Donato di Niccolò di Betto Bardi, better known as Donatello, was a Florentine sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's David was the first freestanding nude male sculpture since antiquity.
Andrea del Castagno or Andrea di Bartolo di Bargilla was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Ettore Roesler Franz was an Italian painter and photographer. He was among the most prolific Italian watercolorists and vedutisti of the late nineteenth century.
The decade of the 15th century in art involved some significant events.
The decade of the 1430s in art involved some significant events.
Hendrick van den Broeck or Arrigo Fiammingo was a Flemish painter, fresco painter, glass painter and sculptor of the late-Renaissance or Mannerist period. After training in Flanders, he travelled to Italy where he remained active in various cities for the remainder of his life. He was court painter to Cosimo I de Medici in Florence and worked as a fresco painter in Rome on the large decorative projects of pope Gregory XIII.
The Lives of the Most Excellent Painters, Sculptors, and Architects, often simply known as The Lives, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history".
Nicolò da Voltri was an Italian painter who was active in Genoa from 1394 to 1417. He was the most important native painter in Liguria, a coastal region of northwestern Italy. His early development took place, probably in the 1370s, in the circle of Barnaba da Modena, who was active in Liguria between 1361 and 1383. Da Voltri was influenced by the Sienese School painter Taddeo di Bartolo, who was in Liguria between 1393 and 1398. Da Voltri's later paintings show clear influence of the Pisan painters working in Liguria between 1410 and 1420.
Battista Dossi, also known as Battista de Luteri, was an Italian painter who belonged to the Ferrara School of Painting. He spent nearly his entire career in service of the Court of Ferrara, where he worked with his older brother Dosso Dossi. It is believed that Battista worked in the Rome studio of Raphael from 1517 to 1520. Battista's students include Camillo Filippi.
Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Niccolò di Piero Lamberti, also known as Niccolò di Pietro Lamberti, Niccolo Aretino, Niccolò d'Arezzo and as il Pela, was an Italian sculptor and architect. Little is known about his life other than that he was married in Florence in 1392. His son, Piero di Niccolò Lamberti (1393–1435), was also a sculptor, and the two are notable for exporting the Tuscan style of sculpture to Venice, where they were active in the late 1410s and 1420s.
Lazzaro Vasari (1399–1468), also known as Lazzaro Taldi and as Lazzaro di Niccolò de' Taldi, was an Italian painter who was born in the Province of Arezzo. His father was a potter, as was Lazzaro Vasari’s son, Giorgio Vasari I. The painter Luca Signorelli (1441–1523) was Lazzaro Vasari’s nephew, and the art historian Giorgio Vasari was his great-grandson.
Davide Ghirlandaio (1452–1525), also known as David Ghirlandaio and as Davide Bigordi, was an Italian painter and mosaicist, active in his native Florence.
Pierino da Vinci, born Pier Francesco di Bartolomeo di Ser Piero da Vinci, was an Italian sculptor, born in the small town of Vinci in Tuscany; he was the nephew of Leonardo da Vinci.
Antonio Varni was an Italian painter, painting vedute, historical, and genre pieces.
Carlo Pellegrini was an Italian painter. He won a gold medal at the 1912 Summer Olympics in the mixed painting section of the art competitions.
Francesco Maria Niccolò Gabburri was a Florentine diplomat, painter, art collector, and biographer of artists.
Roberto Montanari was an Italian painter. Known as “El Pintor de Los Toros,” he painted mostly Spanish bulls and landscapes and he was a pupil of Salvador Dalí. He held over 300 exhibitions. In 1970, 1971 and 1972 he exhibited with Pablo Picasso and Salvador Dalì.
Giovanni Battista Arnaud was a well renowned Italian painter of frescoes. He mastered as well, the chiaroscuro technique. His work can be found in many churches, palaces and public buildings in different regions of the north of Italy. As well in some churches of France and England. He is also recognized as a great portraitist.
