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Serbian epic poetry is a form of epic poetry created by Serbs originating in today's Serbia, Bosnia and Herzegovina, Croatia, Montenegro and North Macedonia. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The instrument accompanying the epic poetry is the gusle.
Arad County is an administrative division (judeţ) of Romania roughly translated into county in the western part of the country on the border with Hungary, mostly in the region of Crișana and few villages in Banat. The administrative center of the county lies in the city of Arad. The Arad County is part of the Danube–Criș–Mureș–Tisa Euroregion.
The gusle or lahuta is a single-stringed musical instrument traditionally used in the Dinarides region of Southeastern Europe. The instrument is always accompanied by singing; musical folklore, specifically epic poetry. The gusle player holds the instrument vertically between his knees, with the left hand fingers on the strings. The strings are never pressed to the neck, giving a harmonic and unique sound.
The Mureș is a 789-kilometre-long (490 mi) river in Eastern Europe. Its drainage basin covers an area of 30,332 km2 (11,711 sq mi). It originates in the Hășmașu Mare Range in the Eastern Carpathian Mountains, Romania, rising close to the headwaters of the river Olt, and joins the Tisza at Szeged in southeastern Hungary. In Romania, its length is 761 km (473 mi) and its basin size is 27,890 km2 (10,770 sq mi).
Arad County was an administrative unit in the Kingdom of Hungary, the Eastern Hungarian Kingdom and the Principality of Transylvania. The county was established along the Maros (Mureș) river in the 11th or the 12th century, but its first head, or ispán, was only mentioned in 1214. Its territory is now part of Romania, except a small area which is part of Hungary. The capital of the county was Arad.
The culture of Montenegro is as pluralistic and diverse as its history and geographical position would suggest. Montenegro's culture has been influenced by the Serbian Empire, the Byzantine Empire, Ancient Greece, Ancient Rome, Christianity, the Ottoman Empire, the Republic of Venice, Austria-Hungary, and Yugoslavia.
Pomorišje is a historical geographical region on the banks of the river Mureș that in the past has had a sizable ethnic Serb population. The region is mostly divided between Romania and Hungary, with small part of it in northern Serbia. Today, a Serb minority is present in parts of the region that are part of Romania and Hungary.
Filip Višnjić was a Serbian epic poet and guslar. His repertoire included 13 original epic poems chronicling the First Serbian Uprising against the Ottoman Empire and four reinterpreted epics from different periods of history of Serbia.
Lipova is a town in Romania, Arad County, located in the Banat region. It is situated at a distance of 34 km (21 mi) from Arad, the county capital, at the contact zone of the river Mureș with the Zarand Mountains, the Western Plateau, and the Lipova Hills. It administers two villages, Radna (Máriaradna) and Șoimoș (Solymosvár), and its total surface is 134.6 km2 (52.0 sq mi).
Petar Perunović, nicknamed Perun, was a famous Serbian gusle player from Montenegro.
Polish-Serbian relations are foreign relations between Poland and Serbia. Diplomatic relations have been maintained since Poland and the Kingdom of Serbs, Croats and Slovenes established them in 1919.
European route E68 forms part of the United Nations International E-road network, linking Hungary with Romania. It starts in Szeged, Hungary, and ends in Braşov, Romania. Its total length is 529 km (329 mi) of which 52 km (32 mi) are in Hungary and 477 km (296 mi) in Romania.
Timiș-Torontal was a county in the Kingdom of Romania. Its capital was Timișoara. The territory of the county had been transferred to Romania in 1920 from the Kingdom of Hungary under the Treaty of Trianon.
Tešan Podrugović was Serbian merchant, hayduk, storyteller and gusle player who participated in the First Serbian Uprising and Second Serbian Uprising. He was one of the most important sources for Serbian epic poetry recorded by Vuk Karadžić. Podrugović did not sing but used to 'speak' his poems; he understood and felt the poems and thought about what he said. He was Serbia's best known fiddle player (guslar) after Filip Višnjić.
Živana Antonijević or Blind Živana was Serbian storyteller, gusle player and one of the most important sources for Serbian epic poetry recorded by Vuk Karadžić.
Milomir Miljanić, nicknamed Miljan (Миљан), is a Montenegrin folk singer. Initially a guslar, he was the 5-time national champion before turning to pop-music in 2005. He is known for his traditional folk songs, which are mainly on patriotic and love themes. His hits include Gledaj, Orle and Izbeglica.
Dimitrije Ljubavić was a Serbian Orthodox deacon, humanist, writer and printer who together with German reformer Philip Melanchthon initiated the first formal contact between the Eastern Orthodox Church and the Lutherans in 1559 when Ljubavić took a copy of the Augsburg Confession to Patriarch Joasaph II of Constantinople. He is also referred to as Demetrios Mysos or Demetrius Mysos in Lutheran and other Western books.
Stefan Tenecki was a prolific Serbian icon painter of Aromanian origin who developed a rich artistic activity in Vojvodina, Romania and Hungary in the eighteenth century. Tenecki is regarded as the first painter who adapted the Byzantine tradition with the style of the Baroque to the needs of Orthodox Serbs and Romanians.
Đorđe (Đuro) Milutinović was a blind guslar, at the time of the First Serbian Uprising. He was known as a trusted messenger of military plans and diplomatic secrets during the preparation and eve of the First Serbian Uprising.
Karađorđe Monument is either of two monuments in Belgrade, the capital of Serbia. The older one was built in 1913 in the Greater Kalemegdan section of the Belgrade Fortress and demolished by the occupying Austro-Hungarian forces in 1916 during World War I. The present monument was dedicated in 1979 on the Vračar plateau.
References
- ↑ Fried, Istvan (1997). East-Central European literary studies.
- ↑ Else Mundal; Jonas Wellendorf (2008). Oral Art Forms and Their Passage Into Writing. Museum Tusculanum Press. pp. 100–. ISBN 978-87-635-0504-8.