Dipole speaker

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Dipole speakers and their radiation pattern. Dipole speaker.gif
Dipole speakers and their radiation pattern.
RCA Dimensia speaker mounted on a baffle with no back Dimensia console TV speaker.jpg
RCA Dimensia speaker mounted on a baffle with no back

A dipole speaker enclosure in its simplest form is constructed by mounting a loudspeaker driver on a flat panel. The panel may be folded to conserve space.

Contents

The term dipole derives from the fact that the polar response consists of two lobes, with equal radiation forwards and backwards, and none perpendicular to the axis. (By comparison a monopole response consists of one lobe.) This can be useful in reducing the stimulation of resonant room modes at low frequencies. It also results in high frequencies being reflected from any rear wall, which can enhance the naturalness of the sound in typical listening rooms by creating more diffuse reverberation, though in theory it could detract from stereo localization. For this reason dipole speakers are often used as surround channel speakers, where a diffuse sound is desired to create ambience.

A dipole speaker works by creating air movement (as sound pressure waves) directly from the front and back surfaces of the driver, rather than by impedance matching one or both outputs to the air. As a result, diaphragm motion below the driver's resonance frequency is constrained primarily by the driver's restoring force (e.g., diaphragm suspension) and not by acoustic loading from an enclosure. This implies that cone motion at the lowest frequencies will be larger at the same output level than in a more usual enclosure, and that power handling will be accordingly limited. Especially at lower frequencies, dipole drivers tend to be large and flat, and necessarily open at both front and back. Common examples include electrostatic or ribbon drivers, though a conventional cone driver mounted in an open baffle also works as a dipole loudspeaker. All of these variations are characterised by a "figure-of-eight" radiation pattern in which the loudness falls towards the sides of the enclosure where interference between front and back waves is maximized. Sometimes the enclosure is modified into an "H-frame" with the driver located on a wall dividing two open compartments. Such enclosures require some control over the radiated sound from the rear of the enclosure to achieve the desired response. This is usually done by mounting two drivers, one over the other, in a push-pull configuration.

Some of the speaker cabinets referred to as dipolar arrange the two poles at an angle of about 90 degrees rather than 180 degrees, especially for wall-mounted rear speakers (e.g. Jamo C-80-SUR, [1] Castle dipoles, [2] and Theophany [3] S4).

Advantages

An advantage of dipoles is that the sound is concentrated in the listening area due to the figure-of-eight polar response. This means that for a given output loudness, locations falling within the "dead-zone" of the speaker do not perceive as loud a sound as they would with more traditional enclosures. Dipole speakers are said to be better for rear speakers in surround-sound systems, [4] although this is disputed [5] (or at least success depends on factors such as room acoustics, type of music, and so on). The THX standard specifies dipoles for the surround speakers in home theater, but that part of the spec is often ignored in practice.

Disadvantages

However, these enclosures are less efficient because, for the same driver, a dipole results in less sound pressure level than a closed or ported enclosure, and certainly far less than a properly designed horn. This means that the drivers mounted on a dipole enclosure must have large maximum excursions, large square areas, or both. One solution to these problems is to cross over to a closed or ported enclosure that handles the low frequencies. Another solution is to construct the dipole by means of a bipole with signal processing controlling the polar pattern. This enables switching between different polar patterns [6] or varying the polar pattern and efficiency versus frequency and versus output level.

Related Research Articles

<span class="mw-page-title-main">Subwoofer</span> Loudspeaker for low-pitched audio frequencies

A subwoofer is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass, lower in frequency than those which can be (optimally) generated by a woofer. The typical frequency range for a subwoofer is about 20–200 Hz for consumer products, below 100 Hz for professional live sound, and below 80 Hz in THX-certified systems. Thus one or more subwoofers are important for high quality sound reproduction as they are responsible for the lowest two to three octaves of the ten that are audible. This very low-frequency (VLF) range reproduces the natural fundamental tones of the bass drum, electric bass, double bass viol, cello, grand piano, contra bassoon, tuba, and organ, in addition to thunder and explosions.

<span class="mw-page-title-main">Loudspeaker</span> Converts an electrical audio signal into a corresponding sound

A loudspeaker is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A speaker system, also often simply referred to as a "speaker" or "loudspeaker", comprises one or more such speaker drivers, an enclosure, and electrical connections possibly including a crossover network. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone; indeed the dynamic speaker driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such a motor in reverse, as a generator.

