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Derek Hunt | |
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Derek Hunt (born 1962) is a British glass artist and educator who designs glass artworks for public spaces, including libraries, schools, hospitals, theatres, and churches. He works with sculptural objects which can be hung on wires or fixed to walls, as well as traditional stained glass.
He works from Limelight Studios Ltd in Leicestershire, England. Established in 1985 they are experts in the conservation of historic stained glass and leaded glass windows.
Hunt is a mentor for stained glass artists on the BBC series 'Make it at Market'.
In 2017 Hunt designed and made a new north aisle window for St Mary's church, Melton Mowbray in memory of John Plumb, a major church benefactor. The Tree of Life includes the Coat of Arms for Melton Borough Council and Melton Mowbray Town Estate. Other local references include a pork pie and Stilton cheese, and a dove with a brush dipped in red paint. This refers to an 1837 incident in which a drunk Marquis of Waterford and friends painted Melton Mowbray's toll-bar and other buildings red.
Hunt has undertaken stained glass conservation work on a number of notable buildings including Glasgow Cathedral, Coventry Cathedral, Kenilworth Castle Warwickshire, Oscott College Birmingham, Staveley Hall Derbyshire, Ayscoughfee Hall Lincolnshire, Manor Lodge Sheffield and Nevill Holt Hall Leicestershire,
Leicestershire is a ceremonial county in the East Midlands of England. It is bordered by Derbyshire, Nottinghamshire, and Lincolnshire to the north, Rutland to the east, Northamptonshire to the south-east, Warwickshire to the south-west, and Staffordshire to the west. The city of Leicester is the largest settlement and the county town.
Stained glass is colored glass as a material or works created from it. Although, it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.
John Egerton Christmas Piper CH was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career.
John La Farge was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.
Leadlights, leaded lights or leaded windows are decorative windows made of small sections of glass supported in lead cames. The technique of creating windows using glass and lead came to be known as came glasswork. The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular architecture and defined by its simplicity.
Douglas Strachan is considered the most significant Scottish designer of stained glass windows in the 20th century. He is best known for his windows at the Peace Palace in The Hague, Netherlands, at Edinburgh's Scottish National War Memorial and in cathedrals and churches throughout the United Kingdom. He is also known for his paintings, murals, and illustrations.
A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. The revival led to stained-glass windows becoming such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained-glass windows for their parish church.
William Wailes (1808–1881) was the proprietor of one of England's largest and most prolific stained glass workshops.
Clayton and Bell was one of the most prolific and proficient British workshops of stained-glass windows during the latter half of the 19th century and early 20th century. The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895). The company was founded in 1855 and continued until 1993. Their windows are found throughout the United Kingdom, in the United States, Canada, Australia and New Zealand.
Shrigley and Hunt was an English firm which produced stained-glass windows and art tiles.
Sarah Hall is a stained glass artist from Canada. Sarah Hall is internationally recognized for her large-scale art glass installations and solar projects. Her work can be found in churches, synagogues, schools, and other commercial and public buildings in Canada, the US, and Europe.
Nicholas Patrick Reyntiens OBE was a British stained-glass artist, described as "the leading practitioner of stained glass in this country."
The Cathedral Church of Christ the King, also called Christ Church Cathedral, is an Anglican cathedral in Newcastle, New South Wales. It is the cathedral church of the Diocese of Newcastle in the Anglican Church of Australia. The building, designed by John Horbury Hunt in the Gothic Revival style, is located on a hill at the city's eastern end in the suburb called The Hill. It was added to the New South Wales State Heritage Register on 28 June 2011.
William Willet was an American portrait painter, muralist, stained glass designer, studio owner and writer. An early proponent of the Gothic Revival and active in the "Early School" of American stained glass, he founded the Willet Stained Glass and Decorating Company, a stained glass studio, with his wife Anne Lee Willet, in protest against the opalescent pictorial windows which were the rage at the turn of the twentieth century.
Francis Walter Skeat was an English glass painter who created over 400 stained glass windows in churches and cathedrals, both in England and overseas. Skeat was a Fellow of the Royal Society of Arts, a Fellow of the British Society of Master Glass Painters, and a member of the Art Workers Guild.
Lawrence Stanley Lee was a British stained glass artist whose work spanned the latter half of the 20th century. He was best known for leading the project to create ten windows for the nave of the new Coventry Cathedral. His other work includes windows at Guildford and Southwark Cathedrals as well as a great number of works elsewhere in the UK, and some in Canada, Australia and New Zealand.
Lilian Josephine Pocock (1883–1974) was a stained glass artist who provided stained glass for a number of buildings, including Ulverston Victoria High School, The King's School and Ely Cathedral. She was also a theatrical costume designer, book illustrator and watercolourist. In her later years, failing eyesight prevented her from continuing her work in stained glass. After some years of retirement she died in 1974.
St Lawrence's Church, located on Chapel Hill in Longridge, Lancashire, England, is an active Anglican parish church in the diocese of Blackburn. Built as a chapel of ease of St Wilfrid, Ribchester in the early 16th century, it was made a parish church in 1868, a role it now shares, jointly, with the nearby St Paul's Church.
Keith New was a stained glass artist and craftsman during his early career and a well-regarded teacher and landscape painter in later life. After studying at the Royal College of Art (RCA) New returned there, heading the RCA Stained Glass Department from 1955-1958. He served as Head of Art & Design at the Central School of Art from 1957-1964. He was Head of Foundation Studies at Kingston School of Art from 1968-1991. In 1965 New became a Brother of the Art Workers Guild.