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Dennis Rudolph (born 1979 in Berlin, Germany) is a conceptual artist working primarily in augmented reality, virtual reality and painting. His artistic practice derives its primal momentum from a melancholic reworking of the heritage of western culture.
Rudolph lives and works in Berlin. He studied at the Language and Cultural Institute in Beijing, the Imperial Academy of Arts in St. Petersburg and the Berlin University of the Arts, where he graduated in 2004. [1] Since 2004 his work has been on show in galleries in Europe and the US.
In his first body of work, featuring explicitly traditional artistic media (such as oil painting, ink drawing and copperplate etching), Rudolph addressed German National Socialism with regard to its belated appropriation of the pre-modern entanglement of art and cult. „Deutsche Ahnengalerie“ (2006-2008), for example, is a portrait series based on photographs of nameless World War II soldiers, found on Berlin flea markets. The idealized style of these antique-like panel paintings referred to the religious form of the icon.
From 2012-2018, Rudolph had been involved with the project of updating Rodin's Gates to Hell. Conceptually "Das Portal" had to be on the threshold between two realities (Heaven and Hell) and was to be placed in California City. Within the framework of this large-scale project, Rudolph was going through an artistic crisis as he couldn’t find the right medium to fulfill the idea of his concept. It had to be a medium that is present and absent at the same time. It was only the invention of consumer Virtual Reality Headsets that helped him overcome the crisis and complete the project. With a VR 3D painting software he painted "Das Portal" digitally "on the other side" and placed it by building a GPS based Augmented Reality App for smart phones that projected the work on the Desert Butte in California City. Since then the Virtual Reality has dramatically changed his way of painting.
Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
José María Cano Andrés is a Spanish visual artist, musician, composer, and record producer. From 1982 to 1998, he was a member and principal composer of the Spanish pop-rock band Mecano. Since 1998, he works primarily in the visual arts.
Aya Takano is a Japanese painter, Superflat artist, manga artist, and science fiction essayist. Aya Takano is represented by Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami.
David Ratcliff is a painter based in Los Angeles.. His work involves spray painting on collages using appropriated images..
Iris Haeussler is a conceptual and installation art artist of German origin. She lives in Toronto, Canada. Many of Iris Haeussler's works are detailed, hyperrealistic installations that visitors can decode as narrative stories. Recurring topics in her work include historic, cultural, social and geographic origins; family ties, relationships, memory, history, trauma and obsession.
Torben Giehler is a German abstract artist.
Stephen G. Rhodes is an artist based in Los Angeles.
Aaron Young is an American artist based in New York City. Young's work became known when MoMA purchased video documentation of his student project involving a motorcyclist repeatedly cycling around the San Francisco Art Institute.
Norbert Francis Attard is a Maltese multi-disciplinary artist, art collector, gallerist and entrepreneur known for his varied approaches to artistic projects, multi-media works, installations and anthropological-based projects.
Sergei Sviatchenko is a Danish-Ukrainian architect, artist, photographer and curator. He is a representative of the Ukrainian New Wave, that arose in Ukraine up through the 1980s. Initiator and creative director of the Less Festival of Collage, Viborg and Just A Few Works. He has lived in Denmark since the 1990s. Sviatchenko graduated from Kharkov National University of Construction and Architecture in 1975, and in 1986 he studied a Ph.D. at the National Academy of Visual Arts and Architecture. Sviatchenko is the son of architect Evgenij Sviatchenko (1924–2004), who was professor of architecture and a member of the National Ukrainian Academy of Fine Arts and Architecture, and engineer Ninel Sviatchenko (1926–2000). In 1975 Sergei Sviatchenko completed his architectural studies at Kharkov National University of Construction and Architecture. Sergei Sviatchenko is especially oriented towards architecture's modern expressions, among these are Constructivism and the contemporary European Bauhaus movement. From his teacher, Professor Viktor Antonov, Sviatchenko was introduced to the film director Andrei Tarkovsky, and particularly his film Mirror from 1975 has left a thematic footprint in Sviatchenko's more recent collage art. After having worked as an architect for a number of architectural firms in Kharkov until 1983, Sviatchenko moved to Kyiv, where he successfully graduated the master's program at Kyiv National University of Construction and Architecture|Kiev National University of Construction and Architecture, having completed his Ph.D. dissertation "Means to Visual Information in Architecture". In the 1980s he was one of the founders of the Soviart Center for Contemporary Art (Soviart) in Kiev and co-organizer and curator of the first Ukrainian exhibitions of contemporary art "Kiev-Tallinn" at Igor Sikorsky Kyiv Polytechnic Institute|Kiev Polytechnic Institute(1987), "Kiev-Kaunas" (1988), the first joint exhibition by Soviet and American artists (1988) and curated the first Ukrainian exhibitions in Denmark: "21 perceptions. Young Contemporary Ukrainian Artists" (1989), "Ukrainian Art 1960–80" (1990), "7 + 7" which was the first joint exhibition by Soviet and Danish artists (1990) and "Flash. A New Generation of Ukrainian Art" (1990). At the end of 1990 Sviatchenko moved to Denmark with his wife Helena Sviatchenko having been awarded an art scholarship. In the same year he began to participate in solo and group exhibitions.
Peter Zizka is a German designer and conceptual artist.
Daniel Birnbaum is a Swedish art curator and an art critic. Since 2019, he has been director and curator of Acute Art in London, UK.
Tom Christopher is an American painter known for his expressionist urban paintings and murals, mostly of New York City. Christopher began as a commercial artist, and has become internationally recognized with galleries and exhibitions in France, Germany and Japan.
Pavel Pepperstein is a Russian artist and writer.
Evan Gruzis is a contemporary artist born in 1979 in Milwaukee, Wisconsin, United States. He has lived and worked in Los Angeles and New York City, and, since 2012, has lived in Wisconsin with his partner, Nicole Rogers, and their child. Gruzis first became known for his vivid paintings, which have been described as "extremely flat sculptures." His work also includes elaborate installations as well as collaborations which blur the lines of curation and production. In addition to his artistic practice, Gruzis owns and operates The Heights, a collaborative restaurant in Madison, Wisconsin, and teaches painting and drawing at the School of the Art Institute of Chicago.
Xenia Hausner is an Austrian painter and stage designer.
Analia Saban is a contemporary conceptual artist who was born in Buenos Aires, Argentina, but is currently living in Los Angeles, California, United States. Her work takes traditional artistic media such as drawing, painting and sculpture and pushes their limits as a scientific experimentation with art making. Because of her pushing the limits with different forms of art, Saban has taken the line that separated the different art forms and merged them together.
Tina Sauerlaender is an independent curator and writer. She is the co-founder and co-director of peer to space, a platform and exhibition hub for curatorial projects founded in Munich, Germany in 2010.
Jeanette Mundt is an American painter, best known for her works in the 2019 Whitney Biennial. In her different bodies of work, Mundt combines iconic references with others that are more personal and intimate in her quest to perpetually reconfigure the image—gesturing towards how our understanding is always in flux and therefore we can’t possibly be consistent in our seeing, in our psychic space.
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