 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Doa Aly (دعاء علي) | |
|---|---|
 Doa Aly captured by Mayar Kotb | |
| Born | |
| Nationality | Egyptian |
| Alma mater | Helwan University |
| Occupation(s) | Visual artist, choreographer, filmmaker and writer |
| Years active | 2001 - present |
| Notable work |
|
| Children | 1 |
| Website | https://www.doaaly.com/ |
Doa Aly is an Egyptian visual artist, choreographer, filmmaker and writer.
She studied at the Faculty of Fine Arts at Helwan University in Cairo, and received her Bachelor of Fine Arts in painting in 2001. [1]
Over the past twenty years, Doa Aly's work has evolved into a research-based practice that generates multiple outcomes across numerous media. Her projects unfold through the deconstruction, reinterpretation and re-appropriation of various sources, drawn from literature, history, and current events.
Her interdisciplinary practice spans the mediums of writing, drawing, installation, digital cinema, and performance. Her work has been featured in exhibition at the Singapore Art Museum in Singapore, 32Bis in Tunis, Art Jameel in Dubai, Sharjah Biennial 13 off-site project BAHAR in Istanbul, the Center for Curatorial Studies and Hessel Museum of Art, Annandaleon-Hudson in New York, The Abraaj Group Art Prize in Dubai, the Institute of Contemporary Arts in London, the Delfina Foundation also in London, the Museum of Modern Art in Warsaw, the Museum of Modern and Contemporary Art (MMCA) in Seoul, Ireland's Biennial: EVA International in Limerick, Beirut Art Center in Beirut, the Royal Museum of Fine Arts in Antwerp. Her films and performances have been shown by the New Museum in New York, the Tate Modern in London, The Museum of Modern Art (MoMA) in New York.
The End Comes Not For Me is an immersive five channel audio-video installation, adapted from two literary sources: Jean Eugene Robert-Houdin's Confidences (1858; published in English translation in 1859 as Memoirs of Robert-Houdin) and Albert Camus's novel L’Étranger (1942, 1946 in English as The Stranger). The first and second scenes describe how an illusionist helped suppress the Muslim resistance in French Algeria. The third scene features an act of wanton killing on a beach in French Algiers.
Only when all the poison has gone (The healing of Emily Ruete) is based on the writings of Emily Ruete, born Salamah bint Said bin Sultan, Princess of Oman and Zanzibar (1844-1924), as introduced by Emeri van Donzel in An Arabian Princess Between Two Worlds: Memoirs, Letters Home, Sequels to the Memoirs, Syrian Customs and Usages, published in 1993. The film was commissioned by 32Bis, Tunis.
MAGNUNA is a practice-based project dedicated to the ambiguous narratives of female madness in Arabo-Islamic literature from the Middle Ages. It assays a feminist, historical discourse analysis of medieval Islamic madness and its contemporary reverberations by examining how the identity of the majzoub (“attracted by God”) was formulated, and the socio-cultural factors involved in the categorization of madness as holiness. Hayouna was commissioned by the Bergen Academy for Art and Design. [2]
Semenkh-Ka Re: The Many Forms of Silence (MFS) is a drawing and sculpture installation inspired by two relics in the collection of the Egyptian Museum in Cairo. In 2017, during a visit to the Egyptian Museum, Doa Aly came across the haunting debris of an excavation: two blocks of clay, approximately 35 x 25 cm each, with twisted bands of gold and fragments of stone (bone?) embedded in them. They were part of a jewelry display, surrounded by an array of gold trinkets. A wall label referred to the displayed items as “Jewels of King Semenkh-Ka Re,” excavated from a site that archeologists have designated Tomb 55 of the Valley of the Kings, or KV55. This project is a Singapore Biennale 2022 commission. [3]
Metamorphoses: The Sequences is a four-part film series based on stories from Ovid's narrative poem the Metamorphoses (8 AD), using a primary source Charles Martin's Metamorphoses: A New Translation, published in 2004.
Shaikh Rashid bin Khalifa Al Khalifa is a member of the Bahraini royal family, an artist and the chairman of Bahrain's National Council for Arts. He is the first president and the current honorary president of the Bahrain Arts Society. He has painted over a period of 50 years, beginning with landscape painting in the late 1960s. His recent work continues to explore his immediate landscape and the traditional architecture of his homeland, through wall based, structural installations created with aluminium. He is widely considered one of the Kingdom's most renowned artists.
Jaber Alwan is an Italian artist and painter of Iraqi descent.
Susan Hefuna is a German-Egyptian visual artist. She works in a variety of media, including drawing, photography, sculpture, installation, video and performance. She lives and works between Cairo, Egypt and Germany.
Omar Kholeif is an Egyptian-born artist, curator, writer and editor. Kholeif's curatorial practice focuses on art that intersects with the internet, as well as works of art from emerging geographic territories that have yet to be seen in the mainstream.
