Pulp magazines were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.
The dime novel is a form of late 19th-century and early 20th-century U.S. popular fiction issued in series of inexpensive paperbound editions. The term dime novel has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines. The term was used as a title as late as 1940, in the short-lived pulp magazine Western Dime Novels. In the modern age, the term dime novel has been used to refer to quickly written, lurid potboilers, usually as a pejorative to describe a sensationalized but superficial literary work.
The Shadow is a fictional character published by magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator, and developed into a distinct literary character in 1931 by writer Walter B. Gibson, The Shadow has been adapted into other forms of media, including American comic books, comic strips, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles.
Walter Brown Gibson was an American writer and professional magician, best known for his work on the pulp fiction character The Shadow. Gibson, under the pen-name Maxwell Grant, wrote "more than 300 novel-length" Shadow stories, writing up to "10,000 words a day" to satisfy public demand during the character's golden age in the 1930s and 1940s. He authored several novels in the Biff Brewster juvenile series of the 1960s. He was married to Litzka R. Gibson, also a writer, and the couple lived in New York state.
The Living Shadow was the first pulp novel to feature The Shadow. Written by Walter B. Gibson, it was submitted for publication as Murder in the Next Room on January 23, 1931, and published as The Living Shadow in the April 1, 1931 issue of The Shadow Magazine. This story introduces the literary version, as opposed to the radio version, of The Shadow.
Frederick Orlin Tremaine was an American science fiction magazine editor, most notably of the influential Astounding Stories. He edited a number of other magazines, headed several publishing companies, and sporadically wrote fiction.
Nick Carter is a fictional character who began as a dime novel private detective in 1886 and has appeared in a variety of formats over more than a century. The character was first conceived by Ormond G. Smith and created by John R. Coryell. Carter headlined his own magazine for years, and was then part of a long-running series of novels from 1964 to 1990. Films were created based on Carter in France, Czechoslovakia and Hollywood. Nick Carter has also appeared in many comic books and in radio programs.
Lawrence Louis Donovan was an American pulp fiction writer who wrote nine Doc Savage novels under the pseudonym Kenneth Robeson, a pen name that was used by other writers of the same publishing house. However, there are nine Doc Savage novels duly credited to Donovan, published between November 1935 and July 1937.
Street & Smith or Street & Smith Publications, Inc. was a New York City publisher specializing in inexpensive paperbacks and magazines referred to as dime novels and pulp fiction. They also published comic books and sporting yearbooks. Among their many titles was the science fiction pulp magazine Astounding Stories, acquired from Clayton Magazines in 1933, and retained until 1961. Street & Smith was founded in 1855, and was bought out in 1959. The Street & Smith headquarters was at 79 Seventh Avenue in Manhattan; it was designed by Henry F. Kilburn.
Popular Publications was one of the largest publishers of pulp magazines during its existence, at one point publishing 42 different titles per month. Company titles included detective, adventure, romance, and Western fiction. They were also known for the several 'weird menace' titles. They also published several pulp hero or character pulps.
Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts.
Carroll John Daly (1889–1958) was a writer of crime fiction.
Evelyn Charles Henry Vivian was the pseudonym of Charles Henry Cannell, a British editor and writer of fantasy and supernatural, detective novels and stories.
The Shadow was an American pulp magazine that was published by Street & Smith from 1931 to 1949. Each issue contained a novel about the Shadow, a mysterious crime-fighting figure who had been invented to narrate the introductions to radio broadcasts of stories from Street & Smith's Detective Story Magazine. A line from the introduction, "Who knows what evil lurks in the hearts of men? The Shadow knows", prompted listeners to ask at newsstands for the "Shadow magazine", which convinced the publisher that a magazine based around a single character could be successful. Walter Gibson persuaded the magazine's editor, Frank Blackwell, to let him write the first novel, The Living Shadow, which appeared in the first issue, dated April 1931.
Norbert Harrison Davis was an American crime fiction author.
Doc Savage was an American pulp magazine that was published from 1933 to 1949 by Street & Smith. It was launched as a follow-up to the success of The Shadow, a magazine Street & Smith had started in 1931, based around a single character. Doc Savage's lead character, Clark Savage, was a scientist and adventurer, rather than purely a detective. Lester Dent was hired to write the lead novels, almost all of which were published under the house name "Kenneth Robeson". A few dozen novels were ghost-written by other writers, hired either by Dent or by Street & Smith. The magazine was successful, but was shut down in 1949 as part of Street & Smith's decision to leave the pulp magazine field completely.
John Russell Coryell was a prolific dime novel author. He wrote under the Nicholas Carter and Bertha M. Clay house pseudonyms, and, like many of his fellow dime novelists under many other pseudonyms, including Tyman Currio, Lillian R. Drayton, Julia Edwards, Geraldine Fleming, Margaret Grant, Barbara Howard, Harry Dubois Milman, Milton Quarterly, and Lucy May Russell.
Norman Arthur Danberg, better known as Norman A. Daniels and other pen names, was an American writer working in pulp magazines, radio, and television. He created the pulp hero the Black Bat and wrote for such series as The Phantom Detective and The Shadow.
Dime Mystery Magazine was an American pulp magazine published from 1932 to 1950 by Popular Publications. Titled Dime Mystery Book Magazine during its first nine months, it contained ordinary mystery stories, including a full-length novel in each issue, but it was competing with Detective Novels Magazine and Detective Classics, two established magazines from a rival publisher, and failed to sell well. With the October 1933 issue the editorial policy changed, and it began publishing horror stories. Under the new policy, each story's protagonist had to struggle against something that appeared to be supernatural, but would eventually be revealed to have an everyday explanation. The new genre became known as "weird menace" fiction; the publisher, Harry Steeger, was inspired to create the new policy by the gory dramatizations he had seen at the Grand Guignol theater in Paris. Stories based on supernatural events were rare in Dime Mystery, but did occasionally appear.
