Taisclann Dhigiteach na hÉireann | |
The Digital Repository of Ireland is housed in the Royal Irish Academy | |
Agency overview | |
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Formed | June 24, 2015 [1] |
Jurisdiction | Ireland |
Headquarters | 19 Dawson Street Dublin 2 |
Employees | 15 |
Agency executive |
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Website | https://dri.ie/ |
The Digital Repository of Ireland (DRI) is a digital repository for Ireland's humanities, social science and cultural heritage data. [2] It was designed as an open access infrastructure that allows for interactive use and sustained growth. Three institutions, Royal Irish Academy (RIA), Trinity College Dublin (TCD), and Maynooth (now Maynooth University or MU), currently manage the repository and implement its policies, guidelines and training. [3] The Department of Education and Skills has primarily funded DRI since 2016 through the Higher Education Authority and the Irish Research Council. [3] As of 2018, DRI is home to over 28,000 items. [4]
The DRI was established in 2011 after receiving €5.2 million in funding through the Irish government's Higher Education Authority. [5] The Programme for Research in Third Level Institutions (PRTLI) would support the project for four years. Launched on 24 June 2015 at Croke Park, [2] [3] DRI began as a consortium of six Irish academic institutions: Royal Irish Academy (RIA), National University of Ireland, Maynooth (now Maynooth University or MU), Trinity College Dublin (TCD), Dublin Institute of Technology (DIT), National University of Ireland, Galway (NUIG), and National College of Art and Design (NCAD). It earned the Data Seal of Approval as a Trusted Digital Repository (TDR) in 2015. [3] In 2018, it was awarded the Core Trust Seal, superseding previous certification. DRI became a member of the Research Data Alliance in August 2018. [6]
The governing body for DRI is a management board which is composed of representatives of each of the academic institutions, who serve three-year terms. [7] The Core Implementation Team (CIT) is responsible for the day-to-day running of the Repository as well as strategy development, coordination and project delivery. [8] The CIT is composed of the DRI Director, DRI Principal Investigators and Institutional representatives, and the DRI Programme Manager in RIA. In addition, an International Advisory Group of eight experts ensures DRI maintains ties with other digital repositories across the globe. [9] The International Advisory Group meets annually to provide oversight and feedback and sustain best practices.
DRI staff is composed of professionals from diverse backgrounds such as librarians, digital archivists, educators, and software engineers who support all aspects of governance, operations and management, and taskforces. As of 2018, there are fifteen full-time staff members. [10]
The DRI has three main areas of focus: Technology, Policy, and Education and Outreach. [3] The technological software protects and preserves the data while allowing easy searching and navigation through the material. Development of policy protocols for data generation and preparation for archiving is a core remit of DRI. Education and Outreach include a training programme and direct contact with the public through workshops and newsletters.
DRI Collections cover historical and contemporary Irish cultural heritage. These may contain many different types of digital assets including but not limited to images, audio, and text. While some collections are aggregated from partners and members from heritage and research institutions across the country, [11] users are invited to become depositors to enrich DRI's portrait of Ireland. [12] Collection highlights include Letters of 1916, the Stained Glass Studios Archive, and multi-media content from Raidió Teilifís Éireann. [11]
As an interactive repository, DRI is open to any kind of user with an interest in Irish cultural heritage regardless of age or level of education. Access, including viewing and uploading collections, is free. However, registration may be required for access to restricted collections with sensitive materials. [13]
Users who wish to add to DRI collections may do so following the six steps to deposit content. [12] Guides, [14] Training Series, and helpdesks are available for more in-depth questions. While the digital surrogates are stored with DRI, the original creator retain ownership, copyright, and associated intellectual property rights. Content will be returned to the creator should DRI cease to exist. Creators can always update their collections by adding new content or improving the metadata. Access restrictions can also be set by the creator.
Subscription based membership had been a goal since DRI's inception [15] and was launched in February 2018. [16] Institutions and organizations holding humanities and/or social sciences data, including those operating on a non-funded, voluntary basis, may apply for Full or Associate Membership to leverage DRI's digital stewardship experience and capabilities. [17] Membership benefits also include a collaborative network, training and personal development, online publication and sharing of collections. [18]
DRI has been involved with many projects since inception. [19]
The Digital Repository of Ireland provides other services and outreach to supplement the collections.
