The Assumption of Mary is one of the four Marian dogmas of the Catholic Church. Pope Pius XII defined it on 1 November 1950 in his apostolic constitution Munificentissimus Deus as follows:
We proclaim and define it to be a dogma revealed by God that the immaculate Mother of God, Mary ever virgin, when the course of her earthly life was finished, was taken up body and soul into the glory of heaven.
The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches. It celebrates the "falling asleep" (death) of Mary the Theotokos, and her being taken up into heaven. It is celebrated on 15 August as the Feast of the Dormition of the Mother of God. The Armenian Apostolic Church celebrates the Dormition not on a fixed date, but on the Sunday nearest 15 August. In Western Churches the corresponding feast is known as the Assumption of Mary, with the exception of the Scottish Episcopal Church, which has traditionally celebrated the Falling Asleep of the Blessed Virgin Mary on 15 August.
In the New Testament, Salome was a follower of Jesus who appears briefly in the canonical gospels and in apocryphal writings. She is named by Mark as present at the crucifixion and as one of the Myrrhbearers, the women who found Jesus's empty tomb. Interpretation has further identified her with other women who are mentioned but not named in the canonical gospels. In particular, she is often identified as the wife of Zebedee, the mother of James and John, two of the Twelve apostles. In medieval tradition Salome was counted as one of the Three Marys who were daughters of Saint Anne, so making her the sister or half-sister of Mary, mother of Jesus.
In the Eastern Orthodox Church, the feast of the Resurrection of Jesus, called Pascha (Easter), is the greatest of all holy days and as such it is called the "feast of feasts". Immediately below it in importance, there is a group of Twelve Great Feasts. Together with Pascha, these are the most significant dates on the Orthodox liturgical calendar. Eight of the great feasts are in honor of Jesus Christ, while the other four are dedicated to the Virgin Mary — the Theotokos.
The Mérode Altarpiece is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain, and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window.
The Portinari Altarpiece or Portinari Triptych is an oil-on-wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 304 cm, and is now in the Galleria degli Uffizi in Florence, Italy. This altarpiece is filled with figures and religious symbols. Of all the late-fifteenth-century Flemish artworks, this painting is said to be the most studied.
The Death of the Virgin Mary is a common subject in Western Christian art, the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward. Although that doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Nothing is said in the Bible about the end of Mary's life, but a tradition dating back to at least the 5th century says the twelve Apostles were miraculously assembled from their far-flung missionary activity to be present at the death, and that is the scene normally depicted, with the apostles gathered round the bed.
The Assumption of the Virgin Mary does not appear in the New Testament, but appears in apocryphal literature of the 3rd and 4th centuries, and by 1000 was widely believed in the Western Church, though not made formal Catholic dogma until 1950. It first became a popular subject in Western Christian art in the 12th century, along with other narrative scenes from the Life of the Virgin, and the Coronation of the Virgin. These "Marian" subjects were especially promoted by the Cistercian Order and Saint Bernard of Clairvaux.
The Assumption of the Virgin is an oil on canvas painting by Greek artist Doménikos Theotokópoulos, known as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. It was the first of nine paintings that El Greco was commissioned to paint for this church. The Assumption of the Virgin was El Greco's first work in Toledo and started his 37-year career there. Under the influence of Michelangelo, El Greco created a painting that in essence was Italian, with naturalistic style, monumental figures and a Roman school palette. The composition of El Greco's depiction of Assumption of the Virgin resembles Titian's Assumption in the Basilica dei Frari in Venice with Virgin Mary and angels above and the apostles below. On the painting Virgin Mary floats upward which symbolizes her purity, while apostles gathered around her empty tomb express amazement and concern.
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject.
The Nativity of Jesus has been a major subject of Christian art since the 4th century.
Within Catholicism, a miracle of the roses is a miracle in which roses manifest an activity of God or of a saint. Such a miracle is presented in various hagiographies and legends in different forms, and it occurs in connection with diverse individuals such as Saints Elizabeth of Hungary (1207–1231), Elizabeth of Portugal (1271–1336), Saint Dorothy, a 4th-century virgin martyr at Caesarea in Cappadocia, and Our Lady of Guadalupe.
The Death of the Virgin is an oil-on-oak-panel painting by the Flemish painter Hugo van der Goes. Completed c 1472–1480, it shows the Virgin Mary on her deathbed surrounded by the Twelve Apostles. The scene is borrowed from Jacobus de Voragine's thirteenth-century "Legenda aurea" which relates how the apostles were brought, at Mary's request, on clouds by angels to a house near Mount Zion to be with her in her final three days. On the third day Jesus appeared above her bed in a halo of light surrounded by angels to accept her soul at the point when his name was finally mentioned. Three days later he reappeared to accept her body.
Magdalene with the Smoking Flame is a c. 1640 oil-on-canvas depiction of Mary Magdalene by French Baroque painter Georges de La Tour. Two versions of this painting exist, one in the Los Angeles County Museum of Art and the other in the Louvre Museum.
The Church of Nuestra Señora del Manzano or Iglesia de Santa María del Manzano is a Catholic church in the town of Castrojeriz, in the province of Burgos. Construction of the current building was begun in 1214, through the will of Queen Berengaria of Castile, daughter of Alfonso VIII of Castile and mother of Ferdinand III of Castile. It is located at the foot of the hill on which the Castle of Castrojeriz stands. It previously held the rank of collegiate church.
Trémaouézan Parish close is located at Trémaouézan in the arrondissement of Brest in Brittany in north-western France. The enclosure includes the Notre-Dame church, ossuary, and calvary. The church was built in the 15th Century and much enlarged in 1597 when the chapel was added. The Renaissance porch, located on the south side of the church, was added in 1610 with statues of the apostles. The calvary separates the church from the ossuary. Inside the church are a notable baptismal font and a number of wood carvings dating to the 17th century. The bell tower is of the "léonard" style. It was hit by lightning in 1702 but restored in 1714. There is a note in the church archives dated 1713, recording that many women sold their rings to help fund the reconstruction. It is a listed historical monument.
The Annunciation is an oil painting by the Early Netherlandish painter Hans Memling. It depicts the Annunciation, the archangel Gabriel's announcement to the Virgin Mary that she would conceive and become the mother of Jesus, described in the Gospel of Luke. The painting was executed in the 1480s and was transferred to canvas from its original oak panel sometime after 1928; it is today held in the Robert Lehman collection of the Metropolitan Museum of Art in New York.
The Vyšší Brod (Hohenfurth) cycle, ranks among the most important monuments of European Gothic painting. It is made up of nine panel paintings depicting scenes from the Life of Christ, covering his childhood, Passion and resurrection. These paintings were made between 1345 and 1350 in the workshop of the Master of Vyšší Brod that was most probably based in Prague. The pictures were either meant for a square altar retable or else they decorated the choir partition of the church of the Cistercian Abbey in Vyšší Brod.
The Dormition and Assumption of the Virgin is a tempera painting created by Elias Moskos. Moskos was a representative of the Late Cretan School and the Heptanese School. He migrated to Zakinthos from Crete. He was originally from the city of Rethymno. He participated in the transition of Greek painting from the Cretan School to the more refined Heptanese School of the Ionian islands. He also taught painting. His activity was from 1645 to 1687. He was active on the islands of Crete, Zakynthos, and Kefalonia. He was heavily involved with church committees. Church committees commissioned paintings. Half of his works were signed fifty-two of his works survived.
