Didone abbandonata (Clementi)

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Didone Abbandonata - Piano Sonata in G, Op. 50, No.3 is the final sonata composed by Muzio Clementi in 1821. It was titled after Metastasio's often-set opera libretto of the same name, and Clementi seeks to tell the tragic story of Virgil's heroine instrumentally. It is the only example of such a programmatic piece in the composer's oeuvre. [1]

Muzio Clementi Italian-born English composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer

Muzio Filippo Vincenzo Francesco Saverio Clementi was an Italian-born English composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer.

<i>Didone abbandonata</i> Libretto by Pietro Metastasio

Didone abbandonata is an opera libretto in three acts by Pietro Metastasio. It was his first original work and was set to music by Domenico Sarro in 1724. The opera was accompanied by the intermezzo L'impresario delle Isole Canarie, also by Metastasio.

Virgil Ancient Roman poet

Publius Vergilius Maro, usually called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature: the Eclogues, the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him.

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<i>Didone abbandonata</i> (Sarti) opera by Giuseppe Sarti

Didone abbandonata is an opera, or dramma per musica, by Giuseppe Sarti, set to a libretto by the renowned poet Metastasio. The opera was first performed in the winter of 1762 in Copenhagen, and was composed especially for the Danish court of the time. The opera consists of three acts, and the libretto is based upon the well-known story of Dido and Aeneas.

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<i>Didone abbandonata</i> (Albinoni) opera by Tomaso Albinoni

Didone abbandonata was an opera in three acts composed by Tomaso Albinoni. Albinoni's music was set to Pietro Metastasio's libretto, Didone abbandonata, which was in turn based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid. The opera premiered on 26 December 1724 at the Teatro San Cassiano in Venice and was the first time that an opera based on a Metastasio libretto was performed in Venice.

<i>Dido, Queen of Carthage</i> (opera) opera

Dido, Queen of Carthage was an opera in three acts by Stephen Storace. Its English libretto by Prince Hoare was adapted from Metastasio's 1724 libretto, Didone abbandonata, which had been set by many composers. Storace's opera premiered on 23 May 1792 at The King's Theatre in London combined with a performance of his masque, Neptune's Prophecy. The story is based on that of Dido and Aeneas in the fourth book of Virgil's Aeneid. The opera was not a success and was never revived after its original run of performances. The score has been lost.

<i>Didone abbandonata</i> (Sarro) opera by Domenico Sarro

Didone abbandonata is an opera in three acts composed by Domenico Sarro to a libretto by Pietro Metastasio, which was based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid. The opera premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples.

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Didone abbandonata is a libretto by Metastasio

Didone abbandonata is a 1742 opera by Johann Adolph Hasse setting the libretto Didone abbandonata by Metastasio, which was first performed at Hubertusburg palace, near Dresden.

Didone abbandonata is a setting by Niccolò Jommelli of the libretto Didone abbandonata by Metastasio.

References

  1. Maurice Hinson, Wesley Roberts Guide to the Pianist's Repertoire, Fourth Edition 2013 0253010233- Page 272 Sonata g op.50/3 “didone abbandonata” ca.1821 (Mies, Theopold—Henle 86; P. spada—b&s 1503; cFP; K; ric). clementi's final piano sonata. The sole ex- ample of a programmatic piece; based loosely on the operatic text of Metastasio, which relates the tragedy of dido and aeneas. Paints the series of emotions undergone by dido after her abandonment—rage, jealousy, yearning...