Diary of a Madman

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Diary of a Madman may refer to:

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<span class="mw-page-title-main">Lu Xun</span> Chinese novelist and essayist (1881–1936)

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<span class="mw-page-title-main">Nikolai Gogol</span> Russian writer of Ukrainian origin (1809–1852)

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<span class="mw-page-title-main">Jun'ichirō Tanizaki</span> Japanese author (1886–1965)

Jun'ichirō Tanizaki was a Japanese author who is considered to be one of the most prominent figures in modern Japanese literature. The tone and subject matter of his work ranges from shocking depictions of sexuality and destructive erotic obsessions to subtle portrayals of the dynamics of family life within the context of the rapid changes in 20th-century Japanese society. Frequently, his stories are narrated in the context of a search for cultural identity in which constructions of the West and Japanese tradition are juxtaposed.

"Diary of a Madman" is a farcical short story by Nikolai Gogol. Along with "The Overcoat" and "The Nose", "Diary of a Madman" is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the era of Nicholas I. The story shows the descent of the protagonist, Poprishchin, into insanity. "Diary of a Madman", the only one of Gogol's works written in first person, follows diary-entry format.

"The Portrait" is a short story by Russian author Nikolai Gogol, originally published in the short story collection Arabesques in 1835. It is one of Gogol's most demonic of tales, hinting at some of his earlier works such as "St. John's Eve" and "Viy".

<span class="mw-page-title-main">Diary of a Madman (Lu Xun)</span> 1918 short story by Chinese writer Lu Xun

"Diary of a Madman", also translated as "A Madman's Diary" is a short story by the Chinese writer Lu Xun, published in 1918. It was the first and one of the most influential works written in vernacular Chinese in Republican era China, and would become a cornerstone of the New Culture Movement. Lu Xun's stories often critiqued early 20th century Chinese society, and "Diary of a Madman" established a new language and revolutionary figure of Chinese literature, an attempt to challenge conventional thinking and traditional understanding.

<i>Diary of a Madman</i> (film) 1963 film by Reginald Le Borg

Diary of a Madman is a 1963 American horror film directed by Reginald Le Borg and starring Vincent Price, Nancy Kovack, and Chris Warfield.

<span class="mw-page-title-main">The Horla</span> Short story by Guy de Maupassant

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<span class="mw-page-title-main">Nikolai Gogol bibliography</span>

This is a list of the works by Nikolai Gogol (1809–1852), followed by a list of adaptations of his works:

Save the Children is a child-welfare non-profit organisations founded in London in 1919.

Selected Stories of Lu Hsun is a collection of English translations of major stories of the Chinese author Lu Xun translated by Yang Hsien-yi and Gladys Yang and first published in 1960 by the Foreign Languages Press in Beijing. This book was republished in 2007 by the Foreign Languages Press with the updated title of Lu Xun Selected Works. Stories included in the collection are drawn from three of Lu Xun's story collections: 《吶喊》Call to Arms (CTA), 《彷徨》 "Wandering" (W), and 《故事新編》 "Old Tales Retold" (OTR).

Dagboek van een Oude Dwaas is a 1987 Dutch film directed by Lili Rademakers. It is based on a book by the Japanese writer Jun'ichirō Tanizaki. The film's international title is Diary of a Mad Old Man.

Wolf Cub Village is a 1994 Chinese-language chamber opera in four scenes by Guo Wenjing to a libretto by Zeng Li after Lu Xun's story "Diary of a Madman".

"Diary of a Madman" is a short story by French author Guy de Maupassant, published in 1885.

The Diary of a Madman is a one-act chamber opera by the composer Humphrey Searle, who also wrote the libretto based on the eponymous short story by Nikolai Gogol. The opera was premiered in 1958 in Berlin.

<i>Diary of a Mad Old Man</i> Novel by Junichirō Tanizaki

Diary of a Mad Old Man is a 1961 novel by Japanese author Jun'ichirō Tanizaki (1886–1965). Written and published shortly before the author’s death in 1965, it is recognized as an important late work.