De Onbekende Beeldhouwer (the Anonymous Sculptor) is an artist or group of artists known for work on street sculptures in Amsterdam through the 1980s and 1990s. At least eight works that attracted public interest have been so attributed, including "The Violinist" (1991), which can be seen at the Stopera in Amsterdam.
The sculptor's identity (or possibly identities) has remained unknown. The suspects have included Gene Holt, an American sculptor, who denied his involvement in 2013, and the former Queen Beatrix of the Netherlands. It has been stated by the Government of Amsterdam that the sculptor is a medical person of note, who wishes to remain anonymous.
"The Breast Plate" is a small sculpture of a hand on a woman's breast, located between the stones at Oudekerksplein. It is the fourth piece of art made by the anonymous artist and gives the best clue as to who this artist is. It appeared suddenly in the middle of the city at the end of February 1993, but within a week it was removed by the government. This turned out to be easier said than done, as the sculpture was fixed to one meter's depth of concrete. There were several reasons for the removal: the sculpture was causing a lot of noise when people stepped on it, there was no permit for its placement, and its subject was deemed "inappropriate" for the middle of the red light district. After a public announcement that the statue would not be replaced, the sculptor presented himself at the Amsterdam department of art. It was decided that the statue would be returned to its place with some additional insulation to decrease the noise. The city agreed to keep the identity of the sculptor secret, and since July 1993, the sculpture can be appreciated at its original location at Oudekerksplein. [1]
David is a masterpiece of Italian Renaissance sculpture in marble created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres, the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond. David was originally commissioned as one of a series of statues of twelve prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in the public square in front of the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. In 1873, the statue was moved to the Galleria dell'Accademia, Florence. In 1910 a replica was installed at the original site on the public square.
Charging Bull is a bronze sculpture that stands on Broadway just north of Bowling Green in the Financial District of Manhattan in New York City. The 7,100-pound (3,200 kg) bronze sculpture, standing 11 feet (3.4 m) tall and measuring 16 feet (4.9 m) long, depicts a bull, the symbol of financial optimism and prosperity. Charging Bull is a popular tourist destination that draws thousands of people a day, symbolizing Wall Street and the Financial District.
Tilted Arc was a controversial public art installation by Richard Serra, displayed in Foley Federal Plaza in Manhattan from 1981 to 1989. It consisted of a 120-foot-long (37 m), 12-foot-high (3.7 m) solid, unfinished plate of rust-covered COR-TEN steel. Advocates characterized it as an important work by a well-known artist that transformed the space and advanced the concept of sculpture, whereas critics focused on its perceived ugliness and saw it as ruining the site. Following an acrimonious public debate, the sculpture was removed in 1989 as the result of a federal lawsuit and has never been publicly displayed since, in accordance with the artist's wishes.
Classical sculpture refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.
The Muzeon Park of Arts is a park outside the Krymsky Val building in Moscow shared by the modern-art division of the Tretyakov Gallery and the Central House of Artists. It is located between the Park Kultury and the Oktyabrskaya underground stations. The largest open-air sculpture museum in Russia, it has over 1,000 artworks currently in its collection.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
Rembrandtplein is a major square in central Amsterdam, Netherlands, named after Rembrandt van Rijn who owned a house nearby from 1639 to 1656.
Korstiaan"Kees"Verkade was a Dutch artist and sculptor. He specialized in modeling the human form, with an emphasis on movement and emotion. Most of his sculptures are set in bronze. They depict a variety of people, including children, clowns, athletes, dancers, mothers, and lovers. Verkade also created gouaches and silkscreens to accompany his sculptures.
Sir Charles Thomas Wheeler was a British sculptor who worked in bronze and stone who became the first sculptor to hold the presidency of the Royal Academy, from 1956 until 1966.
Louis Royer, also Lodewyk Royer, was a Flemish sculptor who worked in the Netherlands where he received many commissions from the royal family and for public statues.
