Die Bakchantinnen is a 1931 German-language opera by Egon Wellesz to libretto by the composer after Euripides' play The Bacchae . [1] [2]
Giuseppe Bonno was an Austrian composer of Italian origin.
Staatsoper Hannover is a German opera house and company in Hanover, the state capital of Lower Saxony. Its season runs from September to June.
Egon Joseph Wellesz was an Austrian, later British composer, teacher and musicologist, notable particularly in the field of Byzantine music.
Peggy Winsome Glanville-Hicks was an Australian composer.
Joseph Horovitz is a British composer and conductor.
The Bassarids is an opera in one act and an intermezzo, with music by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman, after Euripides's The Bacchae.
The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music.
Literaturoper, a term coined by the German music critic Edgar Istel, describes a genre of opera that emerged during the late 19th century. When an existing play for the legitimate theatre is set to music without major changes and without the intervention of a librettist, a “Literaturoper” is the result. Although the term is German, it can be applied to any kind of opera, irrespective of style or language.
Eva-Maria Westbroek is a Dutch soprano opera singer.
Graeme Peter Crump, known professionally as Peter Graeme and as 'Timmy' Crump to friends and family, was an English oboist and academic teacher. He was best known as the principal oboist of the Melos Ensemble.
Amanda Juliet Holden was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the New Penguin Opera Guide.
Achilles on Skyros is an episode in the myth of Achilles, a Greek hero of the Trojan War. Not existing in Homer's epic poem Iliad, the episode is written down in detail in some later versions of the story, particularly the Achilleid by the Roman poet Statius. The story of how Achilles disguised himself as a girl at the court of the king of Skyros, fell in love with one of the princesses, and married her before leaving for Troy, became a popular topic in arts and literature from Classical times until the middle of the 20th century. The carnavalesque disguises and gender transpositions at the heart of the story were particularly popular in opera, with over 30 different operas on the theme between 1641 and 1857.
Arda Mandikian was a Greek-Armenian soprano opera singer. Mandikian launched her career in England. She took on leading roles in London and Edinburgh. In the 1980s she became the assistant director of the Greek National Opera.
Rose Pauly was a Hungarian soprano.
Ildikó Raimondi is a Hungarian-Austrian operatic soprano and academic voice teacher. She has been a member of the Vienna State Opera since 1991, and has performed leading roles internationally, especially in Mozart operas. She also works in concert and lied, including contemporary compositions. She has received Austrian awards.
Karin Leitner is an Austrian flautist and composer. She has played flute and piccolo with the orchestras of the Vienna State Opera and the Royal Philharmonic Orchestra.
Die Opferung des Gefangenen is a 1926 opera-ballet by Egon Wellesz based on a scenario by Eduard Stucken after the Mayan play Rabinal Achi which relates through drama and dance the story of conflict between Quiché and Rabinal in the early fifteenth century. The premiere was 2 April 1926, Cologne under the baton of Eugen Szenkar.
Die Prinzessin Girnara, Op. 27, is an opera in two acts by Egon Wellesz to a libretto by Jakob Wassermann which he based on his own text. It was the composer's first opera. The world premiere was performed on 14 May 1921 simultaneously at the Oper Frankfurt and the Opernhaus Hannover. A revised version was first performed at the Nationaltheater Mannheim in 1928.
The Alcestiad is an opera in three acts by Louise Talma to a libretto that Thornton Wilder wrote based on his 1955 play of the same name. It premiered in German as Die Alkestiade at the Oper Frankfurt on 1 March 1962. It was the first full-length opera by an American woman staged at a major European opera house.
Scherz, List und Rache, is a 1787 Singspiel in 4 acts by Philipp Christoph Kayser to a libretto by Goethe.