DRI Staff and scholars utilizing the collections post articles on the DRI Blog regarding news and updates in the field or specific to DRI. [21] Posts also highlight stories from the collections and new additions.
Through the DRI Events Calendar, users are invited to attend an array of events hosted by the DRI and its academic partners. Events include repository conferences, lectures and workshops on technical applications or trending library and archive topics. DRI also hosts seminars as part of the DRI Training Series to educate users on using the DRI platform as well as best practices for developing collections and using metadata.
The DRI has several social media platforms for users to engage in. DRI joined Twitter in 2012 and actively updates its account along with the DRI Facebook page.
Users can also access content such as community forums, presentations, and DRI Training Series via the DRI Vimeo page or the DRI Slideshare page.
The platform was built from scratch using many open source platforms, utilizing the best of each and customizing them to implement DRI requirements [15] without having to worry about sustaining and adapting legacy systems or methodologies. The implemented open source systems include OpenNebula, Fedora Commons, Samvera (formerly known as Hydra), Apache Solr, Blacklight, Shibboleth, Ceph, and Ansible. This new structure's framework was influenced by the Open Archival Information System (OAIS) reference model, while the Model-View-Controller (MVC) pattern implemented the data presentation and representation. The infrastructure has been replicated and is maintained at a secondary site in case of failure or disaster recovery. [5] [22]
DRI's digital asset preservation, storage, and access requires scalability as the repository's collections continue to grow. DRI utilizes technologies like Ceph and Bareos to provide federated storage and preservation while a separate process maintains integrity and fixity of archival data. The central management system governs storage, management, and migration. DRI's disaster management plan includes storage distribution across multiple servers in multiple geographic locations. [5]
The Royal Irish Academy, based in Dublin, is an academic body that promotes study in the sciences, humanities and social sciences. It is Ireland's premier learned society and one of its leading cultural institutions. The Academy was established in 1785 and granted a royal charter in 1786. As of 2019, the RIA has around 600 members, regular members being Irish residents elected in recognition of their academic achievements, and Honorary Members similarly qualified but based abroad; a small number of members are elected in recognition of non-academic contributions to society.
The United States National Agricultural Library (NAL) is one of the world's largest agricultural research libraries, and serves as a national library of the United States and as the library of the United States Department of Agriculture. Located in Beltsville, Maryland, it is one of five national libraries of the United States. It is also the coordinator for the Agriculture Network Information Center (AgNIC), a national network of state land-grant institutions and coordinator for the U.S. Department of Agriculture (USDA) field libraries.
In library and archival science, digital preservation is a formal endeavor to ensure that digital information of continuing value remains accessible and usable. It involves planning, resource allocation, and application of preservation methods and technologies, and it combines policies, strategies and actions to ensure access to reformatted and "born-digital" content, regardless of the challenges of media failure and technological change. The goal of digital preservation is the accurate rendering of authenticated content over time. The Association for Library Collections and Technical Services Preservation and Reformatting Section of the American Library Association, defined digital preservation as combination of "policies, strategies and actions that ensure access to digital content over time." According to the Harrod's Librarian Glossary, digital preservation is the method of keeping digital material alive so that they remain usable as technological advances render original hardware and software specification obsolete.
An institutional repository is an archive for collecting, preserving, and disseminating digital copies of the intellectual output of an institution, particularly a research institution. Academics also utilize their IRs for archiving published works to increase their visibility and collaboration with other academics However, most of these outputs produced by universities are not effectively accessed and shared by researchers and other stakeholders As a result Academics should be involved in the implementation and development of an IR project so that they can learn the benefits and purpose of building an IR.
Fedora is a digital asset management (DAM) content repository architecture upon which institutional repositories, digital archives, and digital library systems might be built. Fedora is the underlying architecture for a digital repository, and is not a complete management, indexing, discovery, and delivery application. It is a modular architecture built on the principle that interoperability and extensibility are best achieved by the integration of data, interfaces, and mechanisms as clearly defined modules.