<span class="mw-page-title-main">Tweeter</span> Type of loudspeaker

A tweeter or treble speaker is a special type of loudspeaker that is designed to produce high audio frequencies, typically deliver high frequencies up to 100 kHz. The name is derived from the high pitched sounds made by some birds (tweets), especially in contrast to the low woofs made by many dogs, after which low-frequency drivers are named (woofers).

<span class="mw-page-title-main">Mid-range speaker</span>

A mid-range speaker is a loudspeaker driver that reproduces sound in the frequency range from 250 to 2000 Hz.

A woofer or bass speaker is a technical term for a loudspeaker driver designed to produce low frequency sounds, typically from 50 Hz up to 1000 Hz. The name is from the onomatopoeic English word for a dog's bark, "woof". The most common design for a woofer is the electrodynamic driver, which typically uses a stiff paper cone, driven by a voice coil surrounded by a magnetic field.

<span class="mw-page-title-main">Electrostatic loudspeaker</span> Sound playback device

An electrostatic loudspeaker (ESL) is a loudspeaker design in which sound is generated by the force exerted on a membrane suspended in an electrostatic field.

<span class="mw-page-title-main">Horn loudspeaker</span> Loudspeaker using an acoustic horn

A horn loudspeaker is a loudspeaker or loudspeaker element which uses an acoustic horn to increase the overall efficiency of the driving element(s). A common form (right) consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air. Another type is a woofer driver mounted in a loudspeaker enclosure which is divided by internal partitions to form a zigzag flaring duct which functions as a horn; this type is called a folded horn speaker. The horn serves to improve the coupling efficiency between the speaker driver and the air. The horn can be thought of as an "acoustic transformer" that provides impedance matching between the relatively dense diaphragm material and the less-dense air. The result is greater acoustic output power from a given driver.

<span class="mw-page-title-main">Bass reflex</span> Type of loudspeaker enclosure with improved bass performance

A bass reflex system is a type of loudspeaker enclosure that uses a port (hole) or vent cut into the cabinet and a section of tubing or pipe affixed to the port. This port enables the sound from the rear side of the diaphragm to increase the efficiency of the system at low frequencies as compared to a typical sealed- or closed-box loudspeaker or an infinite baffle mounting.

<span class="mw-page-title-main">Full-range speaker</span> Type of loudspeaker

A full-range loudspeaker drive unit is defined as a driver which reproduces as much of the audible frequency range as possible, within the limitations imposed by the physical constraints of a specific design. The frequency range of these drivers is maximized through the use of a whizzer cone and other means. Most single driver systems, such as those in radios, or small computer speaker designs, cannot reproduce all of the audible frequencies or the entire audible audio range.

The chief electrical characteristic of a dynamic loudspeaker's driver is its electrical impedance as a function of frequency. It can be visualized by plotting it as a graph, called the impedance curve.

<span class="mw-page-title-main">Loudspeaker enclosure</span> Acoustical component

A loudspeaker enclosure or loudspeaker cabinet is an enclosure in which speaker drivers and associated electronic hardware, such as crossover circuits and, in some cases, power amplifiers, are mounted. Enclosures may range in design from simple, homemade DIY rectangular particleboard boxes to very complex, expensive computer-designed hi-fi cabinets that incorporate composite materials, internal baffles, horns, bass reflex ports and acoustic insulation. Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in stadium concert sound reinforcement systems for rock music concerts.

<span class="mw-page-title-main">Loudspeaker measurement</span> Quantifying the behaviour of loudspeakers

Loudspeaker measurement is the practice of determining the behaviour of loudspeakers by measuring various aspects of performance. This measurement is especially important because loudspeakers, being transducers, have a higher level of distortion than other audio system components used in playback or sound reinforcement.

The Isobaric loudspeaker configuration was first introduced by Harry F. Olson in the early 1950s, and refers to systems in which two or more identical woofers operate simultaneously, with a common body of enclosed air adjoining one side of each diaphragm. In practical applications, they are most often used to improve low-end frequency response without increasing cabinet size, though at the expense of cost and weight.

