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Deaf View Image Art, abbreviated as De'VIA, is a genre of visual art that intentionally represents the Deaf experience and Deaf culture. Although De'VIA works have been created throughout history, the term was first defined and recognized as an art genre in 1989. [1] In 1989, a group of nine Deaf artists gathered at Gallaudet University shortly before the Deaf Way arts festival was being held there. Led by Betty G. Miller, known as the Mother of De'VIA, [2] and Paul Johnston, these artists created a manifesto detailing what De'VIA is and what it includes. [3] Since its official designation as a genre, De'VIA has helped to introduce the Deaf experience to the artistic world and give a new platform to the Deaf community. [4]
The De'VIA Manifesto, an original copy of which can be found in the De'VIA Curriculum, outlines the major criteria of De'VIA works. According to the manifesto and its signatories, De'VIA work is:
A major point of De'VIA is its differentiation from Deaf Art. Deaf Art is a term encompassing all artists who are Deaf, while De'VIA art can be made by Deaf and hearing individuals, as long as it represents the Deaf experience and perspective. A hearing CODA (Child of deaf adult), for example, could be a contributor to De'VIA. Similarly, a Deaf artist does not necessarily belong to the De'VIA genre if their work does not use defined formal art elements common to De'VIA, such as contrastive colors and exaggerated facial features, to portray the Deaf experience. [1]
Betty G. Miller and Paul Johnston held a workshop titled "Expression: American Deaf Art," which took place at Gallaudet University in May 1989. [1] Attendees spent four days discussing the experiences and elements of Deaf art. At the culmination of this workshop and their discussions, they created a written manifesto to coin the term De'VIA and detail its characteristics. [1] The following list contains the artists that participated in this workshop and signed the manifesto:
Thematically, De'VIA consists of two basic categories; Resistance De'VIA and Affirmation De'VIA.
This branch of De'VIA includes artworks that showcase themes of audism, oralism, mainstreaming, cochlear implants, identity confusion, and eugenics. [2] All of these themes, typically negative in the eyes of the artist, are brought forward as a form of protest, as resistance De'VIA conveys how Deaf people have been oppressed, colonized and marginalized. [4]
In contrast to resistance De'Via, affirmation De'VIA demonstrates themes of empowerment, ASL, affiliation, acculturation, acceptance, and Deafhood. [2] Affirmation De'VIA highlights the positives by expressing the joy and empowerment within Deaf culture and the attributes of Deaf Gain that Deaf people share. [4] These themes are used to express the Deaf experience in a poignant way, showing the powerful platform and perspective that the Deaf community holds. [4]
As in many art movements, there are common symbols (or motifs) repeatedly used among different De'VIA artists in their works. Some common motifs in De'VIA works include:
These motifs can be analyzed in different ways throughout the pieces in which they appear, however the four most prevalent motifs are the eyes, the hands, the ears, and the mouth. In most cases, these symbols are used to communicate a message concerning the communication of Deaf people among each other or in interactions within the hearing world. [2]
Some notable De'VIA pieces highlight the eyes by either scratching them out or switching them with other parts of the face. This can either showcase the artist's feelings of being ignored by hearing people or emphasize the importance of the eyes in ASL. [5]
Since the hands are the primary source of ASL, many artists use them in their art. Chuck Baird notably uses hands in his artwork to show how certain signs visually represent their meaning. Hands in chains or shackles can also represent the artist's struggles with being prohibited from signing in school or at home. [6]
This illustration by Betty G. Miller, which can be viewed here, is an example of resistance De'VIA. Ameslan is an old acronym for American Sign Language, which references the first few letters of each word: Ame(rican) S(ign) Lan(guage). [7] The title references the act of not allowing Deaf people to sign. Through the shackling of hands, it conveys the message that denying Deaf people access to signed languages is harmful, represented by the broken fingers. By portraying that Deaf people are injured by disuse or banning from signed languages, Miller's work expresses some of the most common resistance De'VIA themes like oralism, mainstreaming, and oppression. [2]
Susan Dupor's painting "Family Dog" is also a resistance De'VIA work that visually likens the Deaf child to the family pet. Seen here Archived 2019-03-18 at the Wayback Machine , the comparison stems from the Deaf child's inability to communicate with their family due to their lack of access to language. Because of that lack of access, the child is treated like an animal which has limited communication. Dupor's piece has been found provocative by many of its viewers, and protests the hearing approaches used by hearing parents of deaf children, and therefore falls under resistance De'VIA. [2]
This painting Archived 2019-03-18 at the Wayback Machine by Chuck Baird, one of De'VIA's most notable contributors, serves as an example of affirmation De'VIA. The painting incorporates the sign for whale into a beautiful seascape, where a whale would be naturally found. This juxtaposition shows the iconicity of American Sign Language and subscribes to affirmation De'VIA themes such as ASL, empowerment, and Deaf gain. [2]
Nancy Rourke's image shows children in an oralist setting signing the letters A(merican) S(ign) L(anguage) behind their backs. Speech class and other oralism programs are a common theme in many Deaf experiences. This image provides an example of resistance De'VIA as it showcases a protest of oralism. [2] The title references an experience that many members of the Deaf community have lived through, an experience of language deprivation which many liken to child abuse.
