Derek Kreckler is an Australian visual artist, born in Sydney in 1952. He has worked in a variety of media creating performance, video, sound and photographic art works. His work is concerned with an ongoing examination of the transformation of modes of historical avant-gardism into the present. His "clean, crisp Cibachromes" of refrigerators were exhibited at the 14th Sydney Biennale in 2004. [1]
He has exhibited internationally, extensively throughout Australia including: 2020 '100 Ways to live a minute', The Pushkin Museum, Moscow; Accident & Process (photographs only) 2018 European Month of Photography, Berlin; Accident & Process: 2017 Jarvis Dooney gallery Berlin, Accident & Process: 2015-2018 regional solo touring exhibition of eight Australian galleries; 'Littoral' LandSeaSky: 2014-15 One and J. Gallery Seoul, OCAT Shanghai, Guangzhou and the National Art School Sydney; 'Many a Slip' 2013 The William and Winifred Bowness Photographic Awards, Monash Gallery of Art, Melbourne; 'White Goods' On Reason and Emotion: 2004 Biennale of Sydney, The Museum of Contemporary Art, Sydney; 'Holey' #1 The 2004 Adelaide Biennale of Australian Art at the Art Gallery of South Australia, and the 2003 Clemenger Contemporary Art Award at the National Gallery of Victoria in Melbourne; 'White Pointer' 1992 Encounters with Diversity, PS1. New York, 'FILL' & 'Chinese Whispers' 1990 Biennale of Sydney, "The Readymade Boomerang: Certain Relations in 20th Century Art"; 'Told by an Idiot' National Review of Live Art Glasgow, UK.
His work is represented in various Australian collections including: Maitland Regional Art Gallery; The Art Gallery of Western Australia, The Art Gallery of South Australia, The Museum of Contemporary Art, Sydney. Wesfarmers Collection, Perth Western Australia, Archive of the Arts and Humanities Data Service (AHDS), Mitchell Library, Sydney, Australia, The University of Adelaide Library, The Griffith Artworks Collection, National Gallery of Australia [2] and private collections.
He was awarded a New Media Arts Board Fellowship from the Australia Council for the Arts in 2000. [3]
Michael Shaowanasai is a Thai-American artist and actor who lives in Bangkok, Thailand. His works includes performance art, photography, video, film and installations. Openly gay, his works are often provocative, such as photographic portrait of himself as a Buddhist monk made up to look like a woman. Active as an artist since 1997, his works have featured in international exhibitions since 1999, and his work is held in major collections.
Janet Laurence is an Australian artist, based in Sydney, who works in photography, sculpture, video and installation art. Her work is an expression of her concern about environment and ethics, her "ecological quest" as she produces art that allows the viewer to immerse themselves to strive for a deeper connection with the natural world. Her work has been included in major survey exhibitions, nationally and internationally and is regularly exhibited in Australia, Japan, Germany, Hong Kong and the UK. She has exhibited in galleries and outside in site-specific projects, often involving collaborations with architects, landscape architects and environmental scientists. Her work is held in all major Australian galleries as well as private collections in Australia and overseas.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Mike Parr is an Australian performance artist and printmaker. Parr's works have been exhibited in Australia and internationally, including in Brazil, Cuba, France, Germany, Hungary, Japan, Korea, Taiwan and the United States.
Kathleen Petyarre was an Australian Aboriginal artist. Her art refers directly to her country and her Dreamings. Petyarre's paintings have occasionally been compared to the works of American Abstract Expressionists Jackson Pollock and Mark Rothko, and even to those of J.M.W. Turner. She has won several awards and is considered one of the "most collectable artists in Australia". Her works are in great demand at auctions. Petyarre died on 24 November 2018, in Alice Springs, Australia.