The Air Motion Transformer (AMT) is a type of electroacoustic transducer. Invented by Oskar Heil (1908–1994), it operates on a different transduction principle from other loudspeaker designs, such as moving coil, planar magnetic or electrostatically-driven loudspeakers, and should not be confused with planar or true ribbon loudspeakers. In contrast to a planar ribbon loudspeaker, the diaphragm of the AMT is of pleated shape similar to a bellows. The AMT moves air laterally in a perpendicular motion using a metal-etched folded sheet made of polyethylene terephthalate (PET) film. The circuit path embossed on the PET membrane, acts as the voice coil unit. The diaphragm is then housed between 4 stacks of steel pole-plate pieces positioned at 45° within a high-intensity, quadratic, opposing magnetic field. The air motion transformer with its sheet film equally exposed at 180° behaves as a dipole speaker, exciting front and rear sonic waves simultaneously.

<span class="mw-page-title-main">Acoustic suspension</span> Loudspeaker cabinet design

Acoustic suspension is a method of loudspeaker cabinet design and utilisation that uses one or more loudspeaker drivers mounted in a sealed box or cabinet. Acoustic suspension systems reduce bass distortion that can be caused by stiff motor suspensions in conventional loudspeakers.

<span class="mw-page-title-main">Line array</span>

A line array is a loudspeaker system that is made up of a number of usually identical loudspeaker elements mounted in a line and fed in phase, to create a near-line source of sound. The distance between adjacent drivers is close enough that they constructively interfere with each other to send sound waves farther than traditional horn-loaded loudspeakers, and with a more evenly distributed sound output pattern.

<span class="mw-page-title-main">Moving iron speaker</span>

The moving iron speaker was the earliest type of electric loudspeaker. They are still used today in some miniature speakers where small size and low cost are more important than sound quality. A moving iron speaker consists of a ferrous-metal diaphragm or reed, a permanent magnet and a coil of insulated wire. The coil is wound around the permanent magnet to form a solenoid. When an audio signal is applied to the coil, the strength of the magnetic field varies, and the springy diaphragm or reed moves in response to the varying force on it. The moving iron loudspeaker Bell telephone receiver was of this form. Large units had a paper cone attached to a ferrous metal reed.

<span class="mw-page-title-main">Electrodynamic speaker driver</span> Individual transducer that converts an electrical audio signal to sound waves

An electrodynamic speaker driver, often called simply a speaker driver when the type is implicit, is an individual transducer that converts an electrical audio signal to sound waves. While the term is sometimes used interchangeably with the term speaker (loudspeaker), it is usually applied to specialized transducers which reproduce only a portion of the audible frequency range. For high fidelity reproduction of sound, multiple loudspeakers are often mounted in the same enclosure, each reproducing a different part of the audible frequency range. In this case the individual speakers are referred to as drivers and the entire unit is called a loudspeaker. Drivers made for reproducing high audio frequencies are called tweeters, those for middle frequencies are called mid-range drivers, and those for low frequencies are called woofers, while those for very low bass range are subwoofers. Less common types of drivers are supertweeters and rotary woofers.

<span class="mw-page-title-main">David Gunness</span> American audio engineer

David W. Gunness is an American audio engineer, electrical engineer and inventor. He is known for his work on loudspeaker design, especially high-output professional horn loudspeakers for public address, studio, theater, nightclub, concert and touring uses.

<span class="mw-page-title-main">Veritone Minimum Phase Speakers</span> Defunct speaker manufacturing company

Veritone Minimum Phase Speakers, or VMPS, was a loudspeaker manufacturer founded in 1977 by speaker designer Brian Cheney. Many VMPS speakers received favorable reviews from audio critics, such as the RM40, which was awarded Best of CES in the High-End Audio category in 2002. VMPS was in operation for over 35 years, from January 1977 to December 2012, when it closed soon after the death of company owner Brian Cheney on December 7, 2012.

References

  1. "C 80 SUR Surround Speaker - Description". Archived from the original on 2010-02-24. Retrieved 2010-01-26.
  2. "Castle adds new Dipoles to Compact Series - AVReview News and comment". Archived from the original on 2012-03-30. Retrieved 2013-01-05.
  3. http://www.theophanyloudspeakers.com/multi.php?cat=10%5B%5D Theophany Surround Speakers
  4. http://blog.stereotype.co.nz/2009/02/why-dipole-rear-speakers-are-better/ Archived 2010-05-23 at the Wayback Machine Why Dipole Rear Speakers are Better
  5. "Archived copy". Archived from the original on 2008-03-27. Retrieved 2010-01-26.{{cite web}}: CS1 maint: archived copy as title (link)
  6. "Clever sub idea [Archive] - HTGuide Forum".