Joseph Barber Lightfoot, known as J. B. Lightfoot, was an English theologian and Bishop of Durham.
George Vertue was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.
The Dictionary of National Biography (DNB) is a standard work of reference on notable figures from British history, published since 1885. The updated Oxford Dictionary of National Biography (ODNB) was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives.
Sophie Gengembre Anderson was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
Ruskin Spear, CBE, RA was an English painter and teacher of art, regarded as one of the foremost British portrait painters of his day. Born in Hammersmith, Spear attended the local art school before going on to the Royal College of Art in 1930. He began his teaching career at Croydon School of Art, later teaching at the Royal College of Art from 1948 to 1975, where his students included Sandra Blow. Initially influenced by Walter Sickert, the Camden Town Group, and the portraiture of the Euston Road School, his work often has a narrative quality, with elements of humour and satire. As one of the thirty eight Official War Artists in Britain in the Second World War, between 1942–44, Spear was commissioned by the War Artists' Advisory Committee, under the chairmanship of Kenneth Clark, given a short-term contract, producing several works for the scheme.
The Compleat Angler is a book by Izaak Walton. It was first published in 1653 by Richard Marriot in London. Walton continued to add to it for a quarter of a century. It is a celebration of the art and spirit of fishing in prose and verse.
Levina Teerlinc was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. Her father, Simon Bening was a renowned book illuminator and miniature painter of the Ghent-Bruges school and probably trained her as a manuscript painter. She may have worked in her father's workshop before her marriage.
Sir Edmund Kerchever Chambers,, usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on The Elizabethan Stage, published in 1923, remains a standard resource.
The Dictionary of Scientific Biography is a scholarly reference work that was published from 1970 through 1980 by publisher Charles Scribner's Sons, with main editor the science historian Charles Gillispie, from Princeton University. It consisted of sixteen volumes. It is supplemented by the New Dictionary of Scientific Biography. Both these publications are included in a later electronic book, called the Complete Dictionary of Scientific Biography.
Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.
Pauline Auzou was a French painter and art instructor, who exhibited at the Paris Salon and was commissioned to make paintings of Napoleon and his wife Marie Louise, Duchess of Parma.
Kate Elizabeth Bunce was an English painter and poet associated with the Arts and Crafts movement.
Anna Dorothea Therbusch was a prominent Rococo painter born in the Kingdom of Prussia. About 200 of her works survive, and she painted at least eighty-five verified portraits.
William Cowen was an English landscape painter. His work includes views of towns in Yorkshire, Italy, France, Ireland and particularly Corsica.
Dorothea Foster Black was an Australian painter and printmaker of the Modernist school, known for being a pioneer of Modernism in Australia. In 1951, at the age of sixty, Black was killed in a car crash.
Suor Maria de Dominici was a Maltese painter, sculptor, and a Carmelite tertiary nun. Born into a family of artists based in the city of Birgu (Vittoriosa), she was the daughter of a goldsmith and appraiser for the Knights of Malta. Two of her brothers, Raimondo de Dominici and Francesco de Dominici, were painters. Raimondo's son Bernardo would write a contemporary art history book that included references to his aunt Maria.
Margaret Gillies was a London-born Scottish miniaturist and watercolourist.
Anna Blunden, later Anna Blunden Martino, was an English Pre-Raphaelite artist. She was a member of John Ruskin's circle and was one of a number of women artists working and exhibiting during the Victorian age. Her best known work is The Seamstress (1854), a piece inspired by Thomas Hood’s poem The Song of the Shirt. Starting her career with oil painting, Blunden moved to painting landscapes in watercolours and these make up a large proportion of her remaining works. Her work was regularly showcased at the Royal Academy and by the Society of British Artists from 1854 to 1867, as well as by the Birmingham Society of Artists.
Hilde Goldschmidt was a German expressionist painter and printmaker. Facing persecution under the Nazi regime, she sought refuge in Britain during the Second World War before establishing herself in Austria in the 1950s.
Delia Dorothy Gaze FSA is an English art historian and freelance editor, based in Deptford, south-east London. She is best known for her work as editor of the Dictionary of Women Artists, first published in 1997, containing entries on 550 women painters, sculptors, photographers and workers in the applied arts. The book focuses on Western women artists from the medieval period onwards, and includes essays which place the artists in their historical context.
