Dawn Nichols Walden | |
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Born | 1949 |
Known for | Basket weaving |
Dawn Nichols Walden (b. 1949, Vulcan, Michigan) [1] is an artist known for her basketry and fiber art. She studied at Ferris State University. In 2014 her work was included in the exhibition Elementals: Women Sculpting Animism at the Cavin-Morris Gallery in New York City. [2] [3] In 2016 her work was included in the exhibition Woven: The Art of Contemporary Native Basketry at Clark College. It was curated in collaboration with the I.M.N.D.N. Exhibition Series. [4] [5] In 2017 her work was included in the exhibition Rooted, Revived, Reinvented: Basketry in America at the Lauren Rogers Museum of Art. [6] The show traveled to the Houston Center for Contemporary Craft. [7] In 2018 she received a United States Artists Fellowship. [8]
Her work, Random Order XIII, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign. [9] [10]
The Renwick Gallery is a branch of the Smithsonian American Art Museum located in Washington, D.C. that displays American craft and decorative arts from the 19th to 21st century. The gallery is housed in a National Historic Landmark building that was opened in 1859 on Pennsylvania Avenue and originally housed the Corcoran Gallery of Art. When it was built in 1859, it was known as "the American Louvre".
Basket weaving is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers. Basket weaving is also a rural craft.
Lenore Tawney was an American artist working in fiber art, collage, assemblage, and drawing. She is considered to be a groundbreaking artist for the elevation of craft processes to fine art status, two communities which were previously mutually exclusive. Tawney was born and raised in an Irish-American family in Ohio and moved to Chicago to start her career. In the 1940's and 50's, she studied art at several different institutions and perfected her craft as a weaver. In 1957, she moved to New York where she maintained a highly successful career into the 1960's. In the 1970's Tawney focused increasingly on her spirituality, but continued to make work until her death.
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