This article needs a plot summary.(March 2021) |
Daydream Believer | |
---|---|
Directed by | Debra Eisenstadt |
Written by | Debra Eisenstadt |
Produced by | Debra Eisenstadt |
Starring | Sybil Kempson |
Cinematography | Debra Eisenstadt |
Edited by | Debra Eisenstadt |
Music by | Jenifer Jackson |
Release dates |
|
Running time | 79 minutes |
Country | United States |
Language | English |
Daydream Believer is a 2001 American film written and directed by Debra Eisenstadt and starring Sybil Kempson. [1]
The film has a 100% rating on Rotten Tomatoes. [2]
At the 17th Independent Spirit Awards, Eisenstadt won the Someone to Watch Award for her work in the film. [3] [4] [5]
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True Believer is a 1989 American courtroom drama directed by Joseph Ruben, written by Wesley Strick, and starring James Woods, Robert Downey Jr., Yuji Okumoto, Margaret Colin, and Kurtwood Smith.
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Debra Eisenstadt is an American writer, director, producer and editor.
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The Someone to Watch Award, sponsored by Kiehl's, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.
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"Daydream Believer" is a song written by John Stewart and originally recorded by the Monkees.
Letters from the Big Man is a 2011 American science fiction drama film written and directed by Christopher Münch and starring Lily Rabe, Jason Butler Harner and Isaac C. Singleton Jr.
A Dark Place is a 2019 British-American mystery thriller film directed by Simon Fellows and starring Andrew Scott, Bronagh Waugh and Denise Gough.
Kwik Stop is a 2001 American independent road film written and directed by Michael Gilio. The feature film stars Lara Phillips, opposite Gilio, along with Karin Anglin and Rich Komenich. The film had its world premiere at the Los Angeles Independent Film Festival on April 21, 2001.
Moonage Daydream is a 2022 documentary film about English singer-songwriter David Bowie. Written, directed, produced and edited by Brett Morgen, the film uses previously unreleased footage from Bowie's personal archives, including live concert footage. It is the first film to be officially authorized by Bowie's estate, and takes its title from the 1972 Bowie song of the same name.