Dil Farosh | |
---|---|
Directed by | M. Udvadia |
Written by | Mehdi Hasan 'Ahsan' (adaptation) |
Based on | The Merchant of Venice |
Produced by | Excelsior Film Company |
Starring | M. Udvadia Nargis |
Cinematography | D. D. Dabke |
Production company | Excelsior Film Company |
Release date |
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Country | India |
Dil Farosh also called Merchant Of Hearts, is a 1927 Indian cinema's silent film directed by M. Udvadia. [1] Produced by Excelsior Film Company it has been cited as one of the earliest adaptations of a Shakespeare play into an Indian film. [2] Based on The Merchant of Venice , it was written for the Parsi theatre by Mehdi Hasan 'Ahsan' in 1900, and called Merchant of Hearts. [3] The stage adaptation by the New Alfred Company had Sorabji Ogra as Shylock and "achieved great popularity" at the beginning of the twentieth century. [4] The film's cast included the director Udwadia with Nargis, K. B. Athavale and Saiyed Umer. [5]
Raj Kapoor, also known as Ranbir Raj Kapoor, was an Indian actor, film director and producer, who worked in Hindi cinema. He is considered one of the greatest and most influential actors and filmmakers in the history of Indian cinema, and has been referred to as The Greatest Showman of Indian Cinema and as the Charlie Chaplin of Indian Cinema.
Mehboob Khan was a pioneer producer-director of Indian cinema, best known for directing the social epic Mother India (1957), which won the Filmfare Awards for Best Film and Best Director, two National Film Awards, and was a nominee for the Academy Award for Best Foreign Language Film. He set up his production company – Mehboob Productions, and later a film studio – Mehboob Studios in Bandra, Mumbai in 1954. He also created the dacoit film genre with Aurat (1940) and Mother India, and is also known for other blockbusters including the romantic drama Andaz (1949), the swashbuckling musical Aan (1951), and the melodrama Amar (1954).
Hulchul is a 1951 Indian Hindi-language drama film directed by S. K. Ojha and written by Hasrat Jaipuri. The film was produced by K. Asif with Mohammed Shafi-Sajjad Hussain as music directors and film song lyrics by Khumar Barabankvi.
Aadhi Raat is an Indian Hindi-language film of 1950, directed by S. K. Ojha and starring Ashok Kumar, Nargis, Jeevan, Cuckoo, Kuldip Kaur, Neelam and Tiwari. The music was composed by Husnlal Bhagatram, while Geeta Dutt, Lata Mangeshkar and Meena Kapoor were the playback singers.
Char Dervesh is a 1964 Indian Hindi-language action fantasy film directed by Homi Wadia for Basant Pictures. The film was produced by Wadia Brothers and its music composer was G. S. Kohli. Feroz Khan acted in several "small-budget" costume films such as Homi Wadia's Char Dervesh as hero, before he became popular as second lead and later as hero, producer and director in mainstream cinema. The film was declared a hit. The film starred Feroz Khan, Sayeeda Khan, Naaz, B. M. Vyas, Mukri and Sunder.
Grihalakshmi is a 1934 Hindi social family melodrama film directed by Sarvottam Badami with story by Dr. Jayant Shyam and cinematography by Faredoon Irani. The film was produced by Sagar Movietone and had music by S. P. Rane. The cast included Sabita Devi, Jal Merchant, Yakub, Kamala Devi, K. C. Dey, Swaroop Rani and Asooji.
Khoon Ka Khoon also called Hamlet is the first Hindi/Urdu 1935 sound film adaptation of the Shakespearen play Hamlet. Directed by Sohrab Modi under his Stage Film Company banner, it is cited as one of the earliest talkie versions of this play. Credited as "the man who brought Shakespeare to the Indian screen", it was Modi's debut feature film as a director. The story and script were by Mehdi Hassan Ahsan from his Urdu adaptation of Shakespeare's "Hamlet". Starring Sohrab Modi, Khoon Ka Khoon was also the debut in films of Naseem Banu who played Ophelia. The other star cast included Shamshadbai, Ghulam Hussain, Obali Mai, Fazal Karim and Eruch Tarapore.
Said-e-Havas or (Greed) also known as King John is a 1936 Hindi/Urdu film adaptation of the Shakespeare play, King John, directed by Sohrab Modi. It was based on the Urdu play Said-e-Hawas by Agha Hashar Kashmiri, published in 1908.
Kurukshetra is a 1945 Indian Hindi-language film directed by Rameshwar Sharma. Produced Under the banner of Unity Pictures it starred K. L. Saigal as Karna, P. V. Narasimha Bharathi as Krishna, Radharani, Nawab, Shanti, Biman Bannerji and Shamli and had music composed by Ganpatrao. The film was cited as an offbeat film of K. L. Saigal, directed by a relatively unknown director; it's stated to be a "forerunner" to later Art Cinema. It was also the on-screen debut for actor Ajit Khan.
Netaji Palkar is a 1927 Indian biopic historical silent film directed by V. Shantaram. Kaishavrao Dhaiber who was an apprentice with Damle, co-directed the film. He was to become the chief cinematographer for Shantaram in his later films. Made under the Maharashtra Film Company, Kolhapur, it was the first film directed by Shantaram. The director of photography was S. Fattelal and the cast included Ansuya, Balasaheb Yadav, Ganpat Bakre and Zunzarrao Pawar.
Do Boond Pani is a 1971 Hindi social drama film produced and directed by Khwaja Ahmad Abbas. Made under the "Naya Sansar" banner; the story, screenplay and dialogues were by Abbas, with additional dialogues by Inder Raj Anand. The music was composed by Jaidev. The cast included Simi Garewal, Jalal Agha and Madhu Chanda and was the debut film of actor Kiran Kumar. The film won the award for Best Feature film on National integration.
Hamlet is a 1954 Hindi tragedy drama film, produced and directed by Kishore Sahu. The film was a free adaptation of Shakespeare's tragedy, with Sahu playing Hamlet as well as writing the screenplay, while the dialogue was by Amanat Hilal and B. D. Verma. It was produced by Hindustan Chitra, a production company started by Sahu in 1944. It was Ramesh Naidu's first film as a music composer. The film starred Mala Sinha, Kishore Sahu, Venus Banerji, Kamaljeet and Jankidas.
Balidan, also called Sacrifice, is a 1927 Indian silent film directed by Naval Gandhi and based on a play by Rabindranath Tagore. It was produced by Orient Pictures Corporation. Balidan is cited as one of the top ten lost films of Indian Cinema by P. K. Nair. Hailed as "an excellent and truly Indian film" by The Indian Cinematograph Committee, 1927–28, Balidan was used by them as one of the films to "show how 'serious' Indian cinema could match Western standards".