David Robert Wills (born 1953) [1] is a noted translator of Jacques Derrida, including The Gift of Death, Right of Inspection, Counterpath, and The Animal That Therefore I Am. Currently, Wills is a professor of French at Brown University. [2]
To date much of Wills's own original and published work "has concentrated on literary theory, especially the work of Derrida, film theory, comparative literature" with an emphasis on how and where we think through (and with) technology and politics. [3] As noted, Wills's writing "rethinks not only our nature before all technology but also what we understand to be technology." [3]
Wills began teaching at University at Albany, SUNY in 1998 and moved to Brown University in 2013. He has degrees from the University of Auckland, and received his doctorate from the Université de Paris III-Sorbonne Nouvelle. [3]
Deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
The Sokal affair, also called the Sokal hoax, was a demonstrative scholarly hoax performed by Alan Sokal, a physics professor at New York University and University College London. In 1996, Sokal submitted an article to Social Text, an academic journal of cultural studies. The submission was an experiment to test the journal's intellectual rigor, specifically to investigate whether "a leading North American journal of cultural studies—whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross—[would] publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions."
Jacques Derrida was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disowned the word "postmodernity".
Jean-Luc Nancy was a French philosopher. Nancy's first book, published in 1973, was Le titre de la lettre, a reading of the work of French psychoanalyst Jacques Lacan, written in collaboration with Philippe Lacoue-Labarthe. Nancy is the author of works on many thinkers, including La remarque spéculative in 1973 on Georg Wilhelm Friedrich Hegel, Le Discours de la syncope (1976) and L'Impératif catégorique (1983) on Immanuel Kant, Ego sum (1979) on René Descartes, and Le Partage des voix (1982) on Martin Heidegger.
Différance is a French term coined by Jacques Derrida. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning. The term différance means both "difference of meaning" and "deferral of meaning".
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine (phallus) in the construction of meaning. The term is a blend word of the older terms phallocentrism and logocentrism.
Philippe Lacoue-Labarthe was a French philosopher. He was also a literary critic and translator. Lacoue-Labarthe published several influential works with his friend Jean-Luc Nancy.
The following is a bibliography of works by Jacques Derrida.
Barbara Ellen Johnson was an American literary critic and translator, born in Boston. She was a Professor of English and Comparative Literature and the Fredric Wertham Professor of Law and Psychiatry in Society at Harvard University. Her scholarship incorporated a variety of structuralist and poststructuralist perspectives—including deconstruction, Lacanian psychoanalysis, and feminist theory—into a critical, interdisciplinary study of literature. As a scholar, teacher, and translator, Johnson helped make the theories of French philosopher Jacques Derrida accessible to English-speaking audiences in the United States at a time when they had just begun to gain recognition in France. Accordingly, she is often associated with the "Yale School" of academic literary criticism.
Christopher Wise is a cultural theorist, literary critic, scholar, and translator. His publications largely focus on Sahelian West Africa, especially Mali, Burkina Faso, and Senegal, as well as Palestine, Jordan, and Israel. He has also published theoretical works on Fredric Jameson, Jacques Derrida, and Noam Chomsky.
Bernard Stiegler was a French philosopher. He was head of the Institut de recherche et d'innovation (IRI), which he founded in 2006 at the Centre Georges-Pompidou. He was also the founder in 2005 of the political and cultural group, Ars Industrialis; the founder in 2010 of the philosophy school, pharmakon.fr, held at Épineuil-le-Fleuriel; and a co-founder in 2018 of Collectif Internation, a group of "politicised researchers" His best known work is Technics and Time, 1: The Fault of Epimetheus.
David Wood was Centennial Professor of Philosophy, and Joe B. Wyatt Distinguished University Professor, at Vanderbilt University.
Rodolphe Gasché holds the Eugenio Donato Chair of Comparative Literature at the University at Buffalo, State University of New York.
Of Grammatology is a 1967 book by the French philosopher Jacques Derrida. The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of speech and the independent act of writing.
Peggy Kamuf is the Marion Frances Chevalier Professor of French and Comparative Literature at the University of Southern California. She is one of the primary English translators of the works of Jacques Derrida. She received the American Comparative Literature Association's 2006 René Wellek Prize for her 2005 work Book of Addresses.
Trace is one of the most important concepts in Derridian deconstruction. In the 1960s, Jacques Derrida used this concept in two of his early books, namely Writing and Difference and Of Grammatology.
Catherine Malabou is a French philosopher. She is a Professor at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University, at the European Graduate School, and in the department of Comparative Literature at the University of California, Irvine, a position formerly held by Jacques Derrida.
Leonard "Len" Lawlor is Edwin Erle Sparks Professor of Philosophy at Pennsylvania State University. He specializes in nineteenth- and twentieth-century Continental philosophy.
Deconstruction is a fashion phenomenon of the 1980s and 1990s. It involves the use of costume forms that are based on identifying the structure of clothing - they are used as an external element of the costume. This phenomenon is associated with designers Martin Margiela, Yohji Yamamoto, Rei Kawakubo, Karl Lagerfeld, Ann Demeulemeester and Dries van Noten. Deconstructivism in fashion is considered as part of a philosophical system formed under the influence of the works of Jacques Derrida.