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David Sanford | |
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| Birth name | David William Sanford |
| Born | 1963 (age 58–59) Pittsburgh, Pennsylvania, United States |
| Genres | Jazz |
| Occupation(s) | Composer, bandleader |
| Instrument(s) | Trombone |
David William Sanford (born 1963 Pittsburgh, Pennsylvania) is an American composer who is also a jazz bandleader.
Sanford was born in Pittsburgh, Pennsylvania in 1963, into a musical family. His parents and one of his grandfathers were choir leaders, his other grandfather was a jazz trumpeter, and his great-grandmother Mozie Bass had composed songs, and music for church pageants; he also has a brother who is a music teacher and singer in Colorado, where the family moved.
The young David Sanford acquired an enthusiasm for big band music early on, playing trombone from around the age of ten. He went on to major in music at the University of Northern Colorado, and earned master's degrees in theory and composition at the New England Conservatory of Music. In 1991, supported partly by a Guggenheim Fellowship and partly by a job in the financial services industry, he undertook doctoral studies at Princeton, where he completed his dissertation on Miles Davis in 1998. That same year he joined the faculty at Mount Holyoke College, where he teaches theory, composition, and various history courses, including one on music of the 1970s. [1]
In 2002, the Rome Prize took Sanford to Italy for a year, and he formed the Pittsburgh Collective on his return, inviting players from a classical background as well as jazz musicians. [2] The group's debut album (Oxingale OX2010) was recorded live at the Knitting Factory in 2005, with Matt Haimovitz as a cello soloist. Works by Sanford have been performed by the Chamber Society of Lincoln Center, the San Francisco Contemporary Music Players, Chicago Symphony Chamber Players, Detroit Symphony, Corvini e lodice Roma Jazz Ensemble, Meridian Arts Ensemble, and Speculum Musicae. His most recent works are published by Oxingale Music. [3]
George Henry Crumb Jr. was an American composer of avant-garde contemporary classical music. Early in his life he rejected the widespread modernist usage of serialism, developing a highly personal musical language which "range[s] in mood from peaceful to nightmarish". Crumb's compositions are known for pushing the limits of technical prowess by way of frequent use of extended techniques. The unusual timbres he employs evoke a surrealist atmosphere which portray emotions of considerable intensity with vast and sometimes haunting soundscapes. His few large-scale works include Echoes of Time and the River (1967), which won the 1968 Pulitzer Prize for Music, and Star-Child (1977), which won the 2001 Grammy Award for Best Contemporary Classical Composition; however, his output consists of mostly music for chamber ensembles or solo instrumentalists. Among his best known compositions are Black Angels (1970), a striking commentary on the Vietnam War for electric string quartet; Ancient Voices of Children (1970) for a mixed chamber ensemble; and Vox Balaenae (1971), a musical evocation of the humpback whale, for electric flute, electric cello, and amplified piano.
George Rochberg was an American composer of contemporary classical music. Long a serial composer, Rochberg abandoned the practice following the death of his teenage son in 1964; he claimed this compositional technique had proved inadequate to express his grief and had found it empty of expressive intent. By the 1970s, Rochberg's use of tonal passages in his music had provoked controversy among critics and fellow composers. A professor at the University of Pennsylvania until 1983, Rochberg also served as chairman of its music department until 1968. He became the first Annenberg Professor of the Humanities in 1978.
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Mathew Rosenblum is an American composer whose works have been commissioned, recorded and performed by musical groups such as the Pittsburgh Symphony Orchestra, the Boston Modern Orchestra Project, the Thailand Philharmonic Orchestra, the American Composers Orchestra, Opera Theater of Pittsburgh, FLUX Quartet, the New York New Music Ensemble, the Raschèr Saxophone Quartet, the Pittsburgh New Music Ensemble, and Newband among other ensembles, in venues throughout North America, Europe and Asia including the Andy Warhol Museum, Leipzig's Gewandhaus, the Tonhalle Düsseldorf, Thailand's Prince Mahidol Hall, as well as Merkin Hall, the Guggenheim Museum, the Miller Theatre, The Kitchen, Carnegie Recital Hall, and Symphony Space in New York City. Rosenblum's music has been recorded on such labels as Mode Records, New World Records, Albany Records, Capstone Records, Opus One Records, New Focus Recordings, and the Composers Recordings Inc. label, and has been published by Edition Peters, of Leipzig, London, and New York.
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