Sam Leach is an Australian contemporary artist. He was born in Adelaide, South Australia. Leach worked for many years in the Australian Tax Office after completion of a degree in Economics. He also completed a Diploma of Art, Bachelor of Fine Art degree and a Master of Fine Art degree at RMIT in Melbourne, Victoria. Leach currently resides in Melbourne. Leach's work has been exhibited in several museum shows including "Optimism" at the Queensland Art Gallery and "Neo Goth" at the University of Queensland Art Museum in 2008, in 2009 "the Shilo Project" at the Ian Potter Museum of Art and "Horror Come Darkness" at the Macquarie University Art Gallery and "Still" at Hawkesbury Regional Gallery in 2010. His work is held in public collections of regional galleries of Geelong, Gold Coast, Coffs Harbour, Newcastle and Gippsland and the collections of La Trobe University and the University of Queensland.
Christian Andrew William Thompson, also known as Christian Bumbarra Thompson, is a contemporary Australian artist. Of Bidjara heritage on his father's side, his Aboriginal identity has played an important role in his work, which includes photography, video installations and sound recordings. After being awarded the Charlie Perkins Scholarship, to complete his doctorate in Fine Arts at Oxford University, he has spent much time in England. His work has been extensively exhibited in galleries around Australia and internationally.
Matthew Sleeth is an Australian visual artist and filmmaker. His often collaborative practice incorporates photography, film, sculpture and installation with a particular focus on the aesthetic and conceptual concerns of new media. The performative and photographic nature of media art is regularly highlighted in his work.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Julie Rrap is an Australian contemporary artist who was raised on the Gold Coast in Queensland She was born Julie Parr, and reversed her name to express her sense of opposition. Since the mid-1970's she has worked in photography, painting, sculpture, video and performance. Julie's work expresses her interest in images of the body, especially the female body. She has participated in many exhibitions in Australia and abroad, won many awards, and is represented in major public and private collection in Australia and New Zealand, as well as in Belgium, Netherlands, Switzerland, Italy, France, and the U.S.A.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Robert Rooney (1937–2017) was an artist and art critic from Melbourne, Australia, and a leading figure in Australian Conceptual art.
James Angus is an Australian artist known for 'his engaging and rigorously crafted sculptures'.
Debra Phillips is an Australian artist. Her main practice is photography but she also works across other forms such as sculpture and moving image. She has been an exhibiting artist since the 1980s, is a part of many collections, and has won multiple awards for her work. Phillips resides in Sydney and is a senior lecturer at The College of Fine Arts, University of New South Wales.
Kate Breakey is a visual artist known for her large-scale, hand-colored photographs. Since 1981 her work has appeared in more than 75 solo exhibitions and more than 50 group exhibitions in the United States, France, Japan, Australia, China, and New Zealand. Her work is in the permanent collection of many public institutions including the Center for Creative Photography in Tucson, the Museum of Photographic Arts in San Diego, the Museum of Fine Arts, Houston, the Wittliff collections at Texas State University, the Austin Museum of Art, the National Gallery of Australia in Canberra and the Osaka Museum in Japan. In 2004, she received the Photographer of the Year Award from the Houston Center for Photography.
Ponch Hawkes is an Australian photographic artist, whose works have been featured in the Australian National Gallery and have hung in the National Gallery of Victoria and the State Library Victoria and written about in the Sydney Morning Herald. Hawkes is considered an influential part of the Australian Feminist art Movement, which was centred predominately in Melbourne during the mid 1970s. Hawkes' work is broad in its scope, including artists, feminists, sportspeople, public figures and candid street-photographs. She is especially noted for her 1976 photo essay Our Mums and Us, which featured her coterie of female friends and their mothers, among them the writer Helen Garner, in a typological style.
Robert Owen is an Australian artist and curator. He lives and works in Melbourne, Australia.
Julia deVille is an artist, jeweller and taxidermist who only uses subjects in her taxidermy that have died of natural causes. She is an advocate for animal rights, and began including taxidermy in her art work in 2002, combining it with her jewellery making practice to produce small sculptures and installations. DeVille’s interest in memento mori traditions of the fifteenth to eighteenth centuries and Victorian mourning jewellery inform her wearable pieces.
Mikala Dwyer is an Australian artist born in 1959 in Sydney. She is a contemporary sculptor who was shortlisted with fellow artist Justene Williams to represent Australia at the 2019 Venice Biennale.
Stephen Wickham is an Australian photographer, painter and printmaker.