American Sign Language (ASL) is a natural language that serves as the predominant sign language of Deaf communities in the United States and most of Anglophone Canada. ASL is a complete and organized visual language that is expressed by employing both manual and nonmanual features. Besides North America, dialects of ASL and ASL-based creoles are used in many countries around the world, including much of West Africa and parts of Southeast Asia. ASL is also widely learned as a second language, serving as a lingua franca. ASL is most closely related to French Sign Language (LSF). It has been proposed that ASL is a creole language of LSF, although ASL shows features atypical of creole languages, such as agglutinative morphology.
Sign languages are languages that use the visual-manual modality to convey meaning, instead of spoken words. Sign languages are expressed through manual articulation in combination with non-manual markers. Sign languages are full-fledged natural languages with their own grammar and lexicon. Sign languages are not universal and are usually not mutually intelligible, although there are also similarities among different sign languages.
Deaf culture is the set of social beliefs, behaviors, art, literary traditions, history, values, and shared institutions of communities that are influenced by deafness and which use sign languages as the main means of communication. When used as a cultural label especially within the culture, the word deaf is often written with a capital D and referred to as "big D Deaf" in speech and sign. When used as a label for the audiological condition, it is written with a lower case d. Carl G. Croneberg coined the term "Deaf Culture" and he was the first to discuss analogies between Deaf and hearing cultures in his appendices C/D of the 1965 Dictionary of American Sign Language.
Cued speech is a visual system of communication used with and among deaf or hard-of-hearing people. It is a phonemic-based system which makes traditionally spoken languages accessible by using a small number of handshapes, known as cues, in different locations near the mouth to convey spoken language in a visual format. The National Cued Speech Association defines cued speech as "a visual mode of communication that uses hand shapes and placements in combination with the mouth movements and speech to make the phonemes of spoken language look different from each other." It adds information about the phonology of the word that is not visible on the lips. This allows people with hearing or language difficulties to visually access the fundamental properties of language. It is now used with people with a variety of language, speech, communication, and learning needs. It is not a sign language such as American Sign Language (ASL), which is a separate language from English. Cued speech is considered a communication modality but can be used as a strategy to support auditory rehabilitation, speech articulation, and literacy development.
Manually Coded English (MCE) is an umbrella term referring to a number of invented manual codes intended to visually represent the exact grammar and morphology of spoken English. Different codes of MCE vary in the levels of adherence to spoken English grammar, morphology, and syntax. MCE is typically used in conjunction with direct spoken English.
A contact sign language, or contact sign, is a variety or style of language that arises from contact between deaf individuals using a sign language and hearing individuals using an oral language. Contact languages also arise between different sign languages, although the term pidgin rather than contact sign is used to describe such phenomena.
A child of deaf adult, often known by the acronym CODA, is a person who was raised by one or more deaf parent or legal guardian. Ninety percent of children born to deaf adults can hear normally, resulting in a significant and widespread community of CODAs around the world, although whether the child is hearing, deaf, or hard of hearing has no effect on the definition. The acronym KODA is sometimes used to refer to CODAs under the age of 18.
Clayton Valli was an American prominent deaf linguist and American Sign Language (ASL) poet whose work helped further to legitimize ASL and introduce people to the richness of American Sign Language literature.
Jane Fernandes is a Deaf American educator and social justice advocate. As of August 2021, Fernandes is the President of Antioch College in Yellow Springs, Ohio. She previously served as president of Guilford College from 2014 to 2021.
In the United States, deaf culture was born in Connecticut in 1817 at the American School for the Deaf, when a deaf teacher from France, Laurent Clerc, was recruited by Thomas Gallaudet to help found the new institution. Under the guidance and instruction of Clerc in language and ways of living, deaf American students began to evolve their own strategies for communication and for living, which became the kernel for the development of American Deaf culture.
Singapore Sign Language, or SgSL, is the native sign language used by the deaf and hard of hearing in Singapore, developed over six decades since the setting up of the first school for the Deaf in 1954. Since Singapore's independence in 1965, the Singapore deaf community has had to adapt to many linguistic changes. Today, the local deaf community recognises Singapore Sign Language (SgSL) as a reflection of Singapore's diverse culture. SgSL is influenced by Shanghainese Sign Language (SSL), American Sign Language (ASL), Signing Exact English (SEE-II) and locally developed signs.
American Sign Language literature is one of the most important shared cultural experiences in the American deaf community. Literary genres initially developed in residential Deaf institutes, such as American School for the Deaf in Hartford, Connecticut, which is where American Sign Language developed as a language in the early 19th century. There are many genres of ASL literature, such as narratives of personal experience, poetry, cinematographic stories, folktales, translated works, original fiction and stories with handshape constraints. Authors of ASL literature use their body as the text of their work, which is visually read and comprehended by their audience viewers. In the early development of ASL literary genres, the works were generally not analyzed as written texts are, but the increased dissemination of ASL literature on video has led to greater analysis of these genres.
Claire L Ramsey is an American linguist. Ramsey is an Associate Professor Emerita at the University of California, San Diego. She is an alumna of Gallaudet University and is former instructor at the University of Nebraska in Lincoln, Nebraska. Ramsey's research has focused on the sociolinguistics of deaf and signing communities in the US and Mexico.
The history of deaf education in the United States began in the early 1800s when the Cobbs School of Virginia, an oral school, was established by William Bolling and John Braidwood, and the Connecticut Asylum for the Deaf and Dumb, a manual school, was established by Thomas Hopkins Gallaudet and Laurent Clerc. When the Cobbs School closed in 1816, the manual method, which used American Sign Language, became commonplace in deaf schools for most of the remainder of the century. In the late 1800s, schools began to use the oral method, which only allowed the use of speech, as opposed to the manual method previously in place. Students caught using sign language in oral programs were often punished. The oral method was used for many years until sign language instruction gradually began to come back into deaf education.
Chuck Baird was an American Deaf artist who was one of the more notable founders of the De'VIA art movement, an aesthetic of Deaf Culture in which visual art conveys a Deaf world view. His career spanned over 35 years and included painting, sculpting, acting, storytelling, and teaching.
Lou Fant was a pioneering teacher, author and expert on American Sign Language (ASL). He was also an actor in film, television, and the stage. Natively bilingual in ASL and English, he often played roles relating to sign language and the deaf.
Betty Gloria Miller, also known as Bettigee was an American artist who became known as the "Mother of De'VIA".
Nancy Rourke is an internationally known Deaf artist and ARTivist, with a focus in oil painting. Her pieces carry the themes of resistance, affirmation, and liberation, with stylings falling under 'Rourkeism' and 'Surdism'.
The Museum of Deaf History, Arts and Culture is a museum dedicated to the unique culture of Deaf and hard of hearing people in the United States. The museum opened in 2001 in Olathe, Kansas, across the street from the Kansas School for the Deaf.
Arnaud Balard is a French deafblind artist. In 2009, Balard wrote a manifesto outlining his philosophy of Surdism, an artistic, philosophical, and cultural movement celebrating deaf culture and deaf arts. He is also known for designing the Sign Union flag, an image intended to represent global unity for deaf and deafblind people.