The Dead Christ Held by Two Angels is a painting by the Italian Renaissance artist Marco Palmezzano, finished in 1510. It is housed in the Musée du Louvre of Paris, France.
The centre of the scene is occupied by the dead figure of Christ, portrayed with great attention to anatomical details, but also with evident religious piety; the brightness of his body is further enhanced by the dark stone, resembling a black cave, depicted in the background. This contrast can also have the allegorical meaning of Jesus leaving sin and death behind his shoulders. Jesus assumes in this way the evangelic role of proclamation of the end of the dark era of humanity, as also remembered by the presence of the two angels.
The work is influenced by those of Giovanni Bellini, which Palmezzano saw in his sojourn in Venice in 1489–1495.
In Christian theology, the Harrowing of Hell is an Old English and Middle English term referring to the period of time between the Crucifixion of Jesus and his resurrection. In triumphant descent, Christ brought salvation to the souls held captive there since the beginning of the world.
The Pietà is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by sole privilege of the Virgin Mary alone, whilst representing her "sixth sorrow" and sometimes accompanied by a specific Marian title.
The Virgin of the Rocks, sometimes the Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre Virgin of the Rocks and London Virgin of the Rocks respectively. The paintings are both nearly 2 metres high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas.
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round.
The post-tribulation rapture doctrine is the belief in a combined resurrection and gathering of the saints coming is after the Great Tribulation.
Marco Palmezzano (1460–1539) was an Italian painter and architect, belonging to the Forlì painting school, who painted in a style recalling earlier Northern Renaissance models. He was mostly active near Forlì.
The Entombment is an unfinished oil-on-panel painting of the burial of Jesus, now generally attributed to the Italian Renaissance master Michelangelo Buonarroti and dated to around 1500 or 1501. It is in the National Gallery in London, which purchased the work in 1868 from Robert Macpherson, a Scottish photographer resident in Rome, who, according to various conflicting accounts, had acquired the painting there some 20 years earlier. It is one of a handful of paintings attributed to Michelangelo, alongside the Manchester Madonna, the Doni Tondo, and possibly, The Torment of Saint Anthony.
In the New Testament of the Christian Bible, the Book of Revelation describes a past war in heaven between angels led by the Archangel Michael against those led by "the dragon", identified as the devil or Satan, who was defeated and thrown down to the earth. Revelation's war in Heaven is related to the idea of fallen angels, and possible parallels have been proposed in the Hebrew Bible and the Dead Sea Scrolls.
The decade of the 1460s in art involved some significant events.
The Madonna of Chancellor Rolin is an oil painting by the Early Netherlandish painter Jan van Eyck, dating from around 1435. It is kept in the Musée du Louvre, Paris, and was commissioned by Nicolas Rolin, aged 60, chancellor of the Duchy of Burgundy, whose votive portrait takes up the left side of the picture, for his parish church, Notre-Dame-du-Chastel in Autun, where it remained until the church burnt down in 1793. After a period in Autun Cathedral, it was moved to the Louvre in 1805.
The Holy Family is a 1518 painting of the Holy Family, Saint Elisabeth, an infant John the Baptist and two angels. It is signed by Raphael, but most of the work was delegated to his workshop assistants. It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name. It is now in the Louvre.
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
The Santa Trinita Maestà is a panel painting by the Italian medieval artist Cimabue, dating to c. 1290-1300. Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy. It represents the Madonna enthroned with the Baby Jesus and surrounded by eight angels and, below, four half portraits of prophets.
The Entombment of Christ is a c. 1520 painting by Titian, now in the Musée du Louvre, in Paris.
Head of Christ is a 1650s painting by Rembrandt's workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Metropolitan Museum of Art.
The Dead Christ with Angels is an 1864 oil painting by French painter Édouard Manet. The painting depicts the biblical story of Mary Magdalene entering the tomb of Jesus and seeing two angels but finding Jesus's body missing. It is now in the Metropolitan Museum of Art in New York City.
Christ Mocked is a small 13th-century panel painting by the Italian artist Cimabue, in tempera on a poplar panel. It depicts the Mocking of Jesus and is one of three panels known from a polyptych depicting the passion of Jesus. It was discovered in the kitchen of an elderly woman in Northern France. In October 2019 it sold at auction for €24 million, a record for a pre-1500 artwork. It is believed to be the first work by Cimabue to have been auctioned.
The Dead Christ Mourned is an oil painting on canvas of c. 1604 by Annibale Carracci. It was in the Orleans Collection before arriving in Great Britain in 1798. In 1913 it was donated to the National Gallery, London, which describes it as "perhaps the most poignant image in [its] collection of the pietà – the lamentation over the dead Christ following his crucifixion – and one of the greatest expressions of grief in Baroque art".
The Last Judgment also known as the Second Coming is a painting by Leos Moskos. His artistic legacy was during the 17th century. Twenty of his paintings survived. He shared the same last name as Elias Moskos and Ioannis Moskos, they may have been related. All three painters flourished during the same period. Moskos worked all over Europe namely, Crete, Zakynthos, and Venice. His student was famous painter Nikolaos Doxaras.
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