The Oudekerksplein is a square in the centre of Amsterdam. It is named after the 14th-century church Oude Kerk which dominates the square. The Oudekerksplein is wedged between the Warmoesstraat street and Oudezijds Voorburgwal canal. From the square, the Oudekerksbrug bridge crosses the Oudezijds Voorburgwal canal and continues eastwards, through the Oudekennissteeg and Molensteeg alleys, towards the Oudezijds Achterburgwal and Zeedijk.
Slavomir Miletić was a Serbian sculptor, who lived in the Netherlands. He attended the Académie des Beaux-Arts de l'Institut de France. He was noted for his sometimes large works, characterized by a rough style, and for occasionally provoking controversy.
Mohammad Ghani Hikmat was an Iraqi sculptor and artist credited with creating some of Baghdad's highest-profile sculptures and monuments and was known as the "sheik of sculptors". He is also known as an early member of Iraq's first 20th-century art groups, including Al-Ruwad and The Baghdad Modern Art Group; two groups that helped to bridge the gap between tradition and modern art. He was also instrumental in recovering many of Iraq's missing artworks, which were looted following the 2003 invasion.
Kwakiutl is a totem sculpture by Cowichan Tribes artist Simon Charlie, which has caused controversy for its nudity over multiple decades of display in Chinguacousy Township, and later Brampton, both near Toronto in Ontario, Canada. Charlie, also known as Hwunumetse', later received the Order of Canada. The 9-foot-tall cedar wood sculpture is best known for its exposed male genitals.
Francis van Bossuit was a Flemish sculptor. He mainly carved sculptures in ivory. Only a few sculptures in wood and terracotta by his hand are known. His work shows a penchant for classicism which was probably derived from his exposure to ancient and contemporary Italian art during his stay in Rome as well as his knowledge of the Baroque classicism of the sculptors active in Versailles. The exuberance of some of his works also reflects his training in Flemish Baroque sculpture.
The first Turkish painters appeared no earlier than the mid-19th century during the Ottoman Empire era. The first art academy in Turkey was established in the 19th century but was meant only for male art students. Therefore, art remained gender-segregated until 1914, when an art school for women was established, but still, they could work under strict rules since working on nude models of the opposite sex was prohibited. The daughters of the enlightened people in Turkish society were allowed to participate in art privately, and they could not make it a career. Therefore, coming from such families, a girl child could get support from the family but only to practice art as a hobby and not as a profession. The portrayal of female artists in Turkey initially did not intend to show them as skilled people as their male counterparts could have been portrayed. It showed the female artists as people operating in the shadows of male artists and thus could not fit on the same continuum. The first Turkish woman painter was Müfide Kadri. (1889-1912) and the first Turkish woman sculptor was Sabiha Ziya Bengütaş. The first art academy for girls was Sanayi'i Nefise which became co-educational in 1914. During the Turkish Republic-era, art training was promoted by the government, and beginning in 1930 painting courses were added to the curriculum of the schools.
The bust of Edward Snowden, called Prison Ship Martyrs' Monument 2.0 by its creators, was an ephemeral, illegally installed public sculpture of Edward Snowden, an American whistleblower who leaked classified information from the National Security Agency (NSA) and was charged with federal crimes as a result. The bronze-like bust was placed in Fort Greene Park in Fort Greene, Brooklyn, New York City, on April 6, 2015. This sparked outrage by the Society of Old Brooklynites. It was attached to a Doric column on the perimeter of the park's Prison Ship Martyrs' Monument, a memorial and crypt which honors and inters the more than 11,500 American prisoners of war who died in the American Revolution while housed on British prison ships.
Henricus Petrus Cornelis (Kees) Verschuren is a Dutch sculptor, painter and former lecturer at the Willem de Kooning Academie in Rotterdam, known for his monumentalist sculptures in public places in the Netherlands.
Emil Julius Epple was a German sculptor working mainly in Italy and southern Germany. In 1937, he moved to the Netherlands, becoming a Dutch citizen after the Second World War.
Geo (Georges) Verbanck was a Belgian sculptor and medalist.
See also nl:De Onbekende Beeldhouwer and commons:Category:Anonymous sculptor#mw-subcategories.
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