Antonio Allegri da Correggio, usually known as just Correggio was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro, was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, António Mouro, Anthony More, etc., but signed most of his portraits as Anthonis Mor.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Giovanni Domenico Tiepolo was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.
The National Museum of Serbia is the largest and oldest museum in Belgrade, Serbia. It is located in the central zone of Belgrade on a square plot between the Republic Square, formerly Theatre Square, and three streets: Čika Ljubina, Vasina and Laze Pačua. Its main facade is on the Republic Square and the official address ia 1a Republic Square.
The Triumphs of Caesar are a series of nine large paintings created by the Italian Renaissance artist Andrea Mantegna between 1484 and 1492 for the Gonzaga Ducal Palace, Mantua. They depict a triumphal military parade celebrating the victory of Julius Caesar in the Gallic Wars. Acknowledged from the time of Mantegna as his greatest masterpiece, they remain the most complete pictorial representation of a Roman triumph ever attempted and together they form the world's largest metric area of Italian Renaissance paintings outside Italy.
An oil sketch or oil study is an artwork made primarily in oil paint in preparation for a larger, finished work. Originally these were created as preparatory studies or modelli, especially so as to gain approval for the design of a larger commissioned painting. They were also used as designs for specialists in other media, such as printmaking or tapestry, to follow. Later they were produced as independent works, often with no thought of being expanded into a full-size painting.
João Maria Correia Ayres de Campos, 1st Count of Ameal, GCC, CvNSC, OOPA was a Portuguese politician and antiquarian, best known as a great art collector, maecenas and bibliophile. He is renowned chiefly for having assembled one of Portugal's largest and most important private art collections, as well as what was at the time the largest private library in the country; his collections are also famous for having been auctioned en masse after his death in 1920, leading to the largest auction recorded in the Iberian peninsula on that decade. Several pieces belonging to him have since been incorporated in the collections of the Louvre, the Prado, the Museu Nacional de Arte Antiga in Lisbon and the Soares dos Reis National Museum in Porto.
The musée des Beaux-Arts et d'Archéologie in the French city of Besançon is the oldest public museum in France. It was set up in 1694, nearly a century before the Louvre became a public museum.
Nude, Green Leaves and Bust is a 1932 oil on canvas painting by Pablo Picasso, featuring his mistress Marie-Thérèse Walter.
The Banquet of Cleopatra is a painting by Giovanni Battista Tiepolo completed in 1744. It is now in the National Gallery of Victoria in Melbourne, Australia.
Scene from A Midsummer Night's Dream. Titania and Bottom is an 1851 oil-on-canvas painting by British artist Edwin Landseer. Landseer was mainly known for his paintings of animals: this is his only painting of a fairy scene. The painting depicts a scene from the third act of William Shakespeare's play A Midsummer Night's Dream. It has been in the collection of the National Gallery of Victoria in Melbourne, Australia since 1932.
Hugh David Graham Carritt was a British art historian, dealer and critic, who was described by The New York Times as being "responsible for more sensational discoveries in the field of Old Master painting since World War II than any other man".
Saints Roch, Anthony Abbot and Lucy or Three Saints is a 1513 oil on canvas painting by Cima da Conegliano, which is now in the collection of the Metropolitan Museum of Art in New York.
Allegory of the Planets and Continents is a 1752 painting by Italian artist Giovanni Battista Tiepolo. Done in oil on canvas, the allegorical work uses human figures to represent members of the Greco-Roman pantheon, the planets, and four continents. The painting is an elaborate oil sketch made by Tiepolo in preparation for rendering a similar, larger version of his scene a massive fresco. Between December 1750 and November 1753, Tiepolo was commissioned to decorate the Prince-Bishopric of Würzburg Karl Philipp von Greifenclau zu Vollraths newly constructed palace on the ceiling of a staircase he created a massive fresco of over 600 m², it is considered the largest fresco in the world and is often considered his greatest achievement. The oil on canvas is an earlier version of his work. The intricate painting depicts figures circling around Tiepolo's rendering of Apollo, the sun god; this represents planets orbiting the Sun. The cornice of the painting symbolize the continents Europe, America, Africa, and Asia.
The Ca' Dolfin Tiepolos are a series of ten oil paintings made c.1726–1729 by Giovanni Battista Tiepolo for the main reception room or salone of the Palazzo Ca' Dolfin, the palazzo of the patrician Dolfin family in Venice. The paintings are theatrical depictions of events from the history of Ancient Rome, with a typically Venetian emphasis on drama and impact rather than historical accuracy. They were painted on shaped canvases and set into the architecture with frescoed surrounds.
Lament over the Dead Christ is a 1526–1530 oil on canvas painting by Moretto da Brescia, now in the National Gallery of Art in Washington. Painted late in the painter's youth, it shows strong similarities to the central panel of Paolo Caylina the Younger's Deposition Altarpiece from around the same time, though there are also notable differences in their use of color, such as the brighter and clearer colors used by Moretto. Some of the elements reused by Moretto in Lament recurred later in his career, so the work gives a clear idea of Moretto's training and education as an artist.