Ala Younis is a Kuwaiti research-based visual artist, painter, and curator, based in Amman, Jordan. Younis initiates journeys in archives and narratives, and reinterprets collective experiences that have collapsed into personal ones. Through research, she builds collections of objects, images, information, narratives, and notes on why/how people tell their stories. Her practice is based on found material, and on creating materials when they cannot be found or when they do not exist.
Ahmed Morsi is an Egyptian artist, art critic and poet.
Firoz Mahmud is a Bangladeshi visual artist based in Japan. He was the first Bangladeshi fellow artist in research at Rijksakademie Van Beeldende Kunsten in Amsterdam. Mahmud's work has been exhibited at the following biennales: Sharjah Biennale, the first Bangkok Art Biennale, at the Dhaka Art Summit, Setouchi Triennale (BDP), the first Aichi Triennial, the Congo Biennale, the first Lahore Biennale, the Cairo Biennale, the Echigo-Tsumari Triennial, and the Asian Biennale.
Mohammed Kazem is a contemporary Emirati artist working in Dubai, United Arab Emirates. He works primarily with video, sound art, photography, found objects and performance art.
Hussain Sharif is an Emirati artist based in Dubai, United Arab Emirates. Co-founder of Emirates Fine Arts Society and is one of the original "Five" conceptual artist in the UAE including Mohammed Kazem, Mohammed Ahmed Ibrahim, Abdullah Al Saadi and his brother Hassan Sharif.
Mohammed Ahmed Ibrahim is an Emirati artist from Khor Fakkan and one of the pioneer "five" conceptual artists from the United Arab Emirates including Hassan Sharif, Abdullah Al Saadi, Hussain Sharif and Mohammed Kazem.
Amal Kenawy was an Egyptian contemporary visual artist, best known for her videos, performance and feminist work. Active since 1998, her successful career helped her gain international recognition.
Iman Issa is an Egyptian multi-disciplinary artist whose work looks at the power of display in relation to academic and cultural institutions at large.
Ali Cherri is a Lebanese artist working in video and installation. His varied practice focuses on documenting and presenting heritage and environment in Lebanon and other Middle Eastern countries.
Sabah Naim is a contemporary Egyptian multimedia artist. Her work focuses on documenting people and scenes in Cairo, Egypt, and incorporates street photography, painting, collage, embroidery, and video art.
Larissa Sansour is a Palestinian artist who currently resides in London, England. Her practice includes photography, film, sculpture, and installation art. Some of her works include Tank (2003), Bethlehem Bandolero (2005), Happy Days (2006), Cairo Taxilogue (2008), The Novel of Novel and Novel (2009), Falafel Road (2010), Palestinauts (2010), Nation State (2012), In the Future, They Ate From the Finest Porcelain (2016), and Archaeology in Absentia (2016).
Wael Shawky is an Egyptian artist working between Alexandria and Philadelphia. Shawky gained international recognition for his works that trace the history of the Crusades through a Middle Eastern lens. Shawky has won many awards and prizes for his work, including the Ernst Schering Foundation Art Award in 2011 and the Mario Merz Prize (2015) for his film trilogy, Al Araba Al Madfuna. He is represented by Sfeir-Semler Gallery, Galleria Lia Rumma and Lisson Gallery.
Rana El Nemr is a visual artist based in Cairo, Egypt. Working primarily in photography, she has undertaken explorations of contemporary Egyptian urban life, including Cairo's architectural features, public/private spaces, middle-class identity, and the larger urban environment. Her artistic practice moves from formalist explorations of photography as a medium to genre-bending visual essays of her surroundings in Egypt. Her practice is anchored in questioning what it means to live and experience place and time, through recording, describing, and reflecting on this experience via photography, film, texts and conversations. El Nemr's artistic process incorporates formal image-making techniques with contemporary artistic practices, and it strives to integrate various forms of collaborations in different constellations, such as trans-disciplinary collaborations and alternative pedagogical practices among many others. She is a co-founder of the Contemporary Image Collective (CIC), an institution founded in 2004 in Downtown Cairo, whose programming includes lectures, screenings, and workshops that explore the changing role of photography in contemporary visual culture. El Nemr remains an active board member of CiC.
Maha Maamoun, is an Egyptian award-winning visual artist and curator based in Cairo. She is a founding board member of the Contemporary Image Collective (CiC), an independent non-profit space for art and culture founded in Cairo in 2004. She also co-founded the independent publishing platform called Kayfa-ta in 2013. She was awarded the Jury Prize for her film Domestic Tourism II at Sharjah Biennal 9 (2009). Maamoun is a fellow of the Academy of the Arts of the World.
Mounira Al Solh is a Lebanese-Dutch visual artist.She is represented by Sfeir-Semler Gallery.
Alfred Tarazi, is a Lebanese artist. He is a graduate of the American University of Beirut, holding a degree in graphic design. Tarazi is a multidisciplinary artist who works with mediums such as painting, photography, drawing, digital collage, sculpture, and installation, reinterpreting the memories of the Lebanese Civil War.
| International | |
|---|---|
| National | |
| Artists | |
