David John Chambers (born 1930) is an English bibliographer, printing historian, printer and book-collector. [1] Throughout a career in insurance, latterly as a non-marine underwriter for AS Harrison Syndicate 56 at Lloyd's of London, and more recently in retirement, Chambers has studied books and ephemera relating to printing, typography, book-illustration, private presses, the book-arts, English art and literature, and has published books and articles on a wide range of related subjects. Since 1979 he has edited, or co-edited, The Private Library, the quarterly journal of the Private Libraries Association, a bibliophile society of which he has been Chairman since the 1970s, and a Council member from the late 1950s.
Chambers has also compiled volumes of the Association's annual bibliography of Private press books, and has designed some of the publications of the Private Libraries Association and of the Bibliographical Society of London. His major work of recent years is a history and bibliography of British private presses before Kelmscott, being chiefly the privately run and amateur printing offices of the eighteenth and nineteenth centuries. This work is currently in progress.
As a printer, Chambers has operated the Cuckoo Hill Press since the late 1950s, having made his first press himself. He printed a number of significant illustrated books in the 1960s, 1970s and 1980s, but since that period has mostly confined his printing to ephemera and Christmas greetings. He has collected printing equipment and archives since the 1950s, with a special interest in wood-engraved blocks.
Thomas Bewick was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in A History of Quadrupeds.
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.
Gwendolen Mary "Gwen" Raverat, was an English wood engraver who was a founder member of the Society of Wood Engravers. Her memoir Period Piece was published in 1952.
The Golden Cockerel Press was an English fine press operating between 1920 and 1961.
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.
Merrymount Press was a printing press in Boston, Massachusetts, founded by Daniel Berkeley Updike in 1893. He was committed to creating books of superior quality and believed that books could be simply designed, yet beautiful. Upon his death in 1941, the Press was taken over by his partner John Bianchi, but ceased operations in 1949. Updike and his Merrymount Press left a lasting impression on the printing industry, and today Updike is considered one of the most distinguished printers of the twentieth century. Stanley Morison, the typographer responsible for creating the ubiquitous Times New Roman, had this to say of the Merrymount Press after Updike's passing: “The essential qualities of the work of the Merrymount Press...may be said without exaggeration…to have reached a higher degree of quality and consistency than that of any other printing-house of its size, and period of operation, in America or Europe.”
Vivian Hughes Ridler, CBE, was a printer, typographer and scholar in Britain. He was Printer to the University of Oxford at Oxford University Press from 1958 until his retirement in 1978; and also established his own Perpetua Press.
John Waynflete Carter was an English writer, diplomat, bibliographer, book-collector, antiquarian bookseller and vice-president of the Bibliographical Society of London. He was the great-grandson of Canon T. T. Carter.
Alan Reynolds Stone, CBE, RDI was an English wood engraver, engraver, designer, typographer and painter.
Michael Twyman is a Professor Emeritus of the Department of Typography & Graphic Communication at the University of Reading. He joined the university staff in 1959. He established a BA (Hons) course in Typography & Graphic Communication which eventually grew into its own department in 1974. Both the programme and the department are widely acknowledged to be the first of their kind in the world. He retired from full-time teaching in 1998 but still teaches postgraduate students and is also the Director of the Centre for Ephemera Studies.
Mark Fernand Severin was a Belgian artist and graphic designer who lived in England for most of his life.
Paul Hambleton Landacre was an active participant in the cultural flowering of interwar Los Angeles, described by Jake Zeitlin as a "small Renaissance, Southern California style". His artistic innovations and technical virtuosity gained wood engraving a foothold as a high art form in twentieth-century America. Landacre's linocuts and wood engravings of landscapes, still lifes, nudes, and abstractions are acclaimed for the beauty of their designs and a mastery of materials. He used the finest inks and imported handmade Japanese papers and, with a few exceptions, printed his wood engravings in his studio on a nineteenth-century Washington Hand Press, which is now in the collection of the International Printing Museum in Carson, California.
Edmund Evans was an English wood-engraver and colour printer during the Victorian era. He specialized in full-colour printing, a technique which, in part because of his work, became popular in the mid-19th century. He employed and collaborated with illustrators such as Walter Crane, Randolph Caldecott, Kate Greenaway and Richard Doyle to produce what are now considered to be classic children's books. Little is known about his life, although he wrote a short autobiography before his death in 1905 in which he described his life as a printer in Victorian London.
The Latin Press was a small letterpress printing business, run by Douglas "Guido" Morris (1910–1980). He became interested in printing in his twenties and first experimented with type and a home-made press in Oxford in 1934. In the following year Morris bought his first iron hand-presses and established the Latin Press at Langford, near Bristol, undertaking some of his earliest work for Bristol Zoo.
The Samson Press was a small letterpress printing business or private press run by Joan Mary Shelmerdine (1899–1994) and Flora Margaret Grierson (1899–1966). In its early years it was known for producing small editions of literary works with high quality artwork, and later for the production of greetings cards and ephemera to the same high standards.
Colin Ellis Franklin, FSA was an English writer, bibliographer, book-collector and antiquarian bookseller.
The Keepsake Press was a private press founded by English writer Roy Lewis. The press published more than 100 books and chapbooks using letterpress techniques. It ceased to operate in 1996 when Lewis died. Its archive is now housed at Reading University.
The Printing Historical Society or 'PHS' is a learned society devoted to the study of the history of printing, in all its forms.
John Stroble Fass was an American graphic designer and a printer of fine press books. Fass designed books for the leading American publishers of limited edition books. Collectors of private press books also remember John Fass for the handcrafted books he printed on a tabletop printing press in his one-room apartment at the Bronx YMCA. Fass' books and his photography celebrate his life in New York City, where he lived most of his career. His work also documents his passion for the rural landscapes of his native Lancaster County, Pennsylvania.
The Private Libraries Association (PLA) came into being in 1956 when 18-year-old Philip Ward wrote a letter to the Observer inviting booklovers and book collectors to attend a meeting to discuss the setting up of an association whose aims would be:-
