Critical reception
The Monthly Film Bulletin wrote: "Although the introduction of American gangsters into London is, presumably, feasible, it is not in this case very convincing; and in this basic weakness most of the faults of the film originate. Violence, sentimentality and lust are dispensed in more or less equal quantities, but are never more than tedious. Bonar Colleano and Al Mulock manage orthodox, competent performances." [3]
Kine Weekly wrote: "The picture sprawls during the first 30 minutes, but plenty of widely varied action, embroidered with sex, is crowded into the last hour. Keefe Brasselle contributes a forthright, yet sensitive, portrayal as Regan, Bonar Colleano is in his element as Longo, and Jill Adams has her moments as Evelyn, but Arlene de Marco, who, by the way, should never sing in public, falters as Julie. lts supporting players are adequate. The staging is above average, and the night shots are impressive." [4]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Tired and tedious; seems very long." [5]
This page is based on this
Wikipedia article Text is available under the
CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.
