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Joe May was an Austrian film director and film producer and one of the pioneers of German cinema.
Joe Deebs was a fictional detective who appeared in a series of German films and serials during the silent era. Along with Stuart Webbs and a number of other fictional cinema detective characters with Anglo-Saxon names, he was modeled on Arthur Conan Doyle's Sherlock Holmes. In 2009, Ken Wlaschin wrote that "Joe Deebs was one of the most famous screen detectives of the German silent cinema, the suave crime-solving star of at least thirty films."
The Lady in Black is a 1920 German silent crime film directed by Victor Janson and starring Curt Goetz, Hugo Falke and Willy Kaiser-Heyl. It features the popular detective hero Joe Deebs.
The Rolling Hotel is a 1918 German silent film directed by Harry Piel. It is one of a number of films featuring the detective character Joe Deebs.
The Secret Agent is a 1924 German silent film directed by Erich Schönfelder and starring Eva May, Lucie Höflich and Carl Lamac. It was shot at the Weissensee Studios in Berlin. The film's art direction was by Erich Zander.
A Blackmailer's Trick is a 1921 German silent mystery film directed by Erich Schönfelder and starring Ferdinand von Alten, Willi Schaeffers and Loni Nest. It features the popular detective hero Joe Deebs.
Derby is a 1926 German silent sports film directed by Max Reichmann and starring Barbara von Annenkoff, Henry Stuart and Grete Mosheim. The film's sets were designed by Erich Zander. It was based on a novel of the same title by Ernst Klein.
The Onyx Head is a 1917 German silent crime film directed by Joe May and starring Max Landa, Bruno Kastner and Leopoldine Konstantin. It was part of a series of Joe Deebs detective films.
The Rat is a 1918 German silent crime film directed by Harry Piel and Joe May and starring Heinrich Schroth, Olga Engl and Käthe Haack. It was part of the series of Joe Deebs detective films.
The Dagger of Malaya is a 1919 German silent crime film directed by Léo Lasko and starring Carl Auen, Bernhard Goetzke, and Victor Janson. It is part of the Joe Deebs detective series films.
The Secret of the Mummy is a 1921 German silent crime film directed by Victor Janson and starring Ferdinand von Alten, Aud Egede-Nissen, and Magnus Stifter. It is part of the Joe Deebs detective series. Originally shot in 1916, it did not go on general release until 1921.
Europe, General Delivery or Europe poste restante is a 1918 German silent mystery film directed by Ewald André Dupont and starring Max Landa, Viktor Senger and Lu Synd. It was part of a series of films starring Joe Deebs, a fiction British detective modelled on Sherlock Holmes. It marked Dupont's directorial debut.
Your Big Secret is a 1918 German silent drama film directed by Joe May and starring Mia May, Käthe Haack and Johannes Riemann.
The Sacrifice is a 1918 German silent drama film directed by Joe May and starring Mia May, Harry Liedtke and Anton Edthofer.
Waves of Fate is a 1918 German silent drama film directed by Joe May and starring Mia May, Erich Kaiser-Titz and Georg John.
The Muff is a 1919 German silent crime film directed by Joe May and Harry Piel and starring Hella Ingrid, Heinrich Schroth and Stefan Vacano. It is part of the series of films featuring popular detective Joe Deebs.
The Panther Bride is a 1919 German silent crime film directed by Léo Lasko and starring Carl Auen, Victor Janson and Ria Jende. It was part of a series of films featuring the detective character Joe Deebs.
The Howling Wolf is a 1919 German silent crime film directed by Léo Lasko and starring Carl Auen, Meinhart Maur and Victor Janson. It was part of a series of films featuring the detective character Joe Deebs.
The Sin of Helga Arndt is a 1916 German silent drama film directed by Joe May and starring Mia May, Theodor Burghardt and Frida Richard.
Wedding in the Eccentric Club is a 1917 German silent crime action film directed by Joe May and starring Harry Liedtke, Käthe Haack and Bruno Kastner. It was part of the long-running series of Joe Deebs detective films.
References
- ↑ Bock & Lenssen, p. 116.
