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Diana Yesenia Alvarado (born 1992) is a Chicana artist. [1] Alvarado utilizes the medium of ceramics to express her Mexican heritage and recall her childhood in Los Angeles. [2]
Alvarado was born in 1992 and raised in Los Angeles, California. Her parents at a young age would separate, mainly living with her mother in Southeast LA and visiting her father between East and South LA. [3] Alvarado grew a passion for film and photography in high school, later attending community college to take art class and eventually would transfer to California State University, Long Beach. [2]
Alvarado’s ceramic creations draws heavily from Mexican culture, as Yves B. Golden notes the similarities between her pieces and traditional recuerdos. [3] Additionally, the cartoonish figures with bright, colorful appearances that Alvarado creates are often likened to the visual elements of Los Angeles, such as “hand-painted characters on the side of liquor and grocery stores, [and] the multi-colored lettering on the window of the party supply store.” [2] Alvarado and others come from a wave of emerging artists in ceramics from LA, similar to a previous wave of the 1950s that changed how ceramics were viewed. [3] Alvarado is committed to allowing open interpretation of her art pieces and discusses how her surroundings influence the meaning of her work. [3] In an interview with Carhartt Work In Progress, Alvarado describes her working environment, her studio located in her grandmother's garage. [3] In this same interview, Alvarado talks about the process of working with clay, revealing the depth and significance of her practice. [3] In another interview with Amadeus Mag, Alvarado emphasizes how working with ceramics and creating 3-Dimensional art pieces has been both challenging and fulfilling for her expression. [2] Additionally, Alvarado opens up about her thought process behind selecting colors for her art work and insights on her approach towards the application of glaze. [2]
Alvarado was featured in her first show in early 2018 in Los Angeles; in the years since most of her shows have centered around LA, yet she has also been featured in exhibitions in New York, Madrid, and Stockholm. [4] Alvarado has had 18 exhibitions in the past five years and has collaborated with artists like Alfonso Gonzalez Jr. and Jaime Muñoz. [5]
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Francisco Benjamín López Toledo was a Mexican Zapotec painter, sculptor, and graphic artist. In a career that spanned seven decades, Toledo produced thousands of works of art and became widely regarded as one of Mexico's most important contemporary artists. An activist as well as an artist, he promoted the artistic culture and heritage of Oaxaca state. Toledo was considered part of the Breakaway Generation of Mexican art.
Elyse Pignolet is a visual artist living and working in Los Angeles, California.
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Ángela Gurría Davó was a Mexican sculptor. In 1974, she became the first female member of the Academia de Artes. She is best known for her monumental sculptures such as Señal, an eighteen-meter tall work created for the 1968 Summer Olympics. She lived and worked in Mexico City.
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Midori Suzuki is a Japanese artist who has developed her career mostly in Mexico, both as an individual artist and as a member of the Japanese-Mexican artist collective Flor de Maguey. She was trained as an artist in Japan and Spain. In the latter country, she saw a sarape for the first time and became interested in Latin America, going to Mexico for the first time in the early 1980s. She met her husband while in the country and although they first lived in Japan, they then decided to live permanently in Mexico. Suzuki has had numerous exhibitions in Japan, Spain and Mexico, both individually and in group showings. Her work has also been featured in books and magazines.
Lucinda Urrusti was a Spanish-born Mexican artist, whose work has gained fame not only from the writing of art critics, but also by poets and writers from other fields, such as Carlos Fuentes. She was born in Melilla to a Spanish family which came to Mexico in 1939 to escape the Spanish Civil War and remained in Mexico since. Urrustia was a part of Mexico’s Generación de la Ruptura, a group of artists that broke with the dominant Mexican muralism of the first half of the 20th century with most of her work classed as Impressionism and/or abstract. However, she was also a noted portrait artist, having depicted a number of Mexico’s elite in the arts and sciences.
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Dora De Larios was an American ceramist and sculptor working in Los Angeles. She was known for her work's clean lines and distinctive glazes, as well as for her line of tableware created under her family-run company Irving Place Studio. Also a muralist working with tile, De Larios was noted for her style, which reflects mythological and pan-cultural themes.
Shizu Saldamando, is an American visual artist. Her work merges painting and collage in portraits that often deal with social constructs of identity and subcultures. Saldamando also works in video, installation and performance art. She has been featured in numerous exhibitions, has attained accolades like that of Wanlass Artist in Residence, and is a successful writer, tattoo artist, and social activist.
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Chicana art emerged as part of the Chicano Movement in the 1960s. It used art to express political and social resistance through different art mediums. Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums such as murals, painting, and photography. The momentum created from the Chicano Movement spurred a Chicano Renaissance among Chicanas and Chicanos. Artists voiced their concerns about opression and empowerment in all areas of race, gender, class, and sexuality. Chicana feminist artists and Anglo-feminist took a different approach in the way they collaborated and made their work during the 1970's. Chicana feminist artists utilized artistic collaborations and collectives that included men, while Anglo-feminist artists generally utilized women-only participants.Art has been used as a cultural reclamation process for Chicana and Chicano artists allowing them to be proud of their roots by combining art styles to illustrate their multi-cultured lives.
Sandy Rodriguez was born in 1975 in National City, California. She is a Los Angeles based artist who grew up on the US-Mexico border, in Tijuana, San Diego, and Los Angeles. She has exhibited her works with numerous museums and galleries, including the Denver Art Museum, The Huntington Library, Art Museum and Botanical Garden, the Amon Carter Museum of American Art, Los Angeles County Museum of Art, Museum of Contemporary Art San Diego, MOCA Busan Busan Bienniale, Crystal Bridges Museum of American Art, The Cheech Marin Center for Chicano Art, Art+Practice, and Self Help Graphics. Her work focuses on the ongoing cycles of violence on communities of color by blending historical and recent events in the Los Angeles area and along south-west US-Mexico border. A transitional moment for Rodriguez happened in 2014 on a visit to Oaxaca, a southern Mexican Region, where she first procured a red pigment called cochineal, coming from the pre-Columbian era. Prior to this, Rodriguez had painted exclusively in modern paint. The encounter with cochineal happened at the same time she was painting fire paintings and the protests began in Ayotzinapa Mexico in response to forty-three missing college students, which included setting fire to palacio nacional and an Enrique Peña Nieto effigy pinata. The alignment of content, form, and the materials magnified how material can signal cultural identity, history, and politics. A goal of her work is to disrupt dominant narratives and interrogate systems that are ongoing expressions of colonial violence witnessed regularly, including Customs Border Enforcement, Police, and Climate Change.
Yolanda González is a Chicana multimedia artist based in Los Angeles. She primarily works in ceramics, drawing, painting, and printmaking.