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The Cantigas de Santa Maria are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well.
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Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
Publius Terentius Afer, better known in English as Terence, was a playwright during the Roman Republic. He was the author of six comedies based on Greek originals by Menander or Apollodorus of Carystus. All six of Terence's plays survive complete and were originally produced between 166–160 BC.
Johann Pachelbel was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Carmina Burana is a manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. They were written principally in Medieval Latin, a few in Middle High German and old Arpitan. Some are macaronic, a mixture of Latin and German or French vernacular.
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper. However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments.
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John Dunstaple was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the Contenance angloise style, Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Du Fay, Binchois, Ockeghem and Busnois.
Pérotin was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
The Old Hall Manuscript is the largest, most complete, and most significant source of English sacred music of the late 14th and early 15th centuries, and as such represents the best source for late Medieval English music. The manuscript somehow survived the Reformation, and formerly belonged to St. Edmund's College, a Roman Catholic school located at Old Hall Green in Hertfordshire. It was sold to the British Library after an auction at Sotheby's in 1973.
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The Oxyrhynchus Papyri are a group of manuscripts discovered during the late nineteenth and early twentieth centuries by papyrologists Bernard Pyne Grenfell and Arthur Surridge Hunt at an ancient rubbish dump near Oxyrhynchus in Egypt.
"The Battle of Sherramuir" is a song written by the Scottish poet Robert Burns about the Battle of Sheriffmuir which occurred in Scotland in 1715 at the height of the Jacobite rising in England and Scotland. It was written when Burns toured the Highlands in 1787 and first published in The Scots Musical Museum, 1790. It was written to be sung to the 'Cameronian Rant'.
Edward Jones was a Welsh harpist, bard, performer, composer, arranger, and collector of music. He was commonly known by the bardic name of "Bardd y Brenin", which he took in 1820 when his patron King George IV came to the throne.
Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century. The sources for Scottish Medieval music are extremely limited. There are no major musical manuscripts for Scotland from before the twelfth century. There are occasional indications that there was a flourishing musical culture. Instruments included the cithara, tympanum, and chorus. Visual representations and written sources demonstrate the existence of harps in the Early Middle Ages and bagpipes and pipe organs in the Late Middle Ages. As in Ireland, there were probably filidh in Scotland, who acted as poets, musicians and historians. After this "de-gallicisation" of the Scottish court in the twelfth century, a less highly regarded order of bards took over the functions of the filidh and they would continue to act in a similar role in the Scottish Highlands and Islands into the eighteenth century.
Drexel 4180–4185 is a set of six manuscript partbooks copied in Gloucester, England, containing primarily vocal music dating from approximately 1615-1625. Considered one of the most important sources for seventeenth century English secular song, the repertoire included represents a mixture of sacred and secular music, attesting to the partbooks' use for entertainment and pleasure, rather than exclusively for liturgical use.
Osbert Parsley was an English Renaissance composer and chorister. Few details of his life are known, but he evidently married in 1558, and lived for a period in the parish of St Saviour's Church, Norwich. A boy chorister at Norwich Cathedral, Parsley worked there throughout his musical career. He was first mentioned as a lay clerk, was appointed a "singing man" in c. 1534, and was probably the cathedral's unofficial organist for half a century. His career spanned the reigns of Henry VIII and all three of his children. After the Reformation of 1534, the lives of English church musicians changed according to the official policy of each monarch.
Drexel 3976, also known as The Rare Theatrical, is a 17th-century music manuscript compilation of works by the composer Matthew Locke, considered by some to be "the father of all Restoration dramatic music." The manuscript is a significant source of Locke's instrumental dramatic music with many works not known through any other source, although the contexts of the individual works and the names of the plays which they are from has not been documented.
References
- ↑ Brown, Peter George McCarthy (1996), "Didascaliae", in Hornblower, Simon; Spawforth, Anthony (eds.), Oxford Classical Dictionary (3rd ed.), Oxford: Oxford University Press, ISBN 0-19-521693-8
- ↑ Klose, D. Die Didaskalien und Prologe des Terenz (Diss. Freiburg, 1966)
- ↑ Jocelyn, H.D. CQ 1980, 387 ff