Digital Commons is a commercial, hosted institutional repository platform owned by RELX Group. This hosted service, licensed by bepress, is used by over 500 academic institutions, healthcare centers, public libraries, and research centers to showcase their scholarly output and special collections.
Project MUSE, a non-profit collaboration between libraries and publishers, is an online database of peer-reviewed academic journals and electronic books. Project MUSE contains digital humanities and social science content from over 250 university presses and scholarly societies around the world. It is an aggregator of digital versions of academic journals, all of which are free of digital rights management (DRM). It operates as a third-party acquisition service like EBSCO, JSTOR, OverDrive, and ProQuest.
A current research information system (CRIS) is a database or other information system to store, manage and exchange contextual metadata for the research activity funded by a research funder or conducted at a research-performing organisation.
BASE is a multi-disciplinary search engine to scholarly internet resources, created by Bielefeld University Library in Bielefeld, Germany. It is based on free and open-source software such as Apache Solr and VuFind. It harvests OAI metadata from institutional repositories and other academic digital libraries that implement the Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH), and then normalizes and indexes the data for searching. In addition to OAI metadata, the library indexes selected web sites and local data collections, all of which can be searched via a single search interface.
Digital curation is the selection, preservation, maintenance, collection, and archiving of digital assets. Digital curation establishes, maintains, and adds value to repositories of digital data for present and future use. This is often accomplished by archivists, librarians, scientists, historians, and scholars. Enterprises are starting to use digital curation to improve the quality of information and data within their operational and strategic processes. Successful digital curation will mitigate digital obsolescence, keeping the information accessible to users indefinitely. Digital curation includes digital asset management, data curation, digital preservation, and electronic records management.
The UCD library, composed of five separate bodies, has varied ranges of digital and printed books on a wide range of topics. Namely architecture, arts and humanities, business studies, engineering, law, medicine, science, social sciences and veterinary medicine. In 2015 UCD Archives and the National Folklore Collection UCD came under the administrative umbrella of UCD Library. University College Dublin (UCD) is the Republic of Ireland's largest university. It is located in Dublin, Ireland.
Trove is an Australian online library database owned by the National Library of Australia in which it holds partnerships with source providers National and State Libraries Australia, an aggregator and service which includes full text documents, digital images, bibliographic and holdings data of items which are not available digitally, and a free faceted-search engine as a discovery tool.
An open repository or open-access repository is a digital platform that holds research output and provides free, immediate and permanent access to research results for anyone to use, download and distribute. To facilitate open access such repositories must be interoperable according to the Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH). Search engines harvest the content of open access repositories, constructing a database of worldwide, free of charge available research.
DuraSpace was a 501(c)(3) not-for-profit organization founded in 2009 with the merger of the Fedora Commons organization and the DSpace Foundation, two of the world's largest providers of open source digital repository software. In 2011, DuraSpace launched DuraCloud, an open source digital preservation software service. In July 2019, DuraSpace merged with Lyrasis, becoming a division of that organization.
University of Cape Town Libraries is the library system of the University of Cape Town in Cape Town, South Africa.
CORE is a service provided by the Knowledge Media Institute based at The Open University, United Kingdom. The goal of the project is to aggregate all open access content distributed across different systems, such as repositories and open access journals, enrich this content using text mining and data mining, and provide free access to it through a set of services. The CORE project also aims to promote open access to scholarly outputs. CORE works closely with digital libraries and institutional repositories.
Samvera, originally known as Hydra, is an open-source digital repository software product. Samvera main components are Fedora Commons, Solr, Blacklight, and HydraHead. Each Samvera implementation is called a "head".
Data preservation is the act of conserving and maintaining both the safety and integrity of data. Preservation is done through formal activities that are governed by policies, regulations and strategies directed towards protecting and prolonging the existence and authenticity of data and its metadata. Data can be described as the elements or units in which knowledge and information is created, and metadata are the summarizing subsets of the elements of data; or the data about the data. The main goal of data preservation is to protect data from being lost or destroyed and to contribute to the reuse and progression of the data.
The following is a timeline of the international movement for open access to scholarly communication.