Harrell Fletcher is an American social practice and relational aesthetics artist and professor, living in Portland, Oregon.
Thomas Scheibitz is a German painter and sculptor. Together with Tino Sehgal he created the German pavilion on the 51st Venice Biennale in 2005. He lives and works in Berlin.
Seni Awa Camara is a Senegalese sculptor from the Diola ethnic group. She was born in Bignona, where she still lives and works. She creates sculptures in clay in her front yard, then fires them in an open-hearth kiln before displaying them around her house. The pieces, ranging in size from 12 inches tall to 8 feet tall, represent personal symbols.
Mark Dean Veca is an American artist based in Altadena, California. He creates paintings, drawings and large-scale installations.
Walter Maciel Gallery is an art gallery founded in 2005, located at 2642 S. La Cienega Boulevard, in the Culver City Arts District in Los Angeles, California, United States. Walter Maciel worked as a gallery director in San Francisco for fourteen years before he moved to Southern California and opened his own space. Maciel has served on many boards and committees, including Southern Exposure, Headlands Center for the Arts, Hospitality House in San Francisco, and the San Francisco Art Dealers Association. He has been on lecture panels at UCLA, the San Francisco Art Institute, California College of the Arts, UC Berkeley, Pacific Northwest College of Art, University of Missouri, Kansas City, Ulrich Museum of Art, Wichita State University, Wichita, KS and the Institute of Contemporary Art, San Jose.
David Brian Smith (1981-), is a London-based contemporary artist from Wolverhampton, United Kingdom. He is known for his thought-provoking and visually stunning paintings, which have been featured in exhibitions and art fairs in the United Kingdom, Belgium, Germany, and elsewhere.
Johan Furåker is a Swedish/Danish artist. He lives and works in Denmark. His work circles around unlikely life stories and truths that are stranger than fiction.
Shirley Kaneda is an abstract painter and artist based in New York City.
Wendy White is an American artist from Deep River, Connecticut who lives and works in New York City.
Rochelle Feinstein is a contemporary American visual artist that makes abstract paintings, prints, video, sculpture, and installations that explore language and contemporary culture. She was appointed professor in painting and printmaking at the Yale School of Art in 1994, where she also served as director of graduate studies, until becoming professor emerita in 2017.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Cathrine Raben Davidsen, is a Danish artist, who lives and works in Copenhagen. Raben Davidsen was born in Copenhagen, Denmark. She received her MFA in 2003 from The Royal Danish Academy of Fine Arts. From 2005 to 2014 Raben Davidsen was represented by Martin Asbæk Gallery.
Jill Mulleady is an artist. She was born in Montevideo, Uruguay and grew up in Buenos Aires, Argentina. She moved to London to study at Chelsea School of Art, in 2007–09, where she received a Master of Fine Arts. She lives and work in Los Angeles, California.
ruby onyinyechi amanze, is a Nigerian-born British-American artist noted for drawings and works on paper which focus on cultural hybridity or "post-colonial non-nationalism." In addition to being an artist, she has also worked as a teacher and curator. She lives in Brooklyn, New York.
Don Porcella is contemporary American multimedia artist, most known for his pipe cleaner sculptures and encaustic paintings Don Porcella is best known for elevating low-brow, mass-market craft materials into high art. Porcella's subjects are usually inspired by consumerism, nature, the human condition, science fiction and folk art with humor.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Karen Tam is a Canadian artist and curator who focuses on the constructions and imaginations of cultures and communities through installations in which she recreates Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. She is based in Montreal, Quebec.
Edie Fake is an American artist, illustrator, author, and transgender activist. Fake is known for their comics/zines, gouache and ink paintings, and murals. Fake has an award winning comic-zine series about Gaylord Phoenix, a bird-like man that travels to different environments and has various lovers. He is currently based in Joshua Tree, California, after previously residing in Chicago and Los Angeles.
Guadalupe Maravilla, formerly known as Irvin Morazan, is a transdisciplinary visual artist, choreographer, and healer. At the age of eight, Maravilla was part of the first wave of unaccompanied, undocumented children to arrive at the United States border in the 1980s as a result of the Salvadoran Civil War. In 2016, Maravilla became a U.S. citizen and adopted the name Guadalupe Maravilla in solidarity with his undocumented father, who uses Maravilla as his last name. As an acknowledgment to his past, Maravilla grounds his practice in the historical and contemporary contexts belonging to undocumented communities and the cancer community. Maravilla's studio is located in Brooklyn, New York.
Angela Hennessy is an American artist and educator. She is an Associate Professor at the California College of the Arts, and co-founder of SeeBlackWomxn. Hennessy teaches courses on visual and cultural narratives of death in contemporary art. She primarily works with textiles. She uses synthetic and human hair to create large-scale sculptures addressing cultural narratives of the body and mortality. Through writing, studio work, and performance, her practice addresses death and the dead themselves. Hennessy constructs “ephemeral and celestial forms” with every day gestures of domestic labor—washing, wrapping, stitching, weaving, brushing, and braiding.
