Dionisio Nencioni di Bartolomeo (1559, Florence - 1638, Naples) was an Italian architect, mainly active in Naples, to which he moved in 1584. He worked on the Hieronymite church from 1587 until his death, in collaboration with Giovanni Antonio Dosio. [1]
In 1607 he took part in the competition to design the Royal Chapel of the Treasure of St. Januarius, alongside other architects working in Naples such as Francesco Grimaldi, Giovan Battista Cavagna, Giulio Cesare Fontana, Michelangelo Naccherino, Giovan Giacomo Di Conforto, Giovanni Cola di Franco and Ceccardo Bernucci, but his design did not win. [2] In 1612 he worked on the Gesù e Maria Complex and from 1604 to 1632 as one of the architects of San Giuseppe dei Ruffi. In 1631 he made some assessments of the work already done at certosa di San Martino. He spent his final years finishing working on the Gerolamini church (even joining the Hieronymites himself in 1637), which was only completed in 1639. [3]
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain.
Giugliano in Campania[dʒuʎˈʎaːno iŋ kamˈpaːnja], also known simply as Giugliano, is a city and comune in the Metropolitan City of Naples, Campania, Italy. As of 2017, it had some 124,000 inhabitants, making it the most populated Italian city that is not a provincial capital.
The Naples Conservatory of Music is a music school located in Naples, Italy. It is situated in the complex of San Pietro a Majella.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
Giovan Francesco Rustici, or Giovanni Francesco Rustici, (1475–1554) was an Italian Renaissance painter and sculptor. He was born into a noble family of Florence, with an independent income. Rustici profited from study of the Medici sculpture in the garden at San Marco, and according to Giorgio Vasari, Lorenzo de' Medici placed him in the studio of Verrocchio, and that after Verrocchio's departure for Venice, he placed himself with Leonardo da Vinci, who had also trained in Verocchio's workshop. He shared lodgings with Leonardo while he was working on the bronze figures for the Florence Baptistry, for which he was ill paid and resolved, according to Vasari, not to work again on a public commission. Moreover, an echo of Leonardo's inspiration is unmistakable in the much-discussed and much-reviled wax bust of "Flora" in Berlin, ascribed to a circle of Leonardo and most probably to Rustici. At this time, Pomponius Gauricus, in De sculptura (1504), named him one of the principal sculptors of Tuscany, the peer of Benedetto da Maiano, Andrea Sansovino and Michelangelo. It may have been made in France, perhaps in the circle of Rustici, who entered Francis I's service in 1528.
San Paolo Maggiore is a basilica church in Naples, southern Italy, and the burial place of Gaetano Thiene, known as Saint Cajetan, founder of the Order of Clerics Regular. It is located on Piazza Gaetano, about 1-2 blocks north of Via dei Tribunali.
Giovanni Battista Cavagna, also known as Cavagni or Gavagni was an Italian architect, engineer, and painter mainly in Naples, but also in Rome and Ascoli Piceno, Italy.
The Basilica of San Pietro ad Aram is a Baroque-style, Roman Catholic church in Naples, Italy. It is located about a block from the church of the Santissima Annunziata on Corso Umberto I.
The church of St. Nicholas the Charitable is a church located on via Toledo, almost midway between Piazza Carità and Piazza Dante in Naples, Italy.
Santa Maria Regina Coeli is a Roman Catholic church in central Naples, Italy.
Santa Maria della Sapienza is a Roman Catholic church, located on Via Costantinopoli in central Naples, Italy.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Michelangelo Naccherino was an Italian sculptor and architect, active mainly in the Kingdom of Naples, Italy.
The Accademia di Belle Arti di Napoli is a university-level art school in Naples. In the past it has been known as the Reale Istituto di Belle Arti and the Reale Accademia di Belle Arti. Founded by King Charles VII of Naples in 1752, it is one of the oldest art schools in Italy, and offers various levels of study up to and including the equivalent of an Italian laurea. It is located one block south of the church of Santa Maria di Costantinopoli, on the via of the latter church's name.
The Palazzo Zevallos Stigliano is a Baroque palace located on Via Toledo number 185 in the quartiere San Ferdinando of central Naples, Italy. It is also called the Palazzo Zevallos or Palazzo Colonna di Stigliano, and since 2014 serves as a museum of artworks, mainly spanning the 17th through the early 20th centuries, sponsored by the Cultural Project of the bank Intesa Sanpaolo. This museum is linked to the Museum or Gallerie di Piazza Scala in Milan and the Museum at Palazzo Leoni Montanari in Vicenza, also owned by the Bank.
Giovan Francesco Buonamici was an Italian architect and painter of the Baroque period, active mainly around Ravenna, Fano, and his native Rimini.
Palazzo di Sangro, also known as either Palazzo de Sangro di Sansevero or Palazzo Sansevero, is a late-Renaissance-style aristocratic palace facing the church of San Domenico Maggiore, separated by the via named after the church, in the city center of Naples, Italy. Part of the palace facade faces the piazza in front of the church, which is also bordered to the south by the Palazzo di Sangro di Casacalenda.
Giulio Cesare Fontana was an Italian architect and engineer, mainly active in Naples and its surroundings.
Giovanni Cola di Franco was an Italian Mannerist architect active between 1596 and 1621, mainly in Naples, where he was born and died. He collaborated with contemporary architects such as Francesco Grimaldi, Bartolomeo Picchiatti and Giovan Giacomo Di Conforto.
Pietà is painting of 1637 by the Spanish artist Jusepe de Ribera, produced for the Tesoro Nuovo chapel in the Certosa di San Martino in Naples, where it still hangs.