involved as performers of classical dance and music in Hindu temples and courts of the patrons. The term "Isai Velalar" is a recent community identity, people of minstrel occupation from various castes such as, Melakkarar, Nayanakkarar and Nattuvanar come under this term.
Rustom Bharucha is a writer, director and dramaturg based in Kolkata, India. He is a Corresponding Fellow of the British Academy and a retired Professor of Theatre and Performance Studies which he taught in the School of Arts and Aesthetics at Jawaharlal Nehru University, New Delhi, India, between 2012 and 2018.
R Muthukannammal is a seventh generation veteran Sadir dancer from the Indian State of Tamil Nadu. She is the only surviving person among the 32 Devadasis who served the deity at the Viralimalai Murugan temple and she is the last woman to have the ceremony pottukkattutal of dedicating oneself to God performed at the Viralimalai temple. In the year 2022, Govt of India honoured Muthukannammal by conferring the Padma Shri award for her contributions in the field of art. The dance form Sadir, variously called as Sadiraattam or Parathaiyar Aattam or Thevarattam, is a classical Indian dance from which was reinvented, modified and rechristened as Bharatanatyam through the efforts of E Krishna Iyer in 1932. However, Muthukannammal has chosen to call her art form Sadir, making her the only Sadir exponent today.
Coimbatore Thayi (1872–1917) was an Indian musician.
