Dinah Rudelhoff (d. after 1845), was an Australian stage actor and theatre manager. She was one of the first female theatre managers in Australia: [1] the second one to manage a theatre after Cordelia Cameron.
She arrived in Tasmania just one year after the introduction of professional theater in Tasmania by the travelling company of Samson and Cordelia Cameron from England, and only two years after the first professional theatre performance in Australia (at Barnett Levey's Royal Hotel in Sydney in December 1832), making her one of the first professional actors active in Australia. She was given one of the highest wages on the theatre, making her an elite actor in Australia at the time. [2]
She and another actress, Anne Clarke (later director of the Theatre Royal in 1840), was advertised to appear on stage in Hobart that summer, and were both referred to as experienced actors: "Annette—Miss Remens, Peggy—Miss Rudelhoff (from the Theatre Royal English Opera House [London], being their first appearance on this stage)." They made their debut at the Argyle Rooms on Saturday 23 August 1834, where she played Peggy and Clarke Annette in John Burgoyne's opera The Lord of the Manor. She married James Murray in 1836, but he did not support her profession.
Dinah Rudelhoff became the director manager of the Geelong Theatre in Victoria in 1845, and reportedly performed her task with 'reasonable success'. This made her the second woman in Australia to have managed a theatre, making her a historical figure. [3]
Annette Carol Bening is an American actress. She has received various accolades throughout her career spanning over four decades, including a British Academy Film Award and two Golden Globe Awards, in addition to nominations for a Primetime Emmy Award, two Tony Awards, and four Academy Awards.
Valentine Ruth Henshall, known professionally as Ruthie Henshall, is an English actress, singer and dancer, known for her work in musical theatre. She began her professional stage career in 1986, before making her West End debut in Cats in 1987. A five-time Olivier Award nominee, she won the 1995 Olivier Award for Best Actress in a Musical for her role as Amalia Balash in the London revival of She Loves Me (1994).
Dinah Sheridan was an English actress with a career spanning seven decades. She was best known for the films Genevieve (1953) and The Railway Children (1970); the long-running BBC comedy series Don't Wait Up (1983–1990); and for her distinguished theatre career in London's West End.
Helena Saville Faucit, Lady Martin was an English actress.
The Old Rep is the United Kingdom's first ever purpose-built repertory theatre, constructed in 1913, located on Station Street in Birmingham, England. The theatre was a permanent home for Barry Jackson's Birmingham Repertory Company, formed in 1911 from his amateur theatre group, The Pilgrim Players, founded in 1907. Jackson funded the construction of the theatre and established his professional company there.
Theatre Royal is an historic performing arts venue in central Hobart, Tasmania. It is the oldest continually operating theatre in Australia; Noël Coward once called it "a dream of a theatre" and Laurence Olivier launched a national appeal for its reconstruction in the 1940s.
Louise Lovely was an Australian film actress of Swiss-Italian descent. She is credited by film historians for being the first Australian actress to have a successful career in Hollywood, signing a contract with Universal Pictures in the United States in 1914. Lovely appeared in 50 American films and ten Australian films before retiring from acting in 1925.
Frances "Fanny" Elizabeth Fitzwilliam was an English actress.
Robyn Anne Nevin is an Australian actress, director, and stage producer, recognised with the Sidney Myer Performing Arts Awards and the JC Williamson Award at the Helpmann Awards for her outstanding contributions to Australian theatre performance art. Former head of both the Queensland Theatre Company and the Sydney Theatre Company, she has directed more than 30 productions and acted in more than 80 plays, collaborating with internationally renowned artists, including Richard Wherrett, Simon Phillips, Geoffrey Rush, Julie Andrews, Aubrey Mellor, Jennifer Flowers, Cate Blanchett and Lee Lewis.
Ellen Kean was an English actress. She was known as Ellen Tree until her marriage in 1842, after which she was known both privately and professionally as Mrs Charles Kean and always appeared in productions together with her husband.
Catherine Huggins, known in history as Mrs W. H. Foley was a British actor, singer, director and manager. Mrs W. H. Foley is best known for her major contribution to early theatrical entertainment in New Zealand between 1855 and 1867.
Jane Elizabeth Vezin was a British actress.
Bussorah Merchant was a merchant ship built at Calcutta in 1818. She made three voyages transporting convicts from England and Ireland to Australia and later carried emigrants and other passengers to Australia.
Anne Clarke née Remans, was a pioneering actor, singer and theatre manager in Tasmania, Australia, significant as the first woman to manage an Australian theatre, being director of the Theatre Royal, Hobart, in 1840–1847.
Theodosia Stirling or Theodosia Yates Stirling is a name that has been attached to the contralto born Theodosia Yates, who had a considerable career on the Australian stage as, successively, "Mrs Stirling", "Mrs Guerin", and "Mrs Stewart". She is perhaps best known as the mother of Nellie Stewart.
Cordelia Cameron, was an Australian stage actor and theatre manager. She was the first woman theater manager in Australia.
Harriet Jones, also known under her stage names Mrs Love (1826–1839) and Mrs Knowles (1839–1845) was an Australian stage actor and singer. She was the first female professional performer in Australia.
Jane Elizabeth "Eliza" Thomson (1827–1901), was an Australian stage actor and dancer.
Adèle-Louise-Pauline Leroux was a French dancer and ballerina of the 19th-century Romantic ballet era and a member of the Paris Opera Ballet.
Hattie Shepparde was an Australian actress who during her short career gained a growing reputation in her native land where she was highly regarded for ‘her intelligence, her ease, the grace of her manner and her thorough devotion to her art’. She died aged 28 after childbirth.