Didier Talpain is a French conductor and diplomat. [1]
Talpain graduated from the Institut Commercial de Nancy and in political studies from the Institut d'études politiques de Strasbourg. He has primarily served in cultural exchange projects with the countries, such as Poland, he has been assigned.
Talpain studied flute, bassoon and chamber music at the École Normale de Musique de Paris, and conducted at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP) in Paris. In 1985 he won a Menuhin Foundation prize and in 1995 the prize from the Perrenoud Foundation.
Talpain is noted for working with the Institut français to recover forgotten French operas. [2]
Alexandre Charles Lecocq was a French composer, known for his opérettes and opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera Plutus (1886), which was not a success, and the ballet Le cygne (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique La fille de Madame Angot. Others of his more than forty stage works receive occasional revivals.
Paul Bonneau was a French conductor, composer and arranger, whose career was mainly in the field of light music and films.
Manuel Rosenthal was a French composer and conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score Gaîté Parisienne from piano scores of Offenbach operettas, and for his recordings as a conductor.
Michel Plasson is a French conductor.
Marc Laho is a Belgian lyric tenor opera singer.
Gabriel Bacquier was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.
Oscar Strasnoy is a French-Argentine composer, conductor and pianist. Although primarily known for his stage works, the first of which Midea (2) premiered in Spoleto in 2000, his principal compositions also include two secular cantatas and several song cycles.
Jacques Pottier was a French operatic lyric tenor and voice teacher. He was a principal tenor with the Opéra National de Paris and made several recordings. He taught at conservatories and trained singers including Sheila and Mireille Mathieu. In 1983 he retired to Melbourne, where he taught at school and the conservatory of the Melbourne University.
Les Musiciens du Louvre is a French period instrument ensemble, formed in 1982. Originally based in Paris, since 1996 it has been based in the Couvent des Minimes in Grenoble. The Guardian considers it one of the best orchestras in the world.
Jean-Christophe Keck is a French musicologist and conductor, born in Briançon, in 1964. He is particularly noted as a specialist in the works of Jacques Offenbach, and is the director of the complete critical edition in progress, named after both, Offenbach Edition Keck (OEK).
Léon Battu was a French dramatist, born 1829 in Paris, where he died on 22 November 1857.
Les bayadères is an opera in three acts by the composer Charles-Simon Catel. The French-language libretto, by Victor-Joseph Étienne de Jouy, is based on Voltaire's story L'education d'un prince. It was first performed on 8 August 1810 by the Paris Opéra at the Théâtre des Arts with the famous soprano Caroline Branchu in the lead role of Laméa. Les bayadères was Catel's most popular opera.
Sébastien Guèze is a classical French tenor. He sings the French and Italian romantic repertory including Donizetti, Verdi, Puccini, Gounod, Bizet and Massenet.
Marc Soustrot is a French classical conductor. He was the music director of the Orchestre national des Pays de la Loire from 1976 to 1994, and from 1995 to 2003 GMD of the Beethoven Orchester Bonn which plays in both opera and concert. He has worked at major opera houses in Europe and made several recordings, such as Leonore, Beethoven's first version of Fidelio, the piano concertos and symphonies by Camille Saint-Saëns, Honegger's Jeanne d'Arc au bûcher, and Penderecki's St Luke Passion.
Alain Pâris is a French conductor and musicologist.
André Heyboer is a French contemporary baritone.
Henri Tayau was an operetta singer and actor, and violinist, who during a short but successful career performed many light tenor roles in opéra-bouffes of Offenbach, and created several roles, the most notable being that of Orphée in Offenbach's greatest success, Orphée aux Enfers.
Ariane Matiakh is a French conductor.
Gaëlle Arquez is a French operatic mezzo-soprano.
Laurent Campellone is a French conductor.
Known around the world for his expertise in the French opera of the Romantic era, he is often compared to Michel Plasson. Critics consider him today as "one of the best defenders in the world" of this repertoire.
He is currently the General Manager of Opéra de Tours.