Related Research Articles
Nam June Paik was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
Alexander Porfyrovych Archipenko was a Ukrainian and American avant-garde artist, sculptor, and graphic artist. He was one of the first to apply the principles of Cubism to architecture, analyzing human figure into geometrical forms.
George Wesley Bellows was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, "the most acclaimed American artist of his generation".
Yasuo Kuniyoshi was a Japanese-American painter, photographer and printmaker.
Atelier 17 was an art school and studio that was influential in the teaching and promotion of printmaking in the 20th century. Originally located in Paris, the studio relocated to New York during the years surrounding World War II. It moved back to Paris in 1950.
Anne Ryan (1889–1954) was an American Abstract Expressionist artist associated with the New York School. Her first contact with the New York City avant-garde came in 1941 when she joined the Atelier 17, a famous printmaking workshop that the British artist Stanley William Hayter had established in Paris in the 1930s and then brought to New York when France fell to the Nazis. The great turning point in Ryan's development occurred after the war, in 1948. She was 57 years old when she saw the collages of Kurt Schwitters at the Rose Fried Gallery, in New York City, in 1948. She right away dedicated herself to this newly discovered medium. Since Anne Ryan was a poet, according to Deborah Solomon, in Kurt Schwitters’s collages “she recognized the visual equivalent of her sonnets – discrete images packed together in an extremely compressed space.” When six years later Ryan died, her work in this medium numbered over 400 pieces.
Arnold Blanch, was born and raised in Mantorville, Minnesota. He was an American modernist painter, etcher, illustrator, lithographer, muralist, printmaker and art teacher.
Leon Karp (1903-1951) was an American artist.
Gabor Peterdi was a Hungarian-American painter and printmaker who immigrated to the United States in 1939. He enlisted in the US Army and fought in Europe during World War II. He lived and worked primarily in New York and Connecticut, teaching at the Brooklyn Museum, Hunter College and Yale University in addition to working at his art.
Ezio Martinelli was an American artist who belonged to the New York School Abstract Expressionist artists, a leading art movement of the post-World War II era.
John Millard Ferren was an American artist and educator. He was active from 1920 until 1970 in San Francisco, Paris and New York City.
Terry Haass (1923-2016) was a Czechoslovak-born French artist known for her printmaking, painting, and sculpture.
Karl Schrag was an American printmaker and educator. He has been characterized by the National Gallery of Art as "among the most important printmakers in America during the 1950s".
Andre Racz (1916-1994) was an American printmaker and educator known for his drawings and etchings.
Josef Presser (1907-1967) was an American artist.
Harold Persico Paris (1925–1979) was an American printmaker, sculptor and educator. He taught art classes at the University of California, Berkeley from 1963 until 1979.
Armin Landeck (1905-1984) was an American printmaker and educator.
Leo Katz was an American painter, muralist, printmaker, and photographer.
Frederick Gerhard Becker (1913-2004) was an American printmaker and educator.
References
- 1 2 3 "Dimitri Petrov". Smithsonian American Art Museum. Retrieved 26 April 2020.
- 1 2 3 "Dimitri Petrov". AskArt. Retrieved 26 April 2020.
- ↑ Moser, Joann (1977). Atelier 17: A 50th anniversary retrospective exhibition. Elvehjem Art Center, University of Wisconsin-Madison. pp. 83–84. Retrieved 26 April 2020.
- ↑ "Dimitri Petrov". The Museum of Modern Art. Retrieved 26 April